For any one thing you want to do in Photoshop, there are probably at least 50 ways to go about accomplishing it. However, perhaps no tool is more versatile than Curves, which allows you incredible control over luminosity and color and in tandem with masking, can give you tremendous creative editing capabilities, as this fun tutorial will guide you through.

Photoshop has been evolving at a breakneck pace lately, with a number of groundbreaking features expanding and even completely changing the ways in which photographers approach editing their images. If you have not had a chance to catch up on everything that is new yet, check out this helpful video tutorial that will show you five of the biggest changes, what they can do, and how to use them.

If you're using a color checker to only correct white balance, then you're not getting the most out of it. A color checker is the only way to replicate true to life skin tones accurately.

In this video, Guadalajara-based Photographer and Retoucher Sid Vasandani, shows us how to recreate that classic Steven Meisel vibe, used in his controversial campaigns for Vague Italia's, "Makeover Madness" and "Supermodel Enter Rehab". Watch as Sid walks us through a behind-the-scenes shoot, where he runs down the lighting set up, before going into an in-depth explanation of the retouching and color grading workflow in Photoshop.

Next month, Adobe is raising the price of its Creative Cloud subscription plans for the first time in five years.

I've been doing astro-imaging for more than 20 years. Originally, there were not a lot of editing options, but over the years that has changed. But Astro Panel 5 offers some intriguing options.

It doesn't matter what kind of photography you do, there will be times when an unwanted element in one of your pictures needs to be taken out in Photoshop. Here are six different techniques to use to remove practically anything from your images.

In his latest photography tutorial, noted French photographer (and prolific video tutorial maker) Serge Ramelli demonstrates how to quickly and effectively replace a sky in Photoshop.

Last year we teamed up with Elia Locardi, one of the most followed landscape photographers in the world, to film "Photographing The World: Landscape Photography and Post-Processing." This is a 12-hour video tutorial on landscape photography, and today, we are releasing the first lesson for free.

Isn’t Facebook time hop great?! Every day I get to see the last seven to eight years of my photography. Like almost every photographer, I sucked when I started out. My actual composition and use of the camera weren't too bad, but my post-production was horrendous. The best way to describe the post processing is “heavy-handed.”

Getting familiar with Photoshop is a long process, and who better to reveal some little-known features than someone with more than 20 years of experience? This excellent video from Jamie Windsor will speed up your workflow and uncover some powerful features that you might not have known exist.

Maybe you're one who prefers a strong HDR process, perhaps you'd rather stick to simply adjusting the highlights and shadows sliders in Lightroom, or just maybe you want a little bit more control over your image. Well, fortunately for you, and thanks to Nino Batista, here is a fantastic tutorial for harnessing such control.

Adobe updated its Creative Cloud Suite today with new features for many of its apps. In addition to a number of new and refined features across several applications (including some not mentioned in the title), this update focuses on improving performance in Photoshop, while it also offers a return to an old favorite.

Masking plays a crucial role in the quality of your retouching. There are so many tools available to create and refine masks, that’s often times we forget the most basics and useful ones. One of them is a bit hidden and it seems like many don’t even know it exists! However, it’s probably amongst the most useful options to refine a mask and make your adjustment shine through in a more natural and convincing way. It’s the feather option and I’m going to show you how you can use it with a real-world example.

The advancement of AI in photography and videography spheres has come more rapidly than many people are comfortable with. But there's one issue that hasn't been discussed that could have major repercussions for the industry.

Have you ever been to a dark location where you couldn’t use a tripod? You probably needed a very high ISO and accepted the high noise levels. With this step-by-step guide, you can prevent the high ISO noise without the use of specialized noise reduction software.

Expert night sky photographer Ian Norman has created an easy-to-follow video guide on how to photograph and process images of the beautiful constellation Orion. Starting tonight using any camera and a standard prime lens, you too can get amazing results by following this tutorial.

It's a common problem to have a variation of colors across the skin in any image. This may occur for many reasons, such as blood flow, skin quality and texture, or lighting changes. It's always been a hassle to fix this since it requires some guess work and tweaking. It's often not as precise as it could be either. Michael Woloszynowicz has come up with a brilliant way of color correcting skin in a way that I've never seen before!

Recently I was thinking about the year so far and noticed that my output for the year was down compared to other years. Why was this?

A long time ago, I got to visit a friend down in the south of England. We drank (quite a lot of beer), we ate (lots of chocolate brownies), and we set up to shoot a moody portrait.

Changing the color of an object in your image is fairly simple in Photoshop. However, if the object you want to change is white, it can be challenging to give it a new hue in a realistic fashion. But there is a way to do it, and do it quickly.

It is no secret that a picture will rarely look the same on every media. Even from one screen to another there can be a huge difference! Blacks that might look like pure black on your laptop might be a very dark grey on your phone. Having so many media support and manufacturers makes it really hard for a photographer or a retouching to have a picture that will look great despite of it.

Brandon Cawood, from Dalton GA, has taken appreciating first responders to the next level. What began as a personal project to photograph local EMS personnel, soon blew up and went viral. Cawood captures priceless moments in the daily lives of firefighters, police and other public safety personnel. He has a movie poster style and pulls it off in a flawless manner.

Adding a colored background to your studio shots can vastly change the impact of a studio photo. The most obvious method to do this is by collecting an army of colored backdrops that take up space and are a headache to swap in and out from shoot to shoot. Instead, it is quite easy to build this coloring effect using Photoshop so that you can shoot each image using a standard white or grey background.

How do you move beyond using someone else's actions and presets to tone your images? It’s a lot simpler than you’d think. There are so many different ways to achieve similar results in post-production, and having so many options can be extremely intimidating when you’re just learning how to edit. This is the reason that many photographers will rely on actions and presets to “color grade” and tone their images when they are first starting off.

Everyone in the industry must know who Pratik Naik is by now. And if you don't, then you should. In ten years Pratik has become one of the most famous retouchers on the planet.

There's something special about taking a picture on film. That said, film also lent itself to a lot of error: a botched exposure, missed focus and light leaks could all serve to ruin an otherwise lovely image. There are few things more frustrating then getting a roll back from the lab with an error note on the envelope. Occasionally the results were a novelty, perhaps adding interest to an otherwise boring image but all too often light leak was nothing but a bother. So why would anyone want to replicate it in Lightroom?

Erik Almas, one of the best commercial composite photographers, has recently teamed up with the team at PRO EDU to create a fully comprehensive tutorial on his complete shooting and retouching process. In this video Almas takes us through an hour-long tutorial, retouching and completing the backplate for one of his tutorial images. I'm always impressed when photographers and retouchers, especially those at the top of our industry, open the doors and reveal their entire process and Almas has done no less here.

Lightroom is about 13 years old now, and over the last few major releases, Adobe has added a number of tools you’d previously need Photoshop for. While it’s great to see new features like color grading, luminosity masking, and more make their way to the program, their implementation still leaves them falling far short of just using Photoshop. Here’s why I couldn't ever use Lightroom without Photoshop.

It’s obvious that color is important in our work; Hand selecting that perfect blend can take our images from decent to legendary. And it's not just photographers that notice the color mishaps. Everyone is influenced by colors. Our eyes are always naturally observing and comparing them. Color is so impactful on the masses that they are meticulously chosen for ads that reach millions of faces a day, there's no reason why you shouldn't start using the same tactics in your work.

Dodging and burning for cleaning skin is very common amongst high-end retouchers and for a reason: when mastered, it gives you natural, yet almost perfect results. The downside of the technique is that it can eat up a lot of time. When I say a lot of time, I mean up to a couple of hours for a single image, depending on the problems that need corrections. While spending this much time on big projects or perhaps on personal projects is conceivable, for someone that shoots portraits every day and has to retouch quickly, this is simply not viable. A couple of tricks exist to help you go faster, while retaining a high quality and natural-looking image. I have listed four of them here with the hope that they will save you as much time as they do for me.

Masking is an important part of any decent photographer's post-production process. Sometimes, the masks are easy, but other times, they can be painfully time-consuming. However, if you learn about this hidden tool in Photoshop, your editing life will instantly become so much better.

In case you missed it, President Barack Obama and Democratic Presidential Nominee Hillary Clinton shared a hug after the President's speech at the Democratic National Convention. Naturally, Photoshoppers were ready and waiting with Wacom pens in hand, and the results didn't disappoint.

Lens Distortions is a Photoshop plugin that allows you to easily add lens blurs and light leaks to your images for creative effect. With the continual proliferation of digital photography, there is still a great demand for the look and authentic feel of 35mm film. There are certain colors, textures, and tones that are unique to the format many of us grew up with. Lens Distortions Legacy Plugin allows you to build on the replication of analog photography by adding carefully placed imperfections to your photographs.

About 5 years ago, when I was still in my Photography college in Australia, our teachers would regularly introduce us to the new and noteworthy Australian photographers' and digital artists' work. Among others there was one artist, whose work really grabbed my attention and I have been watching her growth and success ever since.

I’ve been exploring alternative workflows to Adobe Photoshop ever since the company forced a subscription model on its users several years ago. For all its bugginess and performance problems, I keep coming back to it, because it still spits out the highest quality images for my purposes. But some of the competition is nipping at its heels.

All of your Lightroom development settings might be in your exported images. That's right, all of your adjustments, spot healings, tone curve adjustments, sharpening, etc. might all be in your exported files for all the world to see.

The thought of removing stray hairs in Photoshop conjures up thoughts that are equivalent to torture. It's not uncommon to hear your fellow colleagues gripe about retouching hair. However,
Michael Woloszynowicz has come to the rescue. He is becoming one of our favorites here at Fstoppers when it comes to Photoshop tutorials. Check out this efficient way in tackling stray hairs!

Editing landscapes can revolutionize an image that didn't quite pan out how you had intended, or bring out all the best features that did. Here are five tips that can dramatically improve your landscapes.

As it continues to improve its core photography products, Adobe released a new version of its Lightroom products with a concentration on new color profiles, user-interface adjustments, and bug fixes.

Dirty backgrounds are something that most of us have had to deal with at some point. Sometimes, all we need to do is clean the background. Other times, it's actually better to do a full background replacement. The full replacement can be as subtle as eliminating shadows and sensor dust or something as drastic as changing the background color. In this tutorial, we go over an easy, but precise, way to do this.

Creating an image that appears “sharp” is something I struggled with for a LONG time. I read countless articles on the topic and invested heavily in gear thinking that was the cure. While gear can certainly help, I believe there are a few key areas to focus on in order to create images that are tack sharp.

Have you ever wished there was a function in Photoshop that would just erase all the unwanted objects at the touch of a button? That dream very well may now be a reality as Aaron Nace of Phlearn shows us in this tutorial.

Skin tones are one of the most crucial parts of a portrait edit. Get them right, and they can elevate the image to another level. Get them wrong, however, and they can sink your image. If you are new to shooting and editing portraits, this helpful video tutorial will show you three steps to get better skin tones in Photoshop.

With Halloween fast approaching, people are either revealing the costumes they've been prepping for the past year since the last Halloween, or they're scrambling to figure out what they're going to be. However for one dad, with a custom hand made leather outfit, some know how, and a team of assistants, this Super Dad gave his 3-year-old daughter a Super Makeover. Inspired by the upcoming Wonder Woman Movie with Gal Gadot, he used some very clever photo manipulation to create the photo series.

Taking your cityscape photos during blue hour is always a safe bet if you don't get spectacular light at sunrise or sunset. A deep blue sky provides the perfect color contrast to the incandescent lights in the city and will help you create a pleasing result. But what if you are lucky with light and weather? Do you take a photo while the colors pop in the sky or with the city lights during blue hour? Luckily, you can get both by applying a technique called time blending. In this article, I show you how.

It is nothing new for celebrities to call on their fans to have a little fun with Photoshop. Our own Lee Morris challenged all of you a few months back with his many stages of beardedness. But when you are movie star Chris Pratt and you are known for your quirky, fast, often in-your-face style of humor, you should probably expect the internet to get a little weird with your request.

It's a very mixed feeling: you are happy they like the shot, but you are also disappointed that it's not sharp. I'm going to share my way of dealing with the situation, but I am also curious about your way of handling the problem.

Announced this morning to kick off Adobe MAX, Adobe has released a series of applications for mobile devices that are designed to increase productivity, especially when on the move. They were able to show me some of these pieces of software during a briefing last week, and I must say, these look to have incredible potential for photographers, videographers and graphic designers.

Photoshop’s Magic Wand and Quick Selection tools are getting an upgrade. The new Object Selection tool is a “powerful AI-powered solution” that helps make complicated selections simple, merely by clicking and dragging. See exactly how effective it is in this newly released video from Adobe.