During one of my last glamour photoshoots i have switched...
While I was on holiday in Miami, I met this extremely...
I was shooting this for an Etsy shop called Caresse LLC,...
Yes, you've heard it! I am starting a pod on Instagram for...
In November of last year, Jonny Von Wallström sold his feature-length documentary film "The Pearl of Africa" to Netflix. He had been attempting to chase down the video streaming service for several years. This included hunting down contact information for commissioning editors and attempting to woo Netflix employees at every pass. After a number of disappointing setbacks, he finally landed an offer. In a fascinating vlog entry on his YouTube channel Creative North, he discusses his journey to landing a global distribution deal with the streaming monolith.
A couple of months ago, I finally pulled the trigger; I broke out my wallet and dropped a (rather large) chunk of change on my first mirrorless camera kit, the Fujifilm X-T2. I had been researching mirrorless options for almost a year, and finally landed there for a multitude of reasons. I was mainly interested in a mirrorless kit for use while traveling and backpacking, and loved the idea of a smaller, lighter kit. All signs started pointing at the X-T2 over the other long-term contender, the Olympus OM-D EM-1 MK II. It was only a couple of weeks before I headed off to spend a month in India and Nepal, so I needed to learn this camera relatively quickly.
Flying a drone often enables the possibility of getting some really unique and arresting shots, but it also takes a fair amount of skill or even a second operator on a dedicated camera controller to pull them off. These five simple shots will give you similarly excellent results with minimal effort.
The summer box office is a very complex orchestra of films. Filled with independent dramas, giant cast comedies, and huge blockbuster franchises all vying for a spot at the top to profit big on their investments. Sadly for "Valerian," that did not happen over the weekend even though they spent over 180 million to create it. Here is why it flopped and how you can learn from it as a creative.
I am a doer. I pride myself on getting things accomplished. Doing things rather than talking about them. I even keep a strict log to make sure that I make the absolute most out of every 24 hour period. Productivity is my spirit animal. Now, I know what you’re thinking. Isn’t that a bit excessive? The answer is more than likely yes. And I don’t open that way as a means of boasting. Like many, my greatest strength is often my greatest weakness. My obsessiveness over getting things done has driven me to compile a diverse list of accomplishments (and failures). But, in a profession where the best course of action can require patience, obsessing over productivity can often drive you plum crazy.
As you can imagine I spend a lot of time in Photoshop. And when you spend as much time in Photoshop as I do, you want to work as fast and efficiently as you can. Knowing your way around the layers panel in Photoshop is a great way to maximize efficiency. I teamed up with Fstoppers to create a video tutorial that focuses specifically on the layers panel in Photoshop. In this video, I’lll show you have to maximize your workflow with a series of practical tips and shortcuts. This video is great for beginners, however, even if you’re well versed in Photoshop, you may just learn something new.
The times of oversaturating and selective coloring might be over, but clarity is here to pick up where those post-processing horrors left of. Now don’t get me wrong, I think that clarity is an amazing effect that can do wonders on your images… just not if you use it on the whole image and crank it to the max. I realize, that seeing this sudden increase in drama and grittiness might feel satisfying to some but too often has it used in attempts to turn uninteresting photos into something that they are not.
We talk about gear and how to take better shots or process your images all the time, but less often do we discuss the non-camera related side of photography, engaging with the subject, though it's obviously of the utmost importance. This helpful video gives you five tips to produce better engagement with your talent.
Mike Olbinski, an award-winning photographer, did it again. Here is his latest production, a stunning time-lapse showing some of the most powerful thunderstorms, supercell structures, and tornadoes of the American Midwest. Olbinski specializes on storm chasing but this season was particularly tough for him. Mother Nature has not been cooperative this year despite his extensive weather forecast knowledge. The storm chaser had to drive 27,000 miles across 10 states during a month to capture the 90,000 frames necessary to finish the project. Hence, he called this video “Pursuit.”
Christopher Nolan continues to give us of the best movies ever produced. My first Nolan movie was “Memento,” and I surely realized that the theme of his movies, his way of telling a story, and overall character portrayal was something I've never seen before. His vision and talent has given us many after that. “Inception,” “Interstellar” and now “Dunkirk.” His way of doing what he does is worth paying attention to. And when I read up about him, I came across an interview where he mentions how he removes distractions from the set.
Free? Working for free? When I started out, being asked to work for free made my blood boil; Didn’t people know I had bills to pay, rent to make, black T-shirts to buy, rounds of beer to shout, girls to woo? These things cost money, and it still makes my blood boil when I’m asked to work for free. And yet I often work for free. Confused? Here’s how working for free is a good thing and how to ensure your blood doesn’t boil in the process.
It is possible. I'm not here writing this to beat you in the head with an “it's not the gear” rant; we can all agree that take is a bit redundant after awhile. But with that said, it still holds very true. What I'm here writing to share is why I decided to use one lens, which one I used, how I use it, and most importantly, how you can too. I built my entire portfolio using one lens and one lens only. Before you read on, can you guess which lens by looking at the photos below?
Canon released the 1D X Mark II last year, representing the next generation of its flagship model, a camera meant to be without compromise — top of the line capabilities, durability, and performance. As even consumer-level cameras reach sometimes stratospheric heights, the truly professional models have had to reach for even greater heights to continue to distinguish themselves. Read on to see where the 1D X Mark II fits in.
Whenever my girlfriend and I see antique stores or vintage markets, our eyes light up. Her eyes are lit up with dreams of bone china tea sets and antiquated woodworking, whereas mine are bright with visions of a dusty Hasselblad in a forgotten corner, or spools of unprocessed and antiquated film. On a Sunday morning in sunny Englandshire recently, my lady-friend and I went for breakfast and on returning to our car, saw a small sign for a vintage pop-up market.
Announced earlier this year, the brand new Elinchrom ELB 1200 is finally about to be available on the market. The Swiss flash manufacturer has just published all the details regarding their premier adventure light for photographers, including its release date and the trade-in offer for Ranger RX owners.
I’ve learned a lot over the past 15 years as a professional artist. I’ve learned a lot about fear, failure, and success. I’ve been fortunate enough to mentor and educate thousands of photographers all over the world. Even as a young four-year photographer who many would still consider “green,” I’ve taught photographers from all walks of life, all levels of advancement, and even some who had reached a level of comfortable success.
I first discovered the work of Cannabis Photographer Kristen Angelo when the Seattle Times did a profile of her for their series highlighting "cool jobs" in the region. Her work stood out as something fresh, new, and real. Unlike the high-contrast, psychedelic images I was used to seeing, Angelo's images showed different side of the culture of cannabis: sun-drenched, cultivated by passionate farmers in the rural Pacific Northwest. I caught up with Angelo to ask her about how she got into the field of cannabis photography, and how she developed her business as a freelance photographer.
“Do what you love, and you’ll never work a day in your life.” What an inspiring, hopeful idea. Unfortunately, it’s not always true. According to this article on USA Today, only about 20 percent of businesses last past their first year, and even less survive past the five-year mark. So, what happens when someone falls in love with photography and thinks to themselves, I should start a business? The answer is: a lot of stuff that is not related to photography and, sometimes, the death of a passion.
Cranes are quickly becoming a staple in the bags of many videographers and for good reason. It has a smaller footprint, lower cost of entry, and has a relatively low learning curve than most gimbals on the market. Even though most users can pick up and go without ever opening the manual. There are still fundamental crane movements that you need to learn to take a good scene and make it a great scene.
If you follow any rumor mills, the night before a product is announced, we almost always know what it's going to be and the main features behind it. Even a few photos might leak. Apple is the only company that can keep such a tight lid on its releases, and even they have trouble. So we should have known something wasn't quite right when we didn't have any good information on the new D850 that was supposedly going to be announced today. Instead, Nikon simply announced the camera's development.
Chinese lighting manufacturer Godox has just released a few details about their most recent project: an off-camera flash for your smartphone. The Godox A1 is more than just a constant light, offering several options in what they are calling their first “phone flash system.”
Almost all photographers nowadays are familiar with modern equipment and use it to create, show, and improve their work. Some is necessary like new cameras, lenses, computers, and some is complementary. It all depends on your work style and the photos you want to create. But let's ask a question here. How much of this technology and knowledge do you need for being a better photographer in your genre?