It's no secret, I hate shooting weddings. I've always felt that way and then Lee took me on an actual wedding gig and confirmed two things. 1) I really do hate shooting weddings and 2) I'm pretty shitty at it. They are way too much work, way too many creative restrictions, way too little lighting options and way to many guys and gals running around with cameras, far better than mine, pretending to be photographers. Don't even get me started on the potential for having to deal with bride-zillas. And now this story caught my eye, where a client is suing a studio for missing the last 15 minutes of his wedding. Sounds reasonable, you say? Well get this: not only was the wedding done in 2003, but the client is also divorced and is suing to have the whole wedding reinacted for $48,000 plus the original $4100 fee. Studio owner Dan Fried says that the cost of defending themselves in court has already matched the sum demanded by Remis (the client), and calls the case “...an abuse of the legal system.” I can't wait to see all your comments on this one. For links to the full story, jump in and leave your comments below.
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Nick Veasey's work has been around and you may have seen some of it before but it doesn't make it any less cool. To paraphrase Nick, he likes to counter the obsession we have with superficial appearance by using x-rays to strip back the layers and show what is under the surface. He likes to challenge our automatic reaction to physical appearance by highlighting the inner beauty. We can't all have access to an x-ray machine like Nick but at least we can look at his photography and see ourselves and the world in a whole new light. Jump into the full post to see twenty one truly revealing shots.
Your "Likes", "Tweets", comments and clicks all help us know which are our best posts of the month. And because we don't want anyone to miss any of Fstoppers' goodness we put "The Best of" in a monthly newsletter for you. So, if you missed anything this October check out the top posts of the month and sign up for our newsletter here
As I mentioned at the beginning of the month, we are going to have guests stop by to write posts, just for you, our FS readers. Some of these well known and accomplished members of the photo industry will be here to get something off their chests. Others to plug something. Some to teach and others to entertain. This month we are happy to bring you Jeremy Cowart and he wants you to think about something. Jump into the full post to see what's on his mind and be sure to check out all that his links have to offer. Thanks for this great post Jeremy.
Joel Grimes is a commercial advertising photographer who is most known for his composite portraits. In his recent interview with [Framed], Joel discusses how he got started with his career, how he uses 16bit HDR images in his workflow, does a full photoshoot, and even shows off his musical talents. The video is long so take your time watching it because he gives a lot of useful tips. I'm trying to persuade Sean Armenta to create an Fstoppers Post Production Tutorial on this type of composite editing so if you have questions leave them in the comments below.
This striking image (pun intended) was shot by Blair Bunting for a Deadliest Catch ad for Discovery Channel. Curious to know how he did it? Well, luckily for us, his assistant Paul Morton filmed the whole thing, and Mike Maez was kind enough to edit it down into a digestible and inspiring video. Do not worry, it did not take any knocked out teeth or injured sailors to get the job done, but rather a couple of Pro-7a units and 3 high powered leaf blowers. Have a look and see for yourself!via the ProFoto Blog
You may remember the Lytro camera from Patrick's earlier posts, "...An Image You Can Focus After You Capture It" and "The Focus Later Camera...", well now Lytro has announced it's consumer light field camera with an 8x f/2 lens and built in storage. An 8GB camera that stores 350 pictures will be priced at $400, while a 16GB with a 750 image capacity will cost $500. Lytro cameras are currently available for pre-order, shipping early 2012. The question now is, "Is this camera going to be developed for professional use or is it destined to be little more than a consumer gimmick?" Take a look at the photos and video in the full post and let us know what you think.
As creatives we photographers have very little reason to be packing standard humdrum business cards (let's leave those for the door to door salesmen and insurance agents). Photographer/Blogger Katie Sokoler obviously agrees with me as she recently posted on how she made her home made cards. I love exchanging cards but am often disappointed when I'm out networking with my peers and I recieve a card that is unimaginative or worse, tacky. Whenever I hand mine out I'm often bombarded with a slew of questions like, “Is this an envelope? Is there something inside it? Can I open it?". To which I respond: “Yes it is. Yes there is. Yes you can.” Which often leads to the question, “How much did it cost to have these made?” To which I respond: "I did them myself." So I decided to follow Katie's example and throw up a few pics to show how I make my cards. See how putting in a little bit of effort can help get you remembered.