Bro, sick shot! We all know those iPhone photographers (yeah, we are looking at you, Andrew Griswold) who may sometimes take their photoshoots a little too far. The team over at AwesomenessTV perfectly captured what it's like to get a cup of coffee with an Instagram Bro. Please Bro, quit embarrassing us, and just drink your coffee.
Not too long ago, I remember going through a phase when the process of building up a camera rig was, for me, the most exciting part of owning gear. My decisions were based less on functionality, and more on the question of “will this item make my rig look more like a cinema camera?” Big and bulky was the order of the day, and if people ever advised cliches like: “the best camera you have is the one that’s on you” or “it’s not about what gear you have, it’s about how you use it,” their advice was taken with a pinch of salt.
I love simple, easy to implement solutions to a common problem. The problem in this case, is using any sort of ND, polarizer, or other lens filter on wide-angle lenses that don't have filter threads. Sure, there are filter holder solutions but those can be a bit pricey for a hobbyist. In this video from MrCheesyCam, we're shown a simple way to DIY a filter onto a lens with some tape and card stock.
Hailing from Seattle, portrait photographer Ben Lucas put together this amusing video pitting his talents as a photographer against those of an actor pretending to be a professional photographer. The lights are set up and the camera is the same, the only thing that changes is the person taking the pictures. How big of a difference can it make?
Hey there, Ben Sasso here! Learning new things is one of my favorite parts of what I do, and I want to be able to pass that on. If you're looking for some quick and basic natural lighting tips to play with on your next shoot, you're in the right place. Check out five easy tips! Hope you enjoy!
If I ever find myself wallowing in a creative rut, I have a few surefire ways out of that hole. My most effective method, although probably not the quickest, is to watch a documentary on another photographer. They need not be similar to your own brand of photography; in fact, I often feel it's better when they aren't. Whatever sub-genre of photography the subject does, a documentary is invariably a rich vein of ideas and inspiration.
I'm sure by now, many of you have heard of the one and only Casey Neistat, filmmaker and YouTube extraordinaire. He has a following of nearly three million subscribers on the platform and growing. He even won "YouTuber of the Year" at the Shorty Awards. He is obviously one of a kind and an incredibly polarizing creative, but who will be the next big star we look to for photo and video inspiration? Her name is Sara Dietschy; you will want to check her out.
Peter Stewart is an internationally published photographer that specialized in travel and fine art photography. To understand how to take awesome scenery photos, you must know the three basic qualities of light: intensity, direction, and color. Check out how a master does his work.
The choice of colors in a scene can be one of the most influential factors in giving a film its signature identity. Whether you're looking to recreate an iconic look or simply seeking new inspiration, Cinema Palettes is making it incredibly easy to replicate your favorite films.
This is by no means a new topic, but a recent poster in the Fstoppers Wedding Photography group lamented that they felt they were stuck in a creative rut, and it got me thinking about the problem of trying to be experimental within an industry. Chances are if you’re shooting for a client, they have a preconceived idea of what you're going to provide, even if that’s just a ballpark “these kinds of colors, this kind of emotion.” If you rocked up to a wedding with the awesome idea of only shooting macros of toes, you’re going to have a hard sell when it comes time to deliver the finished product; they’d need to be really good foot shots.
Are you a Photoshop expert? Fstoppers is starting a new weekly Photoshop contest for our community! We want you to submit your best photoshopped images in the groups where fellow photographers will vote for their top five favorite images. Of those top five, one lucky winner will be chosen and win their choice of an Fstoppers tutorial. This week we are focusing on your most creative photoshops within wedding photography!
The editor: a job that if done well goes unnoticed. To be a good editor, one must feel the rhythm of a scene, be able to convey seamless emotion, and convince you, the viewer, of the truth unfolding on the screen. In this super-cut by Every Frame a Painting, the job of the editor is broken down by example. The greatest scenes in cinema would be lifeless without the masterful and instinctual slicing and splicing made by the editor.
We've all been there. Our creativity is stagnant, our work has ground to a halt. We begin to convince ourselves that if only we had that new lens or body, we'd be creating world-class images again. Of course, the moment we actually buy that new piece of gear, the reality that our photos are not suddenly transformed sets in. One man had just such a realization, and the result is hilarious.
If you began shooting video within the last five to eight years, it's quite likely that you rode the "5D Mark II wave." Maybe you didn't own a 5D, and still don't, but that camera revolutionized the world of video production forever. Not only did that camera enable many "budget" filmmakers to make top notch content, it inspired almost every manufacturer to begin shoving video into every camera they could. No longer was it necessary to buy a dedicated video camera to create motion pictures. While I will certainly credit Canon with originally bringing professional video capability to the masses, I have to hand it to Sony for rocketing "DLSR video" to another level entirely.