A one-light portrait setup may seem simple, but it needn't be. There are so many different ways to manipulate artificial light that even if you limit yourself to just one, you can create a plethora of different, interesting looks. Here are twenty-one different lighting setups for you to try.

If you aren’t familiar with the work of Dave Lehl, it’s about time that you change that. Dave is not only one of the top photographers in the snowboard industry, but he consistently creates work that transcends genres and has landed him gigs shooting for a list of clients that includes the likes of Red Bull, Nike, and Lamborghini. He has been published in nearly every major snowboard magazine including the covers of Pleasure Mag and Transworld Japan’s photo annuals.

There are plenty of sources that will give you photogenic hard light. The sun comes to mind, obviously. Even a bare bulb strobe. But there’s something magic about the light that pours out of a traditional style tungsten Fresnel.

Phlearn.com just released this behind-the-scenes video which shows how to light, shoot, and process a shot in the style of Dan Winters. By reverse-engineering the light and color that Winters uses (and using a little Photoshop magic), you'll be able to replicate one of his most well-known shots of actor Tom Hanks. I don't know about everyone else, but whenever I look through a magazine, I guess at the lighting setups

Fashion photographer Christopher Cavanaugh was brought on for this photo project that took place in Los Angeles by creative director Terrel Mullen as a collaboration project to expand both their portfolios. It expanded their portfolios and expanded our appreciation of what can be accomplished from behind the camera.

What do you do to continually push yourself and develop your work? Often it can be tricky to figure out how best to push ourselves, as well as keep the momentum up to continually do so. The best photographers I know are constantly pushing, challenging themselves a little each day and now one of them has given us the chance to up our game - welcome to the next 10 days of the 'Stay Out There' Lindsay Adler challenge.

Sometimes, half the fun of having gear with extreme capabilities is purposely pushing it to the absolute limit. This fun video follows a photographer as he shoots at a crazy aperture in heavy daylight with flash.

There are several ways to create more interesting photos, one way is to use off-camera lighting to help separate your subject from the environment or even making them the main focus of the shot. Carsten Schertzer shares 10 flash techniques he uses in his wedding and engagement photos to make them more interesting. These technique do not have to stop there, some of them can be used in other portrait sessions or even shooting products.

Jay P. Morgan of the Slanted Lens has recently created an image for Dynalite that is being used in their advertising. The concept for the image was to showcase a lot of motion, and the Dynalite Baja's motion stopping power. As part of the project Jay has created a behind the scenes instructional video that explains what it takes to properly freeze motion and action when working with studio lighting.

One way to spice up your photography is to add gels to your lights so you can produce colorful and edgy looking imagery. Adding wild colors to your photos can offer a lot of creativity but gels can also be used in a much more subtle fashion to slightly alter the color of your background and sky. In today's video I want to share two simple techniques I use to help make my backgrounds on location look more interesting.

Some photographers make a good living out of specializing in beverage photography, but many of these pros — who generously share their techniques on YouTube — do so using the best of equipment, so it might seem a little intimidating for a beginner. If you're curious about how to get professional-looking product images using some basic equipment, however, look no further than this tutorial.

A couple of weeks ago, Elinchrom released the Skyport HS, a new iteration of the very old and rudimentary Skyport. The Skyport HS seems to have everything a strobist could hope for, from the laser grid to focus in low-light conditions to the Hi-Sync mode. This new radio trigger is a welcome addition to Elinchrom's product line. At least, it is on paper. The Swiss company was kind enough to lend me a unit before it was even released so that I could play with it and review it for you.

From the realm of "how not to be a professional" comes the story of a concert photographer who violated venue rules, put the musician at risk of a medical issue, and did little to help his case after the fact.

Candlelight can create some beautifully atmospheric images but using it to light a model can be a challenge given that it’s typically a small and unflattering source that’s not necessarily going to be in the right place to give the desired effect. This video shows you how to mix it with a strobe to get great results.

Lighting action and sports photography can often be complex. The flash cannot always be placed where it should and with the x-sync limitation of our cameras, it can be difficult to have the required settings. But some photographers, like Tristan Shu, master their craft and can push the boundaries of flash photography.

We all know the concept of a skinny mirror or fat mirror but lighting is really what can change your appearance in photos, especially when defining muscles.

Ever since Benjamin Von Wong took a leap of faith and left his successful career as a engineer to persue his artistic passions, he has kept a legion of die hard fans enchanted by his ability to turn the ordinary into epic. Whether it be organizing complicated pyrotechnics, photographing surreal scenes of ultraviolet models, or chaining models to a shipwreck 25 meters below the surface in Bali, Benjamin has never been interested in being ordinary. In his insanely creative mind, his thought process of "If it's not epic, than what's the point?" has led to some of the most memorable photoshoots in the last several years.

In a world filled with portable speedlights and 3200 watt power packs, photographers might overlook another critical feature of their studio lights: flash duration. Basically flash duration is the time your strobe light contributes to the exposure of your photograph (flash actually can act as "constant light"). Earlier this year, we posted about Broncolor's flash duration compared to Profoto, but how does a much cheaper strobe like the Einstein compare? The results are pretty remarkable!

Last week, the plethora of photography announcements from Photokina was incredible. One product that was introduced, but got barely any attention, was a new strobe from Impact, the Venture TTL-600. It personally stood out to me as something I could possibly add to my own kit immediately if it does what it says it does and more importantly, does it reliably. So right now, it currently sits at the top of my list of new gear to try out.

Lighting dictates an enormous amount about your final image, from mood and feel, to exposure and color. However, whether the light is hard or soft can also make a significant difference, and knowing when to use each is crucial. In this video, learn different lighting setups for each and the benefits of them.

Fuji is, at this point, the last major manufacturer to not have TTL, high-speed sync, and wireless control support from most major lighting manufacturers. Profoto and Elinchrom have now made wireless remotes specific to Canon, Nikon, Sony, and Olympus. Fuji, even with their new medium-format monster, the GFX 50s, has yet to get such love from the lighting community. While I can imagine that something is in the pipeline from these manufacturers for Fuji, nothing is certain and many of us need something to work with right now. Enter the Nissin Air system.

The response Peter Hurley's downloadable tutorial The Art Behind The Headshot has been receiving over the last few months has been unbelievable. Peter's technique has changed the way so many photographers approach working with models, and it's apparent by his facebook group that photographers of all skill levels are taking the best headshots in their portfolios. So we have decided to release one free lesson from the DVD for those of you who might still be on the fence. Peter's knowledge is expensive sure, but it's guaranteed to change the way you shoot headshots for the rest of your career. We believe in this so much that if you don't think your headshots are any better after watching 4 hours of Peter's instructions we will give you your money back guaranteed!

In the final part of the Dramatic Beauty Portrait Tutorial, we will look at how I do my Black and White conversion. This image is a dramatic image so it calls for a punchy and high-contrast black and white conversion. In this tutorial, I will show you how I stack blending modes and adjustment layers to get my image exactly where I want it. You can follow these steps in your own images or use the techniques and customize them for your own use. In the video you will also see how to use layer masks to create targeted adjustments for your high-contrast black and white portraits.

Broncolor is recognized in the photography industry as one of the most high-end flash brands available on the market. They are best known for their very reliable power pack systems and their extensive range of light shapers. Amongst the latter, there is one in particular that makes any photographer's eyes light up, and it’s the Para. It’s such a gorgeous piece of gear that some people even use it to decorate TV shows. But don’t think for a second it means it can’t perform just because it’s beautifully designed. It’s quite the opposite as you’ll discover through this Broncolor Para 88 kit review.

The other night I was asked "what is the most frustrating thing about shoot weddings?" I thought about this question for a second and shockingly my answer had nothing to do with bridezillas, wedding planners, hot and humid weather, or even post production. Easily the most frustrating thing about shooting weddings is dealing with unreliable radio triggers during the reception. Perhaps this simple yet unreleased hotshoe adapter could make this problem obsolete if only someone would create it.

A few weeks ago I introduced you to Elinchrom’s latest offering, the ELB portable strobe kit. Now that I’ve spent a few weeks shooting with it both on location and in the studio, I can finally tell you if it’s actually any good and whether it can compete with the newly released Profoto B2.

In the past few years, flash manufacturers have put a lot of efforts to let cameras’ x-sync fade into obsolescence. However, the current solutions are not perfect and aren’t always intuitive to use for non-tech-savvy photographers. In 2016, I made a comparison between Hi-Sync and HSS. Since then, I have had the chance to play with a Phase One XF and give the beautiful Schneider Kreuznach leaf shutter lenses a try. With more experience using Hi-Sync as well, I thought a follow-up article was well overdue. So let’s dive in and see what solutions are currently available to go past the x-sync limitation.

On-location photographers have a new piece of lighting gear they’ll want to look into. Elinchrom just introduced the ELB 500 TTL with high-speed sync, active charging, a built-in Skyport trigger, TTL, and 500 Ws of power.

Every photographer knows that the eyes are the soul of a portrait. Besides the emotional aspect, there is one important technical factor that, if done right, will light up the eye of the portrait and enhance the connection with the viewer: the catch light. In this article we are not only going to understand catch light, but learn how to control it with this amazing video tip from Felix Kunze & Sue Bryce.

Have you ever been walking through the mall or flipping through a magazine and found yourself breaking down the lighting of all the advertising images you see (or at least trying to)? I seem to be doing that all the time, sometimes without even realizing that I am doing it. Well one photog's images in particular always leave me guessing.

Joel Grimes is a commercial advertising photographer who is most known for his composite portraits. In his recent interview with [Framed], Joel discusses how he got started with his career, how he uses 16bit HDR images in his workflow, does a full photoshoot, and even shows off his musical talents. The video is long so take your time watching it because he gives a lot of useful tips. I'm trying to persuade Sean Armenta to create an Fstoppers Post Production Tutorial on this type of composite editing so if you have questions leave them in the comments below.

Shooting the different seasons of the year is great, especially now that winter has officially started. You can shoot the same locations with a completely different mood and look. What happens when you want to shoot snow, but there isn’t any? Perhaps it’s too cold for the wardrobe styling and the subject. You can always fake it, right?

Portrait photographers don’t always have the luxury of working in a nice large studio with loads of room to shuffle strobes and modifiers. If you’ve ever wondered how to get classic, timeless results when shooting in cramped, often improvised spaces, check out this short video.

I shot these images for fashion ecommerce store Zilingo when we were doing a recent campaign/catalog shoot. What a fun team to shoot with! They really have a vision for what they want to pull off and are very supportive in terms of getting there.

There are lots of people who like and prefer a natural light look over flash, but sometimes the conditions outside may not cooperate with you to produce great results. Sometimes you have to grab a flash, here's a few ways you can get a more natural look when you do.

In this video, Karl Taylor and Urs Recher experiment with and demonstrate the uses of a Parabolic reflector. Using a model who is wearing white against a white background, they produce a number of portraits demonstrating how to shape the Para light to separate the model from the background. The versatility of this practice is quite astounding as the photographer is able to stand in front of the light and have it still perfectly illuminate the model and is a simple one light set up.

In this video we see Antwerp, Belgium-based commercial photographer Andy Van den Eynde tackling color correction on location. Andy starts by dropping his base temperature down to a cool 2800K and then recreates the warm glowing effect of torch light using gels from his Rosco Color Correction Filter Kit. What I found interesting was how he actually builds torches out of strobes and gels, which provide the rim light and the glow that would be thrown off from actual torches.

Being a good photographer often means knowing where to position your lights to create the desired effect. However, the placement of your lights is only part of the equation; sometimes, it's just as important to set the color of your lights as well. In today's video, I'll show you three different lighting setups that also use color to alter the final images.

You can’t have a car feature without some amazing details shots of the car, right? Recently, Ben Hosking from Hosking Industries shot a VH SS Holden Commodore for Street Commodores magazine. Some behind the scenes video was taken of his process.

Sometimes all you want to do is shoot some beauty work with some natural light, but it doesn't mean the weather will always cooperate with you. Mother nature has a way of doing whatever she wants on any particular day. Super, right? Here's how I simulated window light in the studio.

As you have probably heard, Fstoppers is hosting a 5 day photography workshop in the Bahamas from May 28 - June 1. Mark Wallace is one of our top instructors this year and he is going to be focusing mostly on the technical aspects of photography. Recently Mark released more information about each of his 4 classes.

Are you a photographer who only shoots exclusively with ambient light or only with flash? Is one actually better than the other?

Remember Justin Wojtczak? If not, make sure you watch this video of Patrick surprising him with the news that he won the Fstoppers 2011 BTS Contest. Well Justin is back with his latest behind the scenes video. In this BTSV Justin takes a bride into a creek in the woods of Georgia and shows us how to shoot on a budget.