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That shot gave my a fame :)))) Cinematic look and the great...
One of the most obvious telltale signs of an unprofessional commercial or product image is color. The most famous and readily cited issue is color grading, but it's not the only problem and the uniformity of color is often neglected. That is, the even color of the object or two objects' colors truly matching. As always, I will couch my method in the sentiment that it may not be the optimal technique, but it works very well for me.
Italy's Film Ferrania, whose halting progress toward reopening as the third (or fourth, if Kodak beats them to the punch) manufacturer able to produce color slide film we've been following, has made another step towards their goal. Their online shop is now open and taking pre-orders for the new Ferrania's first product, a re-engineered version of P30 ISO 80 black and white film in 35mm format.
Digital photography, especially concerning smartphones, is taking the world by storm these days. It's become the norm to see people whip out their phones when something dreadful happens in public, or when they want to photograph that special moment with their friends while cruising down the freeway at some awful speed. When that wasn't extreme enough, there's the very recent case of the model hanging off the edge of Dubai's 307-meter Cayan Tower.
When asking people what they hate retouching the most, usually the answer is anything hair related. It requires a tremendous amount of precision and a lot of time. Something retoucher Pratik Naik seems to have, at least according to this video in which he fixes eyelashes to perfection while keeping them natural looking. Have you ever wondered how high-end retouchers achieve such result? Then you should definitely watch this time-lapse.
News alert: a $3.4 million Patriot missile is a rather cost-ineffective way to take out comparatively dweeby consumer drone. And yet, this is exactly what happened when a close ally of the United States used one of the U.S. Army's favorite weapons "dealing with an adversary" that was apparently piloting the drone.
I came across this video while just browsing around and it ended up being one of those videos that just took me back. I'm a huge nerd when it comes to drones, but also a huge fan of some good drone work for photography and videography. I expected this video to just be a narrative/documentary about a mountain biker, when suddenly it turned into much more. Flying through the trees, up to the mountains, into caves, and out to the snow and ice; this video takes you on one big journey with the mountain biker himself.
With the recent addition of albums to Instagram, photographers have a fantastic opportunity to add videos such as behind the scenes, short vlogs, or even short clips along with their images. However, if you are like me, cinematography is kind of a new world. While setting up the camera to film isn’t incredibly complicated, editing the content afterward is like learning Photoshop all over again: a nightmare! Thanks to YouTube and amazing people like Ben Brown, getting a grasp of Adobe Premiere’s basics isn’t too difficult.
Apple’s MacBook Air isn’t long for this world. When Apple announced its new lineup of MacBook Pros in October, absent from the update party was the MacBook Air. In fact, Apple quietly removed the 11-inch model from the website around the same time, leaving only the 13 inch to soldier on for the time being. It's not a good sign for photographers invested in the Apple ecosystem (that’s a lot of us) looking for a road-warrior laptop.
In the world of film and commercial video work, there are so many working components that need to come together in order to have a successful production. So when it comes to bringing all those components together, you want it to be as smooth and simple as possible to minimize stress and streamline efficiency so that production does not fall behind schedule. One of those components that is insanely critical for a finished product is the coloring — not an area you want to skip on.
As shutter speed is the limiting factor in taking pictures of the night sky, we often seek out more expensive lenses that open up that bit more or check Fstoppers if there’s a new low-light, high-ISO king of cameras on the horizon. But what if I told you that there’s a device you can use today, with the camera and lens you already have, that has the potential to capture places that are light years away from Earth?
Your photography website is your storefront. It’s the way your prospective clients meet you, and it’s your chance to make a lasting and convincing first impression. A website is the first step in meeting good clients, getting hired, and getting paid. I’m a wedding photographer, but the list below applies to everyone. Whether you shoot landscapes, weddings, or commercial work, your website is the key to booking business. Here are the top eight reasons why your website sucks.
I’ve seen more than my fair share of articles regarding the joys and pitfalls of being paid on time. A very vital part of making a living in any profession is, after all, actually getting paid. But rather than rehash the terrific advice I’ve seen from other shooters about the best way to invoice, I thought I would offer you another perspective. That of the accounting department.
If you're a photographer or videographer, keeping abreast of creative trends is pivotal to best positioning yourself to continually evolve and turn profits. Fstoppers spoke with Shutterstock Creative Director Terrence Morash about how creative trends are analyzed and predicted and how photographers and videographers can use that information to their advantage.
Fstoppers is at it again with another amazing tutorial. This time, Clay Cook is bringing his talent as an advertising and editorial photographer to the table. Based in Louisville, Kentucky, Cook has worked for a variety of local, national, and international clients. However, his work all maintains a common visual style regardless of the end publication, whether it be printed in The Voice of Louisville or used globally by ESPN. Fashion and Editorial Portrait Photography brings you Cook’s start to finish workflow, including his process of working with a retoucher, to show you how you can create similar, amazing images using these techniques.
For me, capturing a sunrise often coincides with a vacation. During the month of February 2015 temperatures were insanely cold. Memories of a fun-filled fall were long forgotten and cabin fever was starting to spread through the household. Worry not though, Groupon came to the rescue with a reasonable two-day pass for an indoor water park about ten minutes away in Niagara Falls, Ontario, Canada. The wife bought the deal, and I took Thursday and Friday off work. To Canada we go!
Model Mayhem was the website that more than any other helped me find models to work with when I was just getting started with portraiture. Starting this month, Model Mayhem has updated its subscription service going far beyond offering perks as it once did. While the update is being touted as an improvement, photographers using Model Mayhem are likely going to be quickly re-evaluating if this service is one that they are interested in continuing to use.
Want to win $25,000 by showing off your video editing skills? Imagine Dragons has teamed up with Adobe by offering fans full access to uncut footage from the lead single, "Believer," from their upcoming third album. Video editors can download the footage and create their own version of the video for a chance to win numerous prizes.
The quest for gear can be fraught with disappointment, not to mention expense, but occasionally one piece of equipment exceeds your expectation. A best buy doesn’t need to be the highest quality or most expensive lens or light to find its way into your own hall of fame. For me it represents unexpected value versus the investment. Mine is the Profoto Acute 600e kit. What was yours?
There’s no phrase I dislike more in the photo world than "I’m a natural light photographer." Believe me, I love natural light more than anything. It’s simple and easy to work with, and you don’t need to worry about bringing a ton of gear with you. But very rarely will just unmodified natural light work. It’s the unfortunate truth of photography (unless you’re a landscape photographer, you lucky bastards). Most photographers will use a flash to do what natural light can’t. Sadly, many don’t use it to great effect. If you want your portraits, or any image with mixed lighting to look better, there are a few key things to keep in mind when you’re on location.
What is your workflow when you have to give the same color toning on a set of images? I guess like me you open an image, make your changes, then copy all those layers one by one to the other files. This sounds a logical and easy way, until you watch this video from Steven Spaulding.