Way back when, before traveling and scheduling became a bit crazy for me, I issued a second Retouch Challenge to Fstoppers readers, offering up a raw file from a shot I did of model Anna Truett in St. Louis. After receiving a couple hundred submissions, I have finally (no, really) selected my favorite ten edits. Let's take a look!
Chances are, if you're serious about this industry or have been doing your homework, you've heard about the importance of having color-accurate monitors in order to produce the best quality images possible. This point cannot be driven home hard enough: you can have all the correct techniques and execution, but if you're working on a monitor without a correct color calibration, your final image will not deliver the same impact as what you see on your monitor. The answer? A color calibration system.
There was this thread going on on Reddit, and I just had to ask the Fstoppers community. The question had me thinking back to about ten years ago, when a group of friends and I went to "investigate" signs of paranormal activity in a derelict castle in Belgium. What is the craziest place you've been and got kicked out of for trespassing while taking (or trying to) take a photo?
Now admittedly, this particular device probably won't see much use in a commercial sense due to a few limiting factors. However, that being said, for those in need of fast moving aerial footage in the 1080p range, this may be worth checking out. The Parrot Disco is a fixed wing, single operator, first-person perspective flight drone that can record up to 32 GB of 1080p video on an internal storage system. It's able to reach speeds up to 80 km/h, a 2 kilometer range, and 45 minutes of flight time. This could be an interesting step forward in the direction of other high-speed aerial recording that won't require the use of full-size planes or helicopters.
It’s hard to pick a component of gear that’s most important for editing your color-dependent photo and video work. But it’s easy to say that a great, accurate, wide-gamut monitor is near the top of that list. NEC recently gave us a chance to review a monitor of theirs that's popular for its balance of features, size, and mid-range price for its tier: the EA275WMI-BK.
Back in July of 2016, Adobe released a major update to Lightroom Mobile for iOS that allows it to work directly with any and all raw files supported by the desktop version and to also sync them seamlessly with the desktop. But what does this actually mean for real-world use? What problem are we actually solving? Let's go on a trip with epic travel photographer Elia Locardi and find out.
The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2016, we'll be featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.
DSLR makers have developed a rather interesting propensity to focus their R&D budgets on creating the fanciest, most marketable sensors possible. A camera, however, isn't just limited to the scope of its sensor. There are so many other upgrades that could be made that have nothing to do with megapixel numbers. Below are a few straight out of my dream list that likely would be pretty difficult to make work.
Although its business practices have shifted more than once since the Facebook takeover, most of us still love Instagram for its ease of use, reach, and simplicity. But today's app update makes little sense... today. On one hand, the new pinch-to-zoom update is extremely late. The iPhone had this feature since inception (granted, cell phone photos were hardly a thing prior to 2007). On the other hand however, Instagram’s linear photo resolution of 1,200 pixels already comes rather close to the native horizontal resolution of larger phones like the iPhone 6 Plus. Zooming into these photos optimized (read: downsized) for these displays looks absolutely dreadful. What are they thinking?
When shooting catalog images of product it is very important to have consistency throughout the project. Oftentimes a single product might have several versions and each has to be shot separately. Since we want to ensure a consistent look for our clients we have to make sure the product lines up perfectly from shot to shot across all versions. Here is how I personally tackle that for tabletop images.
Lomography, makers of fun film cameras and cool vintage lenses, has just launched a Kickstarter for their latest instant camera, the Lomo'Instant Automat. The Automat is the second generation of the Lomo'Instant camera and offers updates and improvements over the company's original instant camera that they successfully Kickstarted over two years ago.
Today Canon has revealed that they developed a new global shutter equipped CMOS sensor. This means moving objects will no longer be distorted as they were on the old rolling shutter style sensors. The new sensor also addresses the dynamic range issue that has affected previous sensors.
Sony has created a few gems when it comes to lenses in the past few years, with the 90mm Macro and 16-35mm f/4 potentially being some of the best in their class. 50mm for some reason seems to be their favorite focal length to produce, seeing as they now have seven different "normal" lenses with the release of their new 50mm Macro this morning.
Xavi Bou shoots image-bursts of birds and then compiles them in Photoshop to form the working project called "Ornitographies." It almost looks like frequencies moving across the photograph, and there’s a visible rhythm that is not so obvious when comparing it to what we know as an image of a bird flying. It tells a story, capturing an event in totality. These images show how birds move together as one organism, communicating in some way or form to make their flight time together as productive or joyful as possible.
A photograph that does not tell a story, is a lifeless picture – it’s a failure to capture the viewer and therefore, his heart. One single photograph can inspire a person if a photographer knows how to tell a good story. Because photographer Paul Choy wanted to find out the truth for himself behind media headlines, and because he wanted to tell the individual stories of each refugee, he set out for the refugees’ camps in Calais and Greece with his camera. The result is the ‘Faceless, Forgotten’ – a photo essay and a documentary about the struggles of refugees.