This is my first post in this group, and in any group on...
First things first: I am new here. Lately I was...
Lone rider waiting for a train on a very early Sunday...
This is a shot taken in Dubrovnik, Croatia. It was around...
Few things are more terrifying than a corrupted or accidentally formatted memory card. When that recently happened to me, I hastily hopped on the Internet to find memory card recovery software. After several hours of searching, I came across an obscure but free tool, and a few hours later, all my images and videos were safely and securely transferred to my hard drive.
Sony has established the era of the incremental update, offering new bodies at an alarming rate that are putting the old guard to shame. Where flagships used to be replaced every four to five years, Sony has just announced its ultimate camera after the first iteration has been on the market for a mere two-and-a-half. Is this what customers want, and is the a9 II a big disappointment?
Creating panoramic photographs is nothing new; most of us have either had a crack with a camera or maybe even with a phone app/camera. A lot of my work involves creating panoramic/stitched-together photographs with a tilt-shift lens, which in my opinion is the best way to do so.
Lightroom is a complex and intricate application, and it can be easy to overlook features in the program that can make your life far easier and efficient or even open up new capabilities. This helpful video features three tips that anyone using Lightroom should definitely know about.
On many cameras, there’s something incredibly satisfying about pushing a button and feeling the mechanical shutter — especially combined with a big chunky mirror — flick in and out of place in a fraction of a second. Some, however, are plain awful. Which ones do you like, and which ones make you feel like the camera is about to fall apart?
For many, wildlife photography is all about natural colors and objective realism. The light, composition, and behavior captured should do all the talking. And for the most part, I agree — for that other tiny little bit, though, I beg to differ. Please allow me to elaborate in more ways than one.
Getting familiar with Photoshop is a long process, and who better to reveal some little-known features than someone with more than 20 years of experience? This excellent video from Jamie Windsor will speed up your workflow and uncover some powerful features that you might not have known exist.
Sigma's Art series of lenses continues to impress, and perhaps one of the most alluring in the entire lineup is the 105mm f/1.4 DG HSM Art, which offers excellent wide-open sharpness along with the ability to turn any background into a gooey swath of bokeh. How good is it? Check out this quick and practical review.
V-flats are one of the most useful lighting items a studio photographer can have. In fact, they can allow you to create much more complex lighting setups just by shaping a single light. This great video will show you how you can create three different lighting setups using just a single strobe and some v-flats.
One of the most important aspects of any portrait is the eyes. The eyes are what any viewer is naturally drawn to when looking at an image, and thus, it is worth spending just a little extra time making sure they are just right. This great tutorial will show you a technique for enhancing the eyes in Photoshop.
When you're scrolling through Instagram and you stumble upon a creative portrait or effect, what's the first thing that goes through your mind? You probably think it's just "Photoshopped." in, but in this video, see how Lindsay Adler created these artistic and creative effects in camera.
Traditionally, professional sports photographers use top-level cameras with low-to-medium resolution, as these cameras typically have the fastest frame rates, which are needed to capture professional athletes in action. But with Sony putting fast burst rates even in their higher-resolution cameras, sports photographers can now have the best of both worlds. This great video discusses using a Sony a7R IV for NFL football photography.
In the age of Instagram, if you can rock a floppy sun hat and big Hollywood sunglasses and have at least 3,000 followers, then you have a voice big enough to represent any number of companies, but being a brand ambassador isn’t all beach-side sangrias and posing with vibrant murals: scam artists have found Instagram, and the perpetrators are plentiful.