Standing at the edge of Tunnel View in Yosemite National Park I didn’t feel an immediate connection with the iconic tableau. It wasn’t that the scene, El Capitan, Bridalveil Falls, and Half Dome, wasn’t spectacular, as it was. It is among the most captivating scenes in the world. In spite of the beauty, my camera remained in its bag. I couldn’t conceive of a shot that felt personally connected to the scene. Instead, I only saw vignettes of Ansel Adams' deep love for the place. 

Professional landscape photographer Michael Shainblum shares this incredible 8K UHD time-lapse featuring amazing light at many of the best locations in New Zealand for landscape photography, including Milford Sound. Be sure to check out the full-size image gallery as well. 

Medium format is known for producing some of the best image quality. Companies like Hasselblad offer some of the best cameras currently on the market. Its latest lenses for the Hasselblad X1D II are brilliant, so we decided to see how well a full frame camera system such as the Canon EOS R5 would fare against it. 

100-400mm f/4.5-5.6 lenses are highly popular among photographers, as they offer the reach of supertelephoto focal lengths and the versatility of a zoom, all in a package that is significantly more affordable than professional supertelephoto prime lenses. This excellent video review takes a look at Sony's option, the FE 100-400mm f/4.5-5.6 GM OSS lens.

A lot of modern photography is very intricate, multilayered, and complex, with every space in the frame filled by an element that balances other aspects. On the other hand, however, a photo that makes good use of negative space can be equally compelling. This excellent video essay discusses how to use negative space effectively. 

It was big news when Adobe introduced a super-resolution function in Adobe Camera Raw. Although this kind of enlargement is not new, many photographers were excited. I know four ways to get super-resolution. Which method do you prefer?

Do you charge for your photography? For the photographers who want to use their passion as a revenue opportunity, you will have to figure out what works best for you.

Anyone familiar with Karl Shakur's work is aware of his creativity, extreme attention to detail, and recognizable style. This video he produced during the COVID shutdown takes a quick dive into how he achieves his consistent color grading and clean aesthetic using Lightroom and Photoshop (although I was able to accomplish all of these things using Capture One Pro).

One of the greatest things to happen in recent years for photography is the huge increase in incredibly well-designed budget lighting systems. Although most of them come from the same factories as the premium brands, offer similar specs on paper, and often have alarmingly similar looks, what is the real difference?

Fuji's Instax line of products — the legacy of its film heyday — is successful. They've sold more than 50 million cameras, with 10 million alone in the 2019 business year. However, more than that, it's the financial powerhouse for its Imaging division, turning over twice as much money as its digital counterpart. It's strange to think that film is where the money is, but for Fuji, that is the case. So, why is it making digital cameras?

The newly announced Sigma 35mm f/1.4 Art DG DN is the updated version of the previous and popular DG HSM version. With a greater number of elements, more aperture blades, and weather-sealing, all contained in a lighter design, the new lens seems like it could be a brilliant option. However, how does it compare with some of the other options on the market? 

Whalebone Magazine (the self-proclaimed ninth-best magazine in the world) just wrapped up their Second Annual Whalebone Photo Contest, leading up to the release of their aptly named Photo Issue. Categories included Water, Adventure, Human, Motion, Joy, and Weather — whatever those things mean to you.

Composition in photography is deep if not fairly abstract subject matter, and beyond the Rule of Thirds and Golden Spiral, things can get very subjective or in need of contextualization. This video offers quite a different way of approaching composition, using a technique developed by graphic designers.

Adobe Photoshop and Lightroom are tremendously deep editing suites that have been developed over so many years, it's hard to keep track of all the features. Here are some of the lesser-known tools courtesy of Adobe themselves.

This isn't one of those first impressions or my thoughts about the Sony a1 from behind a desk. In fact, over my course with the camera, I have shot more than 10 thousand frames. So here is the good, the bad, and the ugly. 

There is a common misconception about strobe lighting that might be holding back your images, and it's an easy one to make. Here is a concise and clear explanation of the problem.

If you've ever left a shoot a little disappointed with how the weather panned out — and I imagine this is a feeling we're all familiar with — perhaps changing the sky in post-production might salvage your images.

Wedding photography is a rather polarizing genre, with many people warning against getting into it due to its pressures and expectations. But for those who have an interest in it but might be put off by its demands, there is another option: being a second shooter. This excellent video discusses five reasons why being a second shooter might be the best choice for you. 

Luminar AI offers a very different workflow when compared to Lightroom and Capture One, and one of the biggest differences is probably the speed at which changes can be made, thanks to some intelligent automation. This short video gives you insights into simple techniques that deliver great results.

Mirrorless cameras have become incredibly advanced in the last few years, but not all of us need top-shelf features in our primary or secondary bodies. For Canon shooters, the EOS RP offers full frame mirrorless at a very affordable price, and this great video review discusses why it is still a relevant body a few years after its release. 

Last week, on April 20th, 2021, Apple announced a range of new products. The Apple April event this year was one of the most eagerly anticipated in recent memory. Usually, the tech community has a good idea of what to expect from Apple at their events, but this time was different.

Have you been told to stop messing around shooting models and get a job?  Do your loved ones wish you'd do something more stable instead of wondering when the next job will drop into your email?  Well, I believe they're on to something. 

The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2021, we're featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.

Sony's new FE 14mm f/1.8 GM lens is here, and it stands as one of the widest-aperture ultra-wide angle lenses ever made, giving photographers and videographers unique creative capabilities. If you are interested in what this new lens can do, check out this excellent video review that examines the sort of performance and image quality you can expect from it in practice.

The floodgates for artificial intelligence’s interference (or improvements, depending on your point of view) in digital photography have opened up since Apple and Google made it mainstream, with advancements such as Portrait Mode and Night Sight. Adobe took it another direction when it added an A.I.-powered “enhance” feature that enabled the enlarging of photos beyond what’s naturally possible. But is this making photography less real than it should be?