So this video is mostly just absurdly attractive people having their pictures taken, but this video really gives you a great idea as to how big the scale of these productions are. They also seem to be using a lot of natural light for these shoots, which is kind of amazing.
You may remember R.J. Kern and Amanda Tipton from a shoot we featured on here before - well they're at it again and this one is pretty awesome too. Using the PhaseOne 645Df camera and the Capture Pilot w/Camera Control photo app they got some really cool images. They had the models lay flat on a white seamless background while they shot a typical wedding day in a 2D approach. To see more images click...
Our good friend Blair Bunting is at it again. This time Blair was hired to shoot the ad campaign for The Discovery Channels hit show River Monsters. The concept was relatively simple; to have the show’s host Jeremy Wade wrestling a giant fish in the shallow waters near South Beach, Florida. To do this Blair's team used a fake fish that was then replaced in post. To freeze the water with a quick flash duration and stay portable Blair used the new Photoflex Tritons.
Ok, so not technically WiFi, but the series of images in this video were shot using a specially designed pole with 80 bulbs that turned off and on depending on the signal strength of the WiFi in the area. It's a really interesting concept which is the result of a collaboration between Touch, a research project that investigates Near Field Communications and a London design company called Berg.
Well, It seems like the video doesn't allow embedding so everybody check it out HERE
This is a great behind the scenes video from Timothy White as he does the promotional photography for Cowboys and Aliens. I'll warn you, there's not much about the technical side of photography, a lot of these shots are done with natural light, but you can see most of his lighting set ups when he does use lights, and he talks at length about environmental portraiture and creating a dramatic image.
Here's a great behind-the-scenes time lapse video from photographer Finn O'Hara. It's from a photo shoot he did for the Toronto Maple Leaf hockey team. They set up on the ice and it was an 18-hour production. You'll see the ginormous maple leaf backdrop, measuring 55 ft by 85 ft. Fantastic work from our neighbors to the north!
Ryan Connolly over at Film Riot, a how-to filmmaking site, just knocked out a short film using the iPhone 4s as his only camera. The best part is, he has also provided us with a very in-depth look at how he did. Everything from app set up, lighting, equipment, the works. See both the final video and the BTSV here.
"We took the challenge of making a short with the iPhone 4s. The goal was to make the iPhone's video mode look as cinematic as possible...
How bad are your prom photos? Mine don't exist, since I never took part in the awkward American ritual (I had plenty of awkwardness in my day-to-day life). But I have always been intrigued by the whole idea of it. What does someone's prom photo have to say about who they were at sixteen? In this video, photographer Mary Ellen Mark captures the lives
National Geographic recently released this video of the creation of one of their cover shots. While there is no exact date on it, I'd bet that it was shot sometime in the early 2000s or late 1990s guessing from technology being used. Some real ingenuity was at work here, as evidenced by the custom-built pneumatic jaw, the hand-cast Tyrannosaurus skull, and not to mention what appears to be at least ten cameras all triggered at the same time via laser in an effort to capture the decisive moment.
This is a pretty cool time lapse of the production of the Wade Brothers shoot "House Of Fly 53". It's a pretty interesting concept that incorporates both a 10 minute video and a series of images used for print and web advertising. The incredible part of all of this was that both the video and stills were shot at exactly the same time, which saved production and talent costs.
Photographer, Michael J Moore was granted access to a creepy and abandoned state mental hospital for this fashion shoot. He used a combination of lighting setups but mainly, the Phase One 645DF camera with a Profoto 8A 2400W and various Profoto strobes. With all three different lighting set ups, Michael did a great job at capturing that Vanity Fair-esque look that we all know so well.