Every year at Adobe MAX, and sometimes in between, we are treated to the Adobe Sneaks: a series of presentations of what Adobe is doing at the most advanced levels technology can take us in order to help creators save loads of time, such as Project Fast Mask, which makes masking out any subject in a video as easy as using the Magic Wand selection tool.

Shooting products has been a staple of many photographers, but with the advantages brought by CGI, more and more companies are starting to make changes to how they create images of their products. Why are they moving, and do photographers need to adapt?

Anamorphic lenses have been a staple of cinema for the best part of 70 years, and they're still as desirable today as they have always been. But how did they come about, what makes them special, and why do people still use them?

This year has forced many photographers and filmmakers to take an extended break from their day jobs and stay home. The newfound stresses that come with quarantine have left a lot of us uninspired, while others have used this time to pursue projects they couldn't find time for before. One professional filmmaker used his time during quarantine to create a beautiful Sci-Fi short film, from the comfort of his own home.

Color grading can make or break footage, no matter how impressive the clip is. But did you know you can color grade in Photoshop? If you're not familiar with Premiere Pro or other video software, this could be very useful indeed.

The ever talented team at Scanline VFX have posted their most recent BTS video of the popular wight fight scene from the Game of Thrones Season 4 Finale. In this run down you can see the incredible detail and heavy visual effects work that goes into each and every scene from that fight. This one sequence has been remored to be one of the most expensive scenes created for the show.

The technology inside cameras is growing at an impressive rate and even the older technology has been improved and refined to near-unthinkable levels. One such area is in-camera image stabilization (IBIS) to the point where it can rival a gimbal in certain situations. But just how many situations can modern IBIS compete with a gimbal?

Moment is a company who makes lenses for iPhones. They recently introduced their Anamorphic lens, and started a festival where some videographers got the opportunity to shoot whatever they wanted to. JR Alli made Disconnected on his iPhone, and this video shows how he did it.

Going back to that moment when Easter morning comes and my mother, the "Easter Bunny" at the time, had purchased two of every single X-Men character on the market for my older brother and I. Since then I have had an extreme passion for super heroes and all that comes with it, especially when in movies!

Big movies mean big budgets, which usually mean big visual effects. The Moving Picture Company (better known as MPC) recently released another one of those mesmerizing VFX breakdown videos for their most recent feature film, “The Martian.” The breakdown reveals some aspects of the film and of Matt Damon's performance that were both challenging and impressive, like the fact that the helmets worn in the film didn't feature physical windscreens. Those were added later with matching reflections to the scenery.

"Beauty" is a short video by Rino Stefano Tagliafeirro, and it's a captivating 10 minutes that brings to life still paintings with a somewhat eerie soundtrack that almost forces rapt attention. The manifesto is described as delving into the "enigma of beauty." I would say more, but this is just one of those things that needs to be experienced. Warning, this does contain painted nudes.

Last week I shared a video that used a couple of alternative techniques for aerial video, and coincidentally I was contacted shortly after to check out another video that had some unique drone video shots. In this kite surfing video, you'll see some interesting macro-style clips, speed ramps, zooms, and more. The fact is, all of this was done in post.

When the new technique called bullet time debuted 20 years ago with the movie "The Matrix," the effect was so different and mind-blowing that it raised the bar for outside the box camera effects. A couple practice runs, a group of boys playing basketball, and a clever cameraman was all it took to pull off this big budget effect without even opening a wallet.

Eric Flores Garnelo has made a short film using mainly cinemagraphs to create the scenes. The audio is well produced, and the production of the scenes are done with craftsmanship. Watching each of these shots with only one item moving opens up the capacity to contemplate. Being a photographer, the first phase was to think how he did it and what it must have taken to actually get the shot. Secondly, it takes you deeper, into the human condition and the small moments during the day that can seem insignificant, but holds so much beauty if we just opened our eyes.

You can make it look like two people are sitting with their backs to opposite sides of the same wall. It allows you to transport your audience to a different place in a fun way. This video from Mango Street shows how they did it and shares a tutorial on how you can too.

Nice lighting and a controlled experiment can yield some pretty cool results, and luckily there are folks like the ones behind the brand Beauty of Science who just released a video showing exactly that. Simply put, they dissolved some M&M candy in a dish of water. And it looks amazing.

I "met" Dan Dawley on craiglist over 5 years ago when Patrick and I were looking for an animator for our brand new website idea (Fstoppers). At the time, he was just getting into animation and none of us knew that Dan would become one of the top motion graphics animators in the country. Now, he's getting into video.

Leave it to a German drone company to create the world's first light painting by drone with a fully programmed flight path, all to create one fantastic holiday time-lapse of Santa Claus delivering presents. Perhaps the most unique part of the project isn't the world-first of programming a drone to complete a multi-colored light painting, but is instead the reimagining of Santa Claus' method of delivery, as something more similar to that of your neighborhood newspaper boy with perfect accuracy.

With color being one of the most important aspects of any videographers work, it is something worth learning. And it's so much more than just a preset or Look-up Table (LUT).

You want Hollywood-grade shots but you don't have the money? The bad news is most of the time you can't do anything about this. The good news is there are cases when with the help of some VFX you can go a long way, as in this case. This video will help you recreate that orange desert look from "Blade Runner 2049."

Visual and special effects have a long history; they've been around since the dawn of filmmaking. Here are some great examples from silent films where the techniques used behind the scenes are still relevant today.

I've been looking for ways to get the outline, scan effect for product videos, and this video was the easiest and best out there. If you can put your product on a rotating turntable, shoot it with a green screen and open up Premiere, you're good to go.

The Maze Runner, a new film by Fox and Dayday Films, is a new film in what seems to be a trending list of young adult dystopian movies to be released recently. In these behind the scenes featurettes we can see a small glimpse at how they filmed the movie and how the special effects were created.

If, like me, you love cinematography, you probably have a few favorites in mind when you think of the term. But even the most dedicated film buff is unlikely to have seen everything on this list.

If you're into video effects (and are half the Calvin and Hobbes fan that I am) then you're really going to dig this fun, lighthearted, imagination fueled video created by Dreamworks animator Daniel Hashimoto. As part of Daniel's absolutely amazing personal project, "Action Movie Kid", son James repels the vicious advances of a great white shark, in an effort to save younger sister Sophia. Daniel promises us a proper behind-the-scenes video in the future but in the mean time offers up a great side-by-side video showing the before-and-after.

Remember when Jean-Clade Van Damme released his awesome Volvo Trucks commercial? Then, it was followed by an even more awesome Chuck Norris doing the splits between two planes video response? Yah, we do. Turns out Chuck Norris truly can be beat though!

Stop motion animation is by far one of the most forgotten mediums for filmmaking, yet it holds high respect for what it is and how it's done in large motion pictures today. Those pushing the envelope in 2016 are the geniuses behind Laika Studios where they blended hand crafted puppets, CGI, and 3D printing to build a world filled with imagination and story.

On Sunday night, "The Jungle Book" took home the Oscar for best visual effects. It shines a spotlight on how a story can rely so heavily on VFX, but how the industry continues to sideline the people behind it. A newly released short documentary is showing us just how digital art is a race to the bottom.

This amazing two-minute video was created using 48 DSLR cameras stacked side-by-side and a RED Epic camera shooting at 120 fps. The result is an amazing video that combines fire, slow motion, and bullet time into one amazing spectacle.

Working at high altitude is always a challenge, but trying to follow fast moving objects that are actually people defying death is a whole other level of intensity. In this behind the scenes video for a Verizon Fios ad, Director Rob Cohen has wingsuit flyers recorded jumping off of a cliff, but then has to get creative to shoot the not-so-real landing. See how they did it and check out the final ad inside.

Captain Disillusion is back again, and this time he's uncovering the various techniques used to create the famous “Tape Measure Tricks” video. How much of it is visual effects?

After doing video work for a few years now, I am finally starting to look more into all these interesting transitions. In this music video, they did an incredible job using transitions as a theme throughout.

Neill Blomkamp directed "District 9" and "Chappie" and now he's released a short film of a dystopian future where aliens have taken over earth and the humans have to fight with whatever they can to survive and before it's too late. It's done in the style you kan expect from Blomkamp, in a way I believe only he can do, and it's got all the action, suspense, and gross details of brain implantation and alien creatures that he's become known for.

J-Cuts can be described as having the sound enter the scene before the scene appears visually, or it can be used to play out a scene where the audio is used after the shot has ended. They're used in TV and movies, and they're a professional element that sets you and your style apart from those who just cut scenes together. This enables you to get a nice flow in your video, and it all blends and layers to make it more interesting and give your work more power.

It's not often someone contacts you about chemistry and superheroes, but when someone does, you pay attention. Nikolay of ArtNauka showed me a project they have been working on where they combine a superhero theme with chemical elements and reactions to create a series of striking portraits.

As you probably know, much of the epic imagery in "Game of Thrones" is computer-generated. It's a monumental task, and this video from Rising Sun Pictures, the visual effects company responsible for that amazing imagery, really puts into perspective the amount of work and imagination required to pull off such a feat.

"Mayokero" may be the best music video that came out in 2014, yet you probably never heard of it before. In the video, famous vinyl album covers come to life and they all lip-sync to Roy Kafri's singing. Michael Jackson, Abba, Madonna, The Beatles, Elton John and Bob Dylan are only few of the "collaborators" in the video. Check out the BTS video below and also the amazing final result.

There isn't a great deal of macro cinematography and after drinking in this video, you might wonder "Why not?" German photographer and filmmaker Roman De Giuli creates beautiful and complex scenes using simple ingredients on areas sometimes smaller than the surface of a coin.

If you want a moody color grade for your next video or some footage you've shot, look no further; here's a guide for Adobe Premiere Pro using the Lumetri Color tool.

Joey Shanks is at it again – this time with an awesome stop-motion homage to the Millennium Falcon portion of the new “Star Wars: Episode VII The Force Awakens” teaser trailer. He combines light painting with a practical model of the star ship to create an awesome gravity-defying recreation that’s sure to impress special effects gurus and Star Wars fans alike. Check it out!

Red Giant, the plugin supergroup that is responsible for filter packs like Magic Bullet Looks, Trapcode, and PluralEyes, has recently announced a new plugin model, Universe, where new and updated filters will be provided to members at low to no cost. If you're a motion graphics designer, or love sweetening your video edits with funky filters, check out the video and see if Universe is for you.

Prime Focus World’s Richard Baker and Matthew Bristowe breakdown a scene from Gravity, explaining how they converted the movie from 2D to 3D formats using View-D™ and how the special effects were fully integrated in the process. The videos below show the full breakdown of the special effects used in the film with interviews from director Alfonso Cuarón and more.

Tom Guilmette and Jon Connor got together at Kessler HQ to have some fun with a FasTec High Speed Camera mounted to a Kessler CineDrive. The CineDrive is able to perform programmable camera moves at high speed, and in this behind the scenes video Tom shows us their setups for various shots, which revolve around food.

The combination of two visually striking methods resulted in this surreal video by Vincent Brady. After checking the video, read on for some more information on the rig Vincent used to shoot with, and some insight on the programs he used to painstakingly stitch his images together for the final timelapse video.

BBC Click shared a video that gives an in-depth look at the tools used by director Gareth Edwards at ILM London to better show computer graphics supervisor Steve Ellis his desired camera angles and movements throughout "Rogue One." Using just an iPad and an HTC Vive controller, Edwards was able to explore the virtual, computer-generated world to find the best shots, which were then communicated to the VFX team so they new exactly how to guide the virtual camera movements throughout the film.

I recently came across this video by Christoph Galep and was very impressed by the editing thereof. The transitions between shots and the slowing down and speeding up of the time-lapse provided a good energy to the video, something a simple cut edit isn’t able to do.

“Star Wars” fans around the world are patiently awaiting the arrival of “Star Wars: Episode VII The Force Awakens” on December 18. That being said, the hype train has been running full steam ahead since the initial trailer for “The Force Awakens” was released almost 10 months ago. Since the release of “A New Hope” in 1977, “Star Wars” has created a fanatical fan base, with an expansive universe and many stories to be told. Fan films have been a part of that universe for many decades now, and they have gotten so big that “Star Wars” has an entire section of their site with awards dedicated to them.

If you’re a fan of both the “Game of Thrones” series and filmmaking, then today’s your lucky day as HBO has uploaded to the Internet behind-the-scenes footage from the Season 4 finale, “The Children.” This featurette from the Blu-ray boxset shows how the visual effects team came up with the wight’s design for the ambush scene and how they implemented a blend of CGI and live-action to get everything looking right for showtime.

Stanislas Giroux gets it. All of his videos have a common thread of featuring fantastic soundtracks. This video, "Curves of Iran," celebrates modern Iran's rich visual textures and — you guessed it — curves. Fitted to great music, fun (but fitting) sound effects to every cut, and a great overall tempo, this video makes use of hyperlapse-like cuts, but spares your brain from the monotony of yet another time-lapse by letting the actual shots play in real time once you've "arrived" at your new destination. Truly imaginative. And at the Giroux's request, I'll remind you to listen with headphones.