On Assignment from Camp 4 Collective on Vimeo.

Ah, the allure of the sea! The crashing waves, the salty air, and the breathtaking beauty of the coastline. If you're a beginner photographer looking to embark on a seascape photography journey, you're in for a treat.

A while back we featured a behind the scenes video on the making of the 2011 Pirelli Calendar and people enjoyed commenting on it (especially Karl Lagerfeld's crazy gloves). If you aren't familiar with the Pirelli calendar, it's basically a glamour nude calendar that is only released to VIPs and Pirelli customers. Even though the calendar is not for sale, it has become an icon in the fine art world. A few days ago this BTS video on the making of the 2012 calendar was released and it's pretty interesting at well. It features photographer Mario Sorrenti as he and his crew scout out locations throughout Corsica in pursuit of the perfect light for each nude image. There are two video versions available below each having a slightly different perspective. While I wouldn't consider this pornography, this video is definitely NSFW so you might want to revisit this later.

Tamron's VC technology can't be beat: it's simply the best option out there for any type of optical stabilization. I can't live without it when it comes to video, and it's so good it often makes using a steady cam unnecessary. Common complaints with Tamron is often the build quality and sharpness, so let's see how their latest super zoom, the 150-600 f/5-6.3 handled a wildlife shoot.

I've spent the last 2 weeks in Michigan’s Upper Peninsula, shooting stills and video in freezing winter conditions. Snow, ice, blisteringly cold wind and more. In this video I share what I found to be best for packing my kit, protecting it in the field, and keeping my eyes from freezing to my viewfinder.

One of the most exhilarating aspects of environmental portraiture, especially when out on assignment, is that you never quite know what your shooting environment is going to look like. If I had a nickel for every time I walked into an awesome location, only to be quickly shuttled off to a closet-like space to do my work... Well, I'd be able to buy a sandwich. But a really nice sandwich. Here are some tips that may save your sanity while trying to compose an interesting portrait in a postage stamp sized room.

If you aren’t familiar with the work of Dave Lehl, it’s about time that you change that. Dave is not only one of the top photographers in the snowboard industry, but he consistently creates work that transcends genres and has landed him gigs shooting for a list of clients that includes the likes of Red Bull, Nike, and Lamborghini. He has been published in nearly every major snowboard magazine including the covers of Pleasure Mag and Transworld Japan’s photo annuals.

Michigan-based photographer Vincent Brady spent five weeks in Iceland living out the back of a rental car to capture the ethereal footage found in his latest 360-degree time-lapse project “Aurora Panoramas Acoustic Borealis.” The video depicts Iceland in its full fantastic glory, with brightly colored auroras floating above fairytale landscapes. Set to an original mellow acoustic tune by long-time friend Brandon McCoy, this video makes for the perfect 4-minute weekend getaway.

While a great image of the Milky Way can be awe inspiring in and of itself, it becomes something else entirely when you add some motion. In just 20 minutes, you will have all the information needed to go out and shoot a time-lapse yourself. Whether or not you are willing to spend countless hours alone in the darkness however...

You may recall my previous automotive rig tutorial with the Green Hornet Black Beauty. My buddy, award-winning commercial photographer Nigel Harniman (www.harniman.com), recently put together another great automotive rig tutorial post using his Phase One ALPA and a Ferrari. I think the shot came out awesome and I definitely learned a few things, which you can read about below!

Have you ever felt that certain photographers and film makers just get the great shots because they get to go to some super locations? Or because they get commissioned by the top brands to have all the best lighting and equipment? A guy called Brandon Li had almost the same experience. He travels to some amazing locations, but decided to make a short film taking place in his hotel room. He sets himself a challenge to make something interesting from a boring space or location to push his creativity and think about ways to make it in to something more appealing.

Skater Kilian Martin sets new standards in the world of skateboarding. Mb! joined forces with Killian and filmmaker Brett Novak to create his newest video "Kilian Martin: Altered Route". Aside from the fact that Killian does things with a skateboard that I have never seen anyone else do ... ever, Brett captures each trick and angle perfectly. I especially love the way Brett juxtaposed the nostalgic clips from the water park back in it's heyday to it's current ghost-townly state. Enjoy!

Whether it’s high noon, sunset or the magic hour it’s hard to beat photographs taken under the natural light of the sun. But how do you contend with the myriad of conditions it produces? Easy. You watch this video by RocketJump Film School as director of photography Jon Salmon walks you through most of the lighting scenarios you might encounter outside. There are even some helpful DIY tips on modifiers thrown in.

I've always been a huge fan of Annie Leibovitz's work. I hear she's one of the hardest photographers to work for - as it probably should be. She can make even Lady Gaga, Queen of Eccentric, look elegant for Vanity Fair's January 2012 issue. While this video doesn't explain much about her lighting technique or how she achieved each photograph, watching Annie behind the scenes is always a treat. Most of her lighting situations in this video are very simple using only a Photek Umbrella and a diffusion cloth attached to it.

I live just a few miles outside of New York City, so when 911 happened, my world was rocked harder than most in the world. After getting my daily dose of hate mail this week about taking pictures at the 911 Memorial at Liberty State Park in Jersey City, I thought I'd write about it.

When the weather gods do something crazy, don't ask questions; just say thank you. You can try and plan your outdoor photography until you're blue in the face, but sometimes, when it starts to look like the conditions might be epic, you need to be spontaneous and just get out there.

Let's face it, smartphone cameras are getting better and better with every release. Mobile photo editing software is getting better too, and with the rise in popularity of Instagram over the last four years, sharing vintage-looking photographs have become quite the trend. Online content studio Rubber Republic produced the #PictureBelfast campaign for Tourism Ireland featuring fashion and lifestyle blogger Donna Ross going head to head with Belfast based photographer Andrew Rankin. Their challenge was to take photographs showing off the best of Belfast – half with a smartphone and half shot on film – where Internet users would try to guess which method for each image was utilized.

The idea of a travel tripod causes hesitation. On one hand, you have a size that makes bringing a tripod on location no longer a physical strain. On the other, these tripods tend to be thin, causing them to be less sturdy than larger, thicker tubed tripods. The key to a good travel tripod is striking a balance of size and strength. For the past few years, MeFOTO has been the leading brand in travel tripods with their wide selection of sizes. Their introductory line of tripods offered everything from tabletop height to a full size 64" tripod. With their newest release, they seem to be pushing the boundaries of how small a tripod can really be.

Well, the light painting bar has been raised again. Sweatshoppe, a European creative collaboration, recently created this video showing off their new technique of video light painting. While that may sound a little strange at first, it's actually a really, really neat technique that they pioneered on their own. Using custom-made software and a little ingenuity,

I'm guilty. As a commercial and fashion editorial photographer as well as a writer for Fstoppers, I love lighting, bokeh, rigging, and all technicalities involved with cinematography and photography. For many months, content fell second to setup. From my experience, there are three types of photographers: those that confide in instinct and sunlight, those that rely on post processing, and those that excel at artificial lighting and formalities.

Assisting for a photographer or videographer can be a rewarding experience filled with knowledge and new perspectives. An assistant often receives an insider's view into how a photographer runs a production, and gains networking opportunities that may not have been accessible before. However, being an effective assistant requires more than holding light stands or reflectors. Great attention to detail and a humble can-do attitude can ensure your return to set, and solidify your reputation as a reliable assistant. While every photographer varies, we will review some of my tips for proper etiquette for assistants, from a photographer's perspective.

A photo series to me was always just another project in school; whether it was for my digital photography class or film photography class, there was always something that had to be done in a series. Being done with school and not having any projects assigned eliminated the need to think about creating a series of work, but now I realize that a series of photos can be a pretty cool personal project. So one year out of college, I challenged myself to start working on a personal aerial series. This time there was no project that needed to be done, no deadline, no rules, I was free to do whatever I wanted to do. The only hard part was actually doing it, but I do believe that this is something that can help any photographer out.

Most photographers are constantly on the hunt for great new locations. From graffiti-adorned alleyways to vast blooming meadows, the search for new backdrops is an endless challenge.

What happens when one photographer wanders through a foggy scene with only a prime lens that we don't typically associate with landscapes? If this was you, do you think you'd be successful or frustrated using this particular prime in this scene?

We live in a time where photographers and filmmakers must combine powers to be competitive in todays advertising market. Recently a huge fashion client approached our production company to capture concurrent motion and still ad campaigns with supermodel Lily Aldridge, but we had to do it all in under 10 hours with 2 complete hair and makeup changes and 12+ outfits. Advertising creatives today need to be able to shoot stellar visual content and assemble bulletproof productions.

When he's not sitting in southern California traffic, San Diego editorial photographer, Rob Andrew, spends his days freelancing from one gig to another with all his gear in tow. In order to stay nimble, Rob has developed a style of shooting creative food photography with a surprisingly minimal amount of gear. He recently published what he calls a "Bag Check" on his blog, outlining the tools he uses to get the job done.

As a photographer, becoming a digital nomad empowers you to see the world as a native, not as a tourist. It’s helped me take better photos, boosted my creativity, and given me more time to dedicate to photography outside my day job. You don’t need to wait till you hit the road: you can start becoming a digital nomad now before you ever sell your house.

While some photographers stay close to home, others travel quite regularly. I’ve been traveling my entire life for one reason or another. And whether it was for a newspaper job I was essentially commuting to (living four days in Southern California and three days in Northern California every week) or a short trip on a personal photographic exploration, I quickly learned that it’s great to have some creature comforts to keep you company along the ride once whatever glamour of traveling that’s left these days fades away.

Forget "shotgun wedding," Jay Philbrick brings us literal cliff-hanging wedding photos that take more than a little preparation. Jay knew about the Cathedral Ledge at Echo Lake State Park in North Conway, New Hampshire because of his many years as a climbing guide there. Jay says that only two of their couples have been climbers, and this couple was not one of them.

Philip Lee Harvey recently went to Ethiopia for Lonely Planet to photograph the world's most inaccessible church... 2,500 feet up and carved into the side of a mountain. The view from the top? Nothing short of spectacular. Amazingly, the Abuna Yemata Guh Church in Tigray, Ethiopia was carved by hand, and the art inside becomes even more incredible when one takes into account that the artist (and anyone who visits) had to make the climb to do it. Talk about devotion.

Today, I thought I’d take you through the sometimes agonizing process of figuring out the best way to light on location and some of the tools and techniques I use to get around the obstacles.

First of all, I wanted to introduce myself. My name is Douglas Sonders and I am a photographer and filmmaker. I'm excited to share this first post as an official member of the Fstoppers team with you. I have loved this site as a reader since its inception and am honored by the opportunity to share with you loads of new original content, much of which will come from behind the scenes of my own crazy shoots.

I'm a huge fan of the Profoto gear. When I came across this behind the scenes video on Profoto's blog, I just had to share it with you guys. To kick off the "Year of the Horse" Tokyo-based photographer Irwin Wong came up with a creative shoot in the middle of the forest.

Late last year I was contacted by one of my magazine clients to shoot their upcoming cover with Panic At The Disco front man Brendon Urie and it had to take place across the country in Las Vegas in about a week (I am NYC-based by the way). I scrambled to find some cool locations in the region, knowing full well I did not want to shoot in some cramped hotel suite. Little did I know that with some good researching and shrewd negotiating, I would find some of the coolest locations I have ever photographed, and just moments from the Las Vegas strip.

Joel Grimes is a commercial advertising photographer who is most known for his composite portraits. In his recent interview with [Framed], Joel discusses how he got started with his career, how he uses 16bit HDR images in his workflow, does a full photoshoot, and even shows off his musical talents. The video is long so take your time watching it because he gives a lot of useful tips. I'm trying to persuade Sean Armenta to create an Fstoppers Post Production Tutorial on this type of composite editing so if you have questions leave them in the comments below.

Australian wedding photographer Jonas Peterson is one of the best around, shooting extravagant weddings in exotic locations on a regular basis. A recent wedding he shot in Kenya may be the most incredible though, described by Peterson as “easily one of the most amazing experiences of my life.” I recently contacted Jonas to ask for more information about his breathtaking images from the Masai Mara, and he was kind enough to share with me his experiences on the beautiful reserve in Kenya.

“I’ve traveled the world and shot weddings pretty...

Over the past 13 months, I've been traveling the world, visiting and photographing many beautiful landscapes and cityscapes. But how did I find all those photogenic places? A few months ago, I wrote an article about how to level up your photography through scouting and exploring new locations. But to achieve a good balance while traveling, you should also have a base of known photo spots available. In this article, I show how I find and organize those.

A chilly September morning. The crispness in the air added weight to the solemn moment. My composition was all figured out. I patiently waited for the final elements to come into place.

Portrait photographers don’t always have the luxury of working in a nice large studio with loads of room to shuffle strobes and modifiers. If you’ve ever wondered how to get classic, timeless results when shooting in cramped, often improvised spaces, check out this short video.