When was the last time you went on a photo walk, with no intentions other than simply photographing anything interesting you came across and enjoying some time doing what you love? This great video explores the idea of grabbing a film camera and heading on a casual photo walk.

We live in a digital photo era but that doesn't mean that your old photos and negatives boxed up in the attic should be forgotten. The first step in preserving these is to get them organized. Next, you need to digitize old photos so they can be easily viewed and shared with others.

Lynn Goldsmith is considered to be one of the best music photographers in the world. She was one of the only female photographers in the scene in the 70s and 80s, and photographed pretty much all legend we can think of. From Michael Jackson to Bruce Springsteen, Bob Marley and The Beatles. In this interview with CBS she shares some of the stories and experiences she had as a rock and roll photographer.

In late 2014 at an auction in Ohio, Levi Bettweiser of the Rescued Film Project, stumbled upon one of his greatest finds. Up for bid were 31 rolls of 70 year old undeveloped film from World War 2 shot by an unknown soldier and photographer. The Rescued Film Project is an effort to find and salvage undeveloped film from as early as the 1930's. They strive to recover even those films which are damaged by age or the elements, as in the case of this large find of film from WW2.

In recent news, the production team of the Hunger Games series tells all on their decision to use film over digital film-making. This news has been well received by creatives who still trust and love the quality of film. There have been several favorable comments that the look of "Catching Fire"was drastically improved from the 1st movie in the series "Hunger Games." For the second film, the production team brought in a new director, Francis Lawrence.

Kirk Mastin and Mastin Labs are the creators of some of the better known (and more highly regarded) sets of develop presets for digital images to emulate the look of film. Kirk has been working on a mobile app to achieve similar results on the go for a while now, and that app has finally been released. Meet Filmborn.

Scanning film has always been a bit of a pain. However, with time comes progress, and Nate over at Negative Lab Pro has been doing some awesome work, making scanning C-41 film using a DSLR or mirrorless easier than ever. However, using Negative Lab Pro with a flatbed scanner has always been a bit lacking. That just changed with Negative Lab Pro 2.0 and an unlikely partner: Vuescan.

Camera resolutions are soaring in recent years, with Canon unleashing a 50-megapixel DSLR and Phase One showing off the new XF 100MP back. The unending argument of why manufacturers bother with such resolution swirls around one thing: printing. Photographers argue that a higher resolution camera will produce a better print with more detail. Technically, that is absolutely true, but most photographers aren't printing much these days.

A teacher once told me that filmmakers need to fully utilize the frame within their scenes and move the camera in ways that help drive the story forward; otherwise they're just filming a play. That always stuck with me and it's a point I still take note of in movies. Tony Zhou from Every Frame a Painting does a great job of explaining why the camera frame is so important in comedic cinema along with a slew of other techniques that few people other than Edgar Wright are making use of in today's comedies. This is eight minutes of insight you're not going to want to miss!

For the last few weeks, I've been carrying around the new Thypoch Simera 35mm f/1.4 M mount lens. When I test new gear, I try to incorporate it into my everyday carry kit and use it on actual assignments and stories to see how it performs under real-world conditions. Sometimes, a piece of kit that looks great or has fantastic specs underperforms in the field; other times, you get something that exceeds expectations.

Large format photography is already a highly challenging genre, as it requires a lot of technical considerations other formats don't. This great video follows a photographer as he shoots a difficult scene with an 8x10 camera while walking you through his methods and creative decisions.

To preface all of this, I shoot film 90% of the time (if not more). I firmly believe that my work is more meaningful because of it. I also believe that we all have our own thoughts/opinion and there is no universally observed benefit to shooting film.

Jianmin Huang is a fashion and street photographer born in village in China. He can now be found chasing moments throughout the streets of Amsterdam, which has earned him the nickname of Jimmy on the Run. In this seven minute video portrait, we learn how he got his start, what his aspiration as a photographer are, and about his struggles to earn the respect of his family.

I was challenged to photograph a portrait shoot on another random camera, but this one was really not what I was expecting. How do you take artistic portraits using an instant camera?

Here are five different techniques that can be used to get better image quality out of your existing flatbed scanner.

Back in April, I ventured on a trip to Havana, Cuba with the lofty goal of capturing the culture and people there within with my favorite little 35mm film camera. With the recent news that President Trump plans on buckling down on all travel and trade to Cuba, I'm all the more grateful than ever to have made the trip when I did. The Cuban experience is easily the most surreal of any international travel that I have ever experienced.

Browsing YouTube can be an exercise in either frustration or bliss, depending on the day. Today, though, I happened upon something that truly speaks to me. If you are a portrait photographer, or anything resembling one, you owe it to yourself to check out the documentary, "Darkness and Light," a part of the American Masters Series, produced by PBS.

Large format is a unique process that requires a lot of specialized technique and expensive gear, but the results are unlike anything you've seen before. This awesome video takes you behind the scenes to show you the process and images.

Shot with the Red MX Camera, director Andrew Huang created this incredible short film about the gaps between people and the way those gaps are filled. Solipsist is the antithesis of human connection. This video had me glued as the models swayed back and forth in a Yin & Yang fashion, often times co-creating each other.

There are loads of cameras with incredible capabilities out there that make getting images under even the most difficult conditions possible. However, could you spend just a few dollars on a camera and still take great images? This fun video shows what you can accomplish with a 30-year-old camera from a thrift store.

There are a few names in this industry that have always meant something. Nikon. Canon. Hasselblad. Fuji. Kodak. The latter has had a rough go of things in the past couple years, culminating in what can essentially be called a final meltdown in early 2012. Chapter Eleven bankruptcy and a rapidly collapsing stock price have left the company a shell of what it was. This week at PhotoPlus, I saw the realization of that at their booth, and it was one of the saddest things I have experienced in recent memory.

What's the biggest camera you've shot with? If you're like most of us, you might have dabbled with medium format or if you're really passionate, maybe even a 4x5 or 8x10 large format camera. This photographer is putting all of us to shame with his camper that he converted into a giant functioning camera and darkroom.

While film has long been outpaced by digital, a few iconic films and camera have stuck around after the industry transitioned, one of the most notable being the Leica M7. Now, the last vestige of the film side of the iconic numbered M Series has been discontinued.

It's not the first time I'm sharing Michael Shainblums work and it won't be the last time. Timelapses are one of the most time consuming forms of photography and only a dedicated person with patience can produce quality results as often as Michael.

It's winter in the Northern hemisphere. Though it's only been winter for about week – at least if you go by the Old Farmer's Almanac, which I'm certain we all still read religiously – it's been cold for a while. For film photographers, summer is a happy season with enough light, with gorgeous colors, and little worry about malfunctioning equipment. If you're not hanging out in the wettest of jungles or the hottest of deserts, anyway. The cold is less kind to our equipment and our medium. Cameras are susceptible to malfunction, film becomes brittle.

One photographer has turned a shipping container into a huge camera, complete with a built-in darkroom. The creation is capable of producing large, traditional analog prints.

From time to time you see images circulating on social media of Japanese camera store shelves awash with film. I’m not talking about half a dozen pro packs of Portra, I’m talking about hundreds and hundreds of rolls of film. More film than you could shoot in 10 years. Names of long-forgotten emulsions that many die-hard film shooters can’t even recall.

The Intrepid Camera Co. is on a roll. With the lofty goal of bringing low-cost large format film photography to the masses, they launched their initial 4x5 model's Kickstarter in the fall of 2014. Although plagued with fulfillment issues and mixed reviews (You can see our review of the original model here), enough attention was garnered to warrant a follow up of a much more refined model in 2016. Now, Intrepid is stepping up and hoping to swing for the fences with a big boy: an 8x10 camera.

As a film photographer, the need for camera repair and restoration is not a new one. Watch as someone goes through the step by step process they went through to obtain the camera, details the camera's history, and the restoration of the camera.

Probably the most anticipated movie of the summer, The Dark Knight Rises, is sure not to disappoint. I have always been a long time fan of Christopher Nolan's style of film-making and his practical approach to filming special effect scenes. In this in-depth 13 minute making of featurette Christopher Nolan and his crew talk about the scope of filming a movie this size, the scale of the locations and how important it is to them to try to film all of their special effects in camera decreasing the amount of CGI used in post.

In November 2015, my mom came up with some old photos of my deceased grandfather, which were negatives printed on film. She said that she had asked several photography studios if it was possible to get normal prints from the printed negatives, but the answer was always no. As those were some of the only photographs left of him, she had kept all of them with a hope. Years after, it was my turn to try. The process to get some decent prints and move my mom to tears was ever so easy.

Fujifilm has a storied history with film cameras, having created some bodies that are still beloved by photographers even to this day. This great review takes a look at one of the most unique of those cameras: the GA645.

Matt Workman is a cinematographer and the founder and host of the Cinematography Database Show. On this particular episode he offers an in-depth analysis of the cinematography of Quentin Tarantino’s "The Hateful Eight," shot by Director of Photography Robert Richardson.

As a film photographer myself, one of the biggest struggles when going out to shoot is deciding on the right film. Considerations of film speed and color rendering are two of the most important and these are two that differ considerably between Portra and Ektar.

Joey Shanks, better known by his YouTube handle Shanks FX, has released another YouTube video based around the idea that Hollywood effects can be achieved by anyone and with only household items. This time he attempts to recreate the legendary Aurora Borealis (or Northern Lights), one of the seven wonders of the world, with just some sheets of fabric and a handful of fans. Combining those few fans, fabric, and just a little bit of precise lighting with just a touch of videography editing magic, he suddenly has one of the world wonders in his garage. Check it out!

There's been a lot of doom and gloom about film and its viability as a photographic medium in the last few years. Film stocks seemed to be fading away faster than ever. However, this past year, Fujifilm decided to bring back one of their most beloved modern films, Acros, in a new formulation: Acros II. In this great video, Roger from Shoot Film Like a Boss puts the film through its paces and gives his thoughts.

I love color. Black and white photography holds a special place in my heart, but 90 percent of the time I gravitate toward color imagery in my own work. When I started shooting film again, I decided that I would most definitely learn to develop my own black and white film. From choosing your film stock to mixing super-secret developer cocktails guaranteed to make your images sing, there are tons of resources out there for the aspiring hobbyist. When it comes to color, however, I had always heard that the machines needed were expensive, the process complicated, and the chemicals harmful. Not so!

With Comic Con in full swing this week we are all waiting patiently for the next big reveal in the world of cinema and sci-fi. Today is that day as we are brought through an outstanding BTS video from "Star Wars: The Force Awakens." Blasting onto the scene with never before seen footage of Han, Chewbacca, Leia, and many more as they show us what delicate hands of J.J. Abrams we are in. Seeing the combination of practical and visual effects we are sure to find a true sequel to the original trilogy that was released almost four decades prior.

The creative genius that is Casey Neistat, for me, is next to none. The pure drive and passion this man has for what he does brings inspiration and motivation to my career and even my daily life. Late last week, Neistat decided to up and create his own viral video around the launch of the Apple Watch, and this is how he did it!

Before gaining popularity with the highly respected X Series and GFX Series, Fujifilm was quite active in the film industry, making some fantastic cameras that are still popular with enthusiasts today. One of the most interesting cameras they made was the GA645Zi, and this great video takes a look at what it is like to shoot with a medium format point and shoot.

Orthochromatic film is the original black and white film. Compared with its panchromatic counterpart, orthochromatic film can only see blue light (goodbye, red!)

Hamish Gill, who runs a fantastic film-centric blog, 35mmc, has a great article up that addresses an often-asked question he receives: "Which film camera should I buy?" The spoiler is he doesn't have an answer.

Film use is definitely on the rise. However, when you start to play around with this admittedly archaic technology, one fact of life rears its head very quickly: the film needs to be processed. Although you can go the lab route, I've always found a certain satisfaction in processing my film myself. For those of us with means, however, there may be another option: The Filmomat!

We're conditioned to associate certain colors with thoughts, emotions, or situations, a fact that directors take advantage of constantly. "COLOR PSYCHOLOGY" illustrates just how deep the effects can be.

Michael Ash Smith is a commercial wedding, portrait, and lifestyle photographer based out of Barto, PA. As a hybrid photographer, much of Michael's work is done on 35mm and medium format film with some instant film here and there for special occasions. He recently shared images from a wedding he shot over on the Junebug Weddings blog. The difference? Everything he shot that day was with instant film.