When it comes to time-lapse photography, there are a great number of items available for you to do just that. In fact you can head over to B&H Photo to really see just how many options there are. Most are fairly simple to use and come with some sort of remote allowing you to set the path and duration of your pass. Some are intuitive, others aren't as simple between setting keyframes, setting durations, or in some extreme examples, using a different module for each axis and having to program each independently in order to achieve a multi-dimensional movement. How much simpler would it be though if you could draw your intended path for your time-lapse and have it up and running in a matter of a minute or two?
I recently had the opportunity to try out Lexar's modular workflow line of products which is an array of modular components that fit into a multi-bay, hot-swappable hub that connects to your computer via Thunderbolt or USB 3. After spending a few weeks with this interesting product, here is what you need to know. In this review I will be covering the hub itself, along with the SSD, SD Card Reader, and USB Hub modules.
Stabilizing a video camera used to be a heavy, cumbersome, and expensive task. Today, with the help of smaller cameras and electronic gimbals, stable 4K footage has becoming increasingly affordable and compact. DJI has taken this idea to the max and created a handheld stabilized camera that can shoot 4K raw footage.
A few days ago MIOPS posted their new project up for funding on Kickstarter, the MIOPS Mobile DSLR/mirrorless camera trigger system. Fundamentally, it's an enhanced version of their previous trigger, the MIOPS Smart Trigger. It has all its same modes plus a cool brand new feature that is the central idea behind the new trigger system, which is the ability to use your smartphone as a triggering sensor.
Adobe Photoshop is a visual cacophony of tools, tools, and more tools. There is seldom just one way to accomplish the look you are after, and beginners endlessly scour YouTube seeking the end-all answers to their questions only to find 27 different ways to, say, "add contrast." It can all be a bit confusing until you remember one key thing: There is no right and wrong. If you get the result you like, and those viewing your work seem to like it, then you've succeeded. To that end, I wanted to review one (of the dozens of possible) ways I utilize Gradient Maps for my color work in Photoshop.
Fstoppers has worked hard to bring you valuable educational content from incredible photographers like Peter Hurley, Mike Kelley, Dylan Patrick, Elia Locardi, and Joey Wright. Now we're asking for your help! We at Fstoppers are preparing to create our next premium photography tutorial which will probably cost around $300. We would like to know from the Fstoppers community which genres we should focus on and who it should be with. Would you take a quick one minute survey to help us out?
Our images are growing fat — so fat that the software we like to work with isn't able to cope with their file sizes. But along comes Sean Bagshaw with a great tutorial on how you can save files that exceed 4 GB in Photoshop that still retain editing capabilities in Lightroom and Bridge.
500px just introduced their RAW app. It uses the new iPhone raw image capabilities to make editing on the go easier and as intuitive as possible. The app gives you the capability to export to your social networks as well as your 500px profile, where you can sell the images and make 60% of the profit. It also has an Assignment section, which I believe will be used to give photographers paid projects depending on their location. Is editing raw images on mobile devices the future of post-production? By the looks of what Lightroom has done with their mobile apps in which you can edit your raw images by using a smaller proxy file, it might be the way the industry is moving.
I've always seen SanDisk and Lexar as the two main companies when it comes to camera media. Having used Lexar for some time now, I'm always excited to see what the company releases given my success with them in the past. This week they have shown a few new products for a variety of uses from CCTV to action cameras, to still photography and filmmaking.
I am not a fan of altering the initial colors and setup of photos after the shoot is done. I prefer to look for the perfect matching background or surrounding to complement the subject I photograph beforehand. However, color grading is an essential step in my work, which completes the overall mood I aim to achieve through my photography. Being one of the most important steps in my workflow, the process usually involves a play with the luminosity, saturation, and some slight tonal tweaks. But there are times when we might have a striking color scheme, but not the perfect surroundings to complement the subject.
Printing photos is a technical and complicated process, especially when it comes to getting accurate colors on paper. If you want to print your own photos, your monitor, the software you use, your printer, and the paper type should be in harmony to get the same colors and depth you create on screen. To make the color matching process easy and hassle-free, EIZO has created a software solution in collaboration with Adobe, Epson, and Canon: EIZO Quick Color Match.
As Photokina is kicking off, almost every brand is releasing new products. The Danish medium format manufacturer is no exception and is introducing a new digital back, the IQ1 100MP, along with two new Blue Ring lenses and Capture One 9.3. One might wonder why Phase One decided to have two 101-megapixel backs in its product line, so let’s dive into the specs and see what the reason(s) may be.