DSLR makers have developed a rather interesting propensity to focus their R&D budgets on creating the fanciest, most marketable sensors possible. A camera, however, isn't just limited to the scope of its sensor. There are so many other upgrades that could be made that have nothing to do with megapixel numbers. Below are a few straight out of my dream list that likely would be pretty difficult to make work.
Although its business practices have shifted more than once since the Facebook takeover, most of us still love Instagram for its ease of use, reach, and simplicity. But today's app update makes little sense... today. On one hand, the new pinch-to-zoom update is extremely late. The iPhone had this feature since inception (granted, cell phone photos were hardly a thing prior to 2007). On the other hand however, Instagram’s linear photo resolution of 1,200 pixels already comes rather close to the native horizontal resolution of larger phones like the iPhone 6 Plus. Zooming into these photos optimized (read: downsized) for these displays looks absolutely dreadful. What are they thinking?
When shooting catalog images of product it is very important to have consistency throughout the project. Oftentimes a single product might have several versions and each has to be shot separately. Since we want to ensure a consistent look for our clients we have to make sure the product lines up perfectly from shot to shot across all versions. Here is how I personally tackle that for tabletop images.
Lomography, makers of fun film cameras and cool vintage lenses, has just launched a Kickstarter for their latest instant camera, the Lomo'Instant Automat. The Automat is the second generation of the Lomo'Instant camera and offers updates and improvements over the company's original instant camera that they successfully Kickstarted over two years ago.
Today Canon has revealed that they developed a new global shutter equipped CMOS sensor. This means moving objects will no longer be distorted as they were on the old rolling shutter style sensors. The new sensor also addresses the dynamic range issue that has affected previous sensors.
Sony has created a few gems when it comes to lenses in the past few years, with the 90mm Macro and 16-35mm f/4 potentially being some of the best in their class. 50mm for some reason seems to be their favorite focal length to produce, seeing as they now have seven different "normal" lenses with the release of their new 50mm Macro this morning.
Xavi Bou shoots image-bursts of birds and then compiles them in Photoshop to form the working project called "Ornitographies." It almost looks like frequencies moving across the photograph, and there’s a visible rhythm that is not so obvious when comparing it to what we know as an image of a bird flying. It tells a story, capturing an event in totality. These images show how birds move together as one organism, communicating in some way or form to make their flight time together as productive or joyful as possible.
A photograph that does not tell a story, is a lifeless picture – it’s a failure to capture the viewer and therefore, his heart. One single photograph can inspire a person if a photographer knows how to tell a good story. Because photographer Paul Choy wanted to find out the truth for himself behind media headlines, and because he wanted to tell the individual stories of each refugee, he set out for the refugees’ camps in Calais and Greece with his camera. The result is the ‘Faceless, Forgotten’ – a photo essay and a documentary about the struggles of refugees.
Today the Sony Digital Imaging team announced their latest lens addition, the FE 50mm f/2.8 Macro for full-frame E-mount cameras. Shipping at the end of September, the new lightweight macro lens will offer a 1:1 reproduction and 6.3-inch minimum focusing distance. See all the specifications here as Fstoppers gets a first look at the FE 50mm f/2.8 Macro.
As I was perusing Reddit today, I came across this amazing photograph, said to be taken in 1899. The one thing that is both frustrating and beautiful about Reddit is many times, there is no additional information, which means I had to do a little research about the photograph and find out who the photographer was.
This is one of the most important questions that most photographers out there have been asking themselves. We admire the photographers who have their own styles, and sometimes we try to imitate their styles that we like most. We were all taught to try everything, until we find our own unique visual styles. But, is that really important?
This year has been rich in new exciting product releases. While most wedding photographers were probably awaiting the Canon 5D4 announcement, the action and sport photographers were looking forward to the new pro bodies, such as the Nikon D5 and Canon 1DX II. However, Nikon surprised us with the D500, their new APS-C flagship camera. Being the geeky photographer that I am, I wanted to try it out and see if it was good as a Nikon full frame body.
Stop motion animation is by far one of the most forgotten mediums for filmmaking, yet it holds high respect for what it is and how it's done in large motion pictures today. Those pushing the envelope in 2016 are the geniuses behind Laika Studios where they blended hand crafted puppets, CGI, and 3D printing to build a world filled with imagination and story.
I bet everyone has done a baby shoot in their life even if it is not their genre. I bet majority has faced magenta skin tone on the final pictures of the newborns. Whereas it might be suitable for extra realistic or photojournalistic photos, most often it doesn’t look that adorable on final images, where we visualize those sweeties in a better light and color tones.