Did this with a cannon 7d mark 2, 50 mm prime lens, 1.8...
I'm thinking about setting up a Instagram pod for...
Hey group, I think we should get a new group banner photo...
Hey everyone. I'm looking for some constructive criticism...
I’m sure you’ve seen it time and time again on YouTube; animal encounters captured on a GoPro. These popular little action cameras have seen it all. Watch a kayak fisherman fight off an aggressive hammerhead shark. Check out this shot of a red fox carrying off and attempting to eat a GoPro. Take a look at what it would be like to be stalked and chased by a marlin in the open ocean. And good luck sleeping after you feel what it would be like to stroll into a rattlesnake pit.
In various forms of photography, being able to composite several photos into one final image is an important skill set. In the world of portraiture, composites are often used to create group shots in which the lighting situation is difficult or not every subject of the photo is available at one given time. Here I’ll show my process for blending several shots of people into a final image.
Joby has released their latest products aimed towards mobile content creators with the GripTight PRO Video Mount and GripTight PRO Video GP Stand. The new mount is designed to be used with smartphones for on-the-go video filming, live steaming, or creating vlog content. Here are some of my first impressions.
As Instagram continues to evolve as a platform serious photographers use to showcase their work and gain new clients, the app continues to introduce features that make those tasks more easily accomplished. Starting today, users can archive posts, making them viewable only to themselves.
In a brilliant move of marketing meets real world political photojournalism, former President Barack Obama's photographer, Pete Souza, was in D.C. today, photographing Kevin Spacey and Michael Kelly in character as President Frank Underwood and White House Chief of Staff Doug Stamper ahead of season five of the Netflix original series "House Of Cards."
I've been focussing on my video transitions lately. I've noticed the big guys like Peter Mckinnon and Casey Neistat use transitions to create interest and make the videos a pleasure to watch. Now I already shoot for the edit, but I've never really focused on what else I can do to give my videos more punch, until this video. Zach Ramelan shows how you can use audio swells to achieve it. TV Shows have been using it for years, and you don't really notice it until you're told what it is.
Social media consumption is at an all-time high and is on pace to increase at an exponential pace for the foreseeable future. We all seem to have capable technology on us always, whether it be a cell phone or dedicated interchangeable lens camera. With this rapid rate of consumption and the accessibility of technology we are living in a world saturated with quality content everywhere we look. Standing out among other photographers is getting more challenging daily and that’s why I put together these three ways to help separate yourself from other photographers.
Beautiful images are crucial to create an attractive video, but the soundtrack is just as important if not more. Put crappy sound over your breathtaking pictures, and people will probably not even watch more than a few seconds before stopping the film. When creating content for YouTube, finding good music or sound effects can be quite a challenge. But there are solutions, here are three of them to help you out and hopefully make your clips even better!
The journey that a photographer takes in turning an enjoyable pastime into a full-fledged career is a common path that that describes the origins of many photography businesses. With limited business experience, hobbyists-turned-entrepreneurs often make incorrect assumptions about what makes a photography business successful. There is one particularly common misconception that holds a lot of photographers back in the early stages of starting a business.
As a young, rebellious teenager in love with music and films, I discovered my love of photography when I was handed an old Olympus film camera and I have since fallen deeply in love with the art of photography. Years went by as I experimented with different ways of shooting and discovering new ideas I wanted to pursue in this medium until I finished school and needed to think seriously about what I wanted to do in life. The choice was easy: either become a musician or a photographer.
This year’s Travel Photographer Society (TPS) competition culminated in a beautiful exhibition of interesting and unique work from travel photographers all over the world in Kuala Lumpur, Malaysia. Surrounding the exhibition, TPS also held a series of talks by prominent travel photographers. In his standout presentation and follow-up blog post, Pics of Asia’s Etienne Bossot questions us deeply about the ethics surrounding travel photography and just what constitutes the genre.
For the last decade I’ve been sticking to my guns, shooting on a Canon 5D Mark II with a small selection of lenses. This camera has been the love of my life for so long even my family and friends get jealous. But what if you get the opportunity to dive into the dark depths of the deep end and shoot with a camera you’ve never dreamed of having the opportunity to shoot with before?
If you're constantly seeking inspiration from the same places, it can be hard to move forward creatively. Worse yet, if many others are also using the same sources as you, there is a risk of making work which is just like everyone else's. With this in mind, the guys over at Canon Australia have produced another episode in their series from The Lab, a collection of short experiments designed to shift creative thinking behind the lens.
In reality, this shouldn't even be a comparison. We all know what the outcome is going to be, yet we still love to see the results. That or we secretly hope that the phone in our pocket can really keep up with a Hollywood workhorse that is used to film some of the most popular movies and television shows that are being released.
For a western film you may need authentic props. Maybe you need a cool location. Maybe you need an Arri Alexa with anamorphic lenses. Maybe you need a ton of lighting. Maybe you need an expensive software to edit the project. Well, some of these are not that essential.
Recently, while on a speaking engagement in St. Louis, I had some time to chat up several glass manufacturer reps at the conference and ended up testing several lenses, including a side-by-side comparison of the new Sigma 135 f/1.8 Art and the manually focusing Zeiss 135 f/2 Milvus (read that here if you missed it). I also snagged a new 85mm option from Tamron, the 85 f/1.8 Di VC USD, and spent a couple of hours with it. How did it go? Well, let's just see.
There’s nothing quite like being able to materialize your photography by printing a stunning, professional-quality print. From a business standpoint, it can also be quite profitable to cut out the middleman and produce your own prints for your clients. B&H has an incredible offer going on right now that makes printing your images easier and more affordable than ever.