If you have not yet seen "Mad Max: Fury Road," I highly recommend seeing the film in theatres while you still can. The combination of art and action brings a rare addition to the big blockbuster-filled summer. These before-and-after shots will give you an idea of the true creativity behind the movie's polarizing set pieces and live-action stunts combined with brilliant post-processing.

There are literally thousands and thousands of 35mm film cameras that have been produced over the last 100 years or so, and more are being manufactured even now. However, there's one camera that sits at the top of the tree, at least for me.

If you have ever shot with certain film cameras of the past, you have probably noticed that the prints came back to you with the date of capture superimposed on them in the bottom corner. It is a neat and very useful function, and this fun video will show you how cameras of the past made it happen.

Though it was introduced 50 years ago, the Mamiya RB67 is still one of the most beloved cameras out there, widely sought after by many film photographers. What makes this camera so special? This great video follows a photographer as he shoots with it for the first time.

Medium format film cameras are a rarer sight than ever, and taking portraits on them can be an experience. These portraits, however, are taken on one of the most expensive film cameras you can get your hands on.

After recently buying 200 tintypes from the deep archives of estate sales, eBay, and Etsy auctions, I became transfixed by seeking out if there was still anyone making imagery using this 160-year-old process. I found a wide range of Instagram accounts ranging from those just starting out to those with thousands of followers. These are the top 10 tintype photographers that stood out with their compelling visuals and dedication to keeping this lost art alive.

Medium format sensors are usually housed in expensive cameras, but with film bodies, you have far more options without having to remortgage. In this video, one film photographer discusses what the best medium format film camera for portraits is.

With medium format bodies more affordable than ever, but still much lighter on lenses than full frame, could one solution be to use lenses originally created for film bodies?

Who would have thought to pair Instax film with a vintage medium format camera? I couldn’t stop myself from shooting it if I tried.

Kendall Jenner is being credited for a surge of sales in film cameras after she beamed about her Contax T2 during a TV chat show appearance.

The Sony A7s is making a lot of buzz on the internet right now for its insane ability to push ISO high and basically see in the dark! Sony released a demo video on the Youtube channel SonyHowTo for us all to watch. To be honest, the results are impressive.

Occasionally, I'll come across a camera that really excites me as a photographer. This offering by Fujifilm may be the weirdest camera I've ever seen, and I love it!

Fujifilm gets a pretty bad rap these days from the film photography community. So, it’s easy to forget that from the 1980s to the early 2000s, Fujifilm produced some of the best cameras ever made: medium format, point and shoots, the extraordinary Xpan, and a sack full of other interesting goodies.

A recent tutorial online shows us how we're able to take our video production with the use of a video slider. Often, camera sliders can cost hundreds of dollars, and can even break $1000 for a professional quality one. This latest tutorial shows you how you can make one in just an hour of time, and a mere $30 spent at your local Ikea.

There is no doubt that digital has surpassed the quality of 35mm film, but medium format film still offers tremendous quality and is significantly cheaper than digital medium format. How does it compare to a modern medium format camera? This great video takes a look at the two and the results you can expect from them.

There are hundreds of 35mm film camera options out there. Everything from cheap drug-store point and shoots to beautiful, bespoke-feeling Leicas, to the Canon AE-1 hipsters wear around their necks with a guitar strap. The Nikon F100 is, without a doubt, one of the best 135 cameras out there and is, in my opinion, is the absolute best choice for a digital shooter to experiment with 35mm film.*

The debate surrounding the relevancy of film cameras is an ongoing one; the opinions about which vary from photographer to photographer. The resurgence of digital camera technology in recent years has meant DSLRs are now widely used by the masses, pulling the future of film photography into question somewhat. Is it now just a novelty? I chatted with Howard, one of the owners of a North England-based camera shop that shunned digital cameras in favour of film... and found that business is very much booming.

You know that moment when you start to watch a documentary, not knowing if it will be any good, and then walk away with your jaw on the floor as the credits roll? That was me last night. If you're interested in the film VS. digital debate; the progression of technology; where things are going for visual media; cinematography; how the media we use to create images affects how we feel about what we see or watch (and why), or how changes in the photographic industry have influenced cinema, you positively, absolutely need to check out Side By Side. Like, now.

It didn’t seem like there was much to cheer for film photographers in 2021. Supply chain issues, global film shortages, and price rises led to a wave of discontent among film photographers, leading many to cry into their soy lattes and burn their berets.

If you haven't been keeping up with Casey Neistat's daily vlogs, then you absolutely need to start. They're a great source of creative inspiration, lots of running cut-scenes, and the occasional viral video. In this particular vlog, Neistat tells a story on the importance of not quitting and, while filming, experiences an error with his Canon 70D. You may not believe how he solves it.

Back in the days of film, the 6x6 format was highly popular among a lot of photographers. Even today, a lot of photographers would still love to have a square format digital sensor. This great video discusses a wealth of 6x6 film cameras, what they are like to shoot with, and the sort of images you can take with them.

For the last 2 years I've made my living shooting architecture with DSLRs, mostly short videos of California's fanciest multifamily apartment communities. When my client Synergy Corporate Housing asked me to continue that mission with all of their international properties in 10 major cities across 8 European countries, the first thing I thought when I saw the 32-day itinerary was, "bring a Hasselblad."

The Nikon FE is the perfect blend of a lightweight construction that still feels sturdy and has perfect functionality with my favorite camera feature: aperture priority mode. I never thought I’d find a 35mm camera that I’d use more than my F100 or F2, but here we are.

The Mamiya 645 Pro-TL is an all-around great medium format camera for those in search of a something customizable, compact, and affordable. It’s not just me saying it.

If you’re a film aficionado, you’re probably used to trying to make the process of converting your negatives into print-ready digital files as painless as possible. One photographer has ditched his scanner in favor of an incredibly simple setup using his Fujifilm X-T3 and a rather unique Lightroom plugin.

For the longest time, digitizing film was both the best and worst part of being a film photographer. In walks pixl-latr, and the world of digitization is forever different.

CineStill film is hyped to the absolute max, and whether you love it or hate it, they have built a pretty impressive company and injected new life into the film community. Thanks to them, we now have packaged motion picture stocks, ready to shoot in film cameras and be developed in C-41 chemicals.

In the world of newspaper photographers, you'd be hard to find someone consistently making more exciting and interesting portraits than Jay L. Clendenin. You might have seen his Land Camera Polaroid images from the Toronto International Film Festival, or his 4x5 black and white/digital color diptychs of California Olympians. For this year's Olympics, he decided to go even bigger and bring out his 8x10 Tachihara view camera to capture some amazing photos of American athletes.

Developing your own film might be the cheaper (and more amusing) way to go, but with all the preparation and lab space required, that simply hasn't always the best option. Ars-Imago's Lab-Box hopes to solve these problems in a small, light-proof container that enables you to develop your own film at home or even while traveling – yes, it's that easy and compact. The best part: it's not all that expensive, either.

From the perspective of the film community at large, things have really seemed to be on the up and up lately, almost to a point that it’s annoying. Then, Fuji brought us all back to reality.

I often times hear that portrait photographers will only show 1 person in their portfolio and not to duplicate subjects on their website. I am completely against this idea and urge photographers to be more like Mr. Tarantino, who can transform characters and settings by use of wardrobe, color, and hair. This post is a call for examples of how YOU are shooting the same subject differently. Send me your images and I will post a follow up article with the best suggestions.

Remember those days when you totally forgot what ISO/ASA film was inside your camera, or when you just had no idea if the photos came out until you went somewhere to get them developed? You know what I'm talking about. The film days. Simple to set up - just pop in the right roll of film, attach it to the gear, close it down and it's ready to shoot. But what happens when you let iPhone-generation kids take photos with 20th century cameras?

Leonard Nimoy passed away this week at the age of 83. His long career and legacy will always be remembered in his portrayal of the iconic character "Spock" from the 1966 TV series Star Trek. With numerous film spin-offs and a resurgence to the 2009 blockbuster Star Trek as the half-emotionless Vulcan he was just as relevant today as he was 40 years ago. Though his film career was beyond fulfilling in its own right, his photography work is what will also stay with us for years to come.

SPOILER WARNING. Listening to Vincent Laforet might leave you forever changed, never able to watch film or TV the same way again. The silver lining is he can also change the way you shoot, and engage, with your audience. With that disclaimer out of the way (you can't say I didn't warn you), join me as I talk to Vincent for this exclusive as we venture down the film and motion rabbit hole. How deep we go is really up to you...

Film is enjoying a resurgence right now, and yet, in an age of ever-burgeoning megapixel counts and clinically sharp lenses, it can seem a bit strange to some to purchase an old film camera whose technical image quality could not dream of competing with modern equipment. And yet, that is exactly what you should do, as one photographer argues in this interesting video essay.

Large format cameras have been increasing in popularity over the last few years. With startup manufacturers producing new large format cameras, the allure has grown significantly. Among large format cameras, the most popular type is the 4x5 camera. We decided to take this camera out into the city and photograph strangers.

At the most basic level, photographers seem to be in two camps when it comes to image file types. There are those who care about the look of their images and shoot with big RAW files and those who don’t and use the smaller JPEG files.

RAW files offer a tremendous level of control over noise, tonality and color; a hearty file that can cope with the demands of our creativity.

If you're like most photographers, you think there are three factors affecting depth of field. In that case, you would be incorrect - there are indeed four factors affecting depth of field. Do you know what they are?

Released between 1987 and 2007, the GX680 is most well known for its sheer size and weight. It lives up to its "beast" reputation, with many photographers feeling it was far too large to use outside of a controlled studio environment. However, as demonstrated in this video, the GX680 can in fact be used in the field for select applications like landscape photography.

There's a lot said about film versus digital, and a lot of it tends to be one extreme or the other, but like most things in life, the truth lies somewhere in the middle. This great video takes a very balanced and honest look at the merits and drawbacks of each when used in a fashion shoot.

I think film is overrated. Let me try to prove it to you.

It’s no secret that everyone can become burnt out on what they do. Whether we are photographers, athletes, truck drivers, or teachers. If we do something long enough, maybe unless you’re a fighter pilot, professional surfer, and/or an astronaut, almost everyone will experience a period of time in their career when they’re flat-out bored and/or they suddenly arrive at a place where they question both their work and if what they’re doing is really what they should be doing.

"Not every famous photograph was taken with a Leica. But they were all taken thanks to Leica."

The German camera brand on Wednesday unveiled this incredible new ad from Brazilian agency F/Nazca Saatchi & Saatchi celebrating the 100th anniversary of the first Leica camera and the opening of Leica Gallery São Paulo in November. The message is conveys is powerful, but is not exactly a humble one.

With film's popularity on the rise, photographers shooting both film and digital is becoming more and more common.

I went back to shooting film recently, and I couldn't believe how different the process was. It isn't just taking a photo without the live view screen, it really is a different world. A world that you should experience if you want to improve as a photographer.