If you're into apparitions or anything spooky, this interview with former commercial photographer, Claudia Kunin, will captivate you. Without giving away much, check out the interview. Her work is extremely unique in what she does and where she's come from. She says she loves ghosts because she's been fascinated since she was a little girl. Combining that love with 3-D ends up taking it to the next level. She even goes over how she does it. More details in the full post.
James Mollison is known for his photojournalistic portraiture. He often photographs his subjects in front of a white backdrop, and then presents the final portrait next to a picture of the persons's living conditions. In this video, he'll speak about his previous projects; but you'll also get see him in action. He goes to a Kenyan refugee camp and captures some beautiful and somewhat disheartening images of the inhabitants.
In case you missed "Hugo", the Oscar winning film from last year, the last cut of the movie is about 2 minutes long, and is seemingly a single steadicam shot. In this behind the scenes video, we see the point of view from a small wide angle camera mounted on top of the steadicam itself, and you can see how something like this is pulled off. You can even hear Larry McConkey take a sigh of relief when he finishes the move. Hit the jump for the scene from the movie.
As I promised when I wrote my Anatomy of An Interior Shoot post a few weeks ago, if the interest was there, I'd continue the series. I'm happy to report that I've got much more in stock for you. If you're interested in kicking your architectural and interiors photography into high gear and adding some special sauce to your photos, this post is for you.
I was really taken aback when I came across this series of images by Frieke Janssens. They're so incredibly striking, and I imagine it's difficult to look at them without being affected in some way. The video shows some behind the scenes footage, and ends with the clip that inspired the entire series. Here's an excerpt from Janssens' website, where she explains the inspiration for the project
Here's a behind the scenes look at sports photographer Kelly Kline's recent shoot for Under Armour. She photographed Deandre Jordan of the LA Clippers for UA's Summer/Fall campaign. Now, it's not exactly instructional, but you'll see a little bit of the setup. Her task was to capture action images based on the sketched out ideas for the campaign. What do you think? Would you rather have a specific direction
UPDATED WITH PETER'S Full RES FILES! New cameras are getting faster and faster each year. In over a decade DSLRs have gone from 6 fps to 12 fps, and now many can shoot 60 frames of HD video. We've all heard it before, "At some point photographers will just shoot video and pull the best frame out" but is this really even feasible? Fstoppers.com recently teamed up with Peter Hurley to test this theory as we compared the Hasselblad H3D-22 with the Red Epic. The results are shocking!
Within the Mission District in San Francisco lies an amazing tintype photography studio called Photobooth. The best part is that you can just walk in and get a tintype portrait for yourself. Co-founder, Michael Shindler, not only talks about how it all got started but gives us a look into the process from start to finish. Check it out the next time you're in San Francisco!
"I've shared a rope with 19 people who have died." The haunting voiceover in Tyler Stableford's latest short film "Shattered" really drives the drama, while introspective conjecture and nail-biting visuals keep you on the edge of your seat. Tyler also has released a 3-part behind the scenes video series on the making of this film, which used the Canon 1DX. See the full post for all 3 videos.
What have you done to get the shot today? Parked your car, walked into a studio? Plunked down a tripod on a sandy, tropical beach? Fiddled with some macro rails? South African aviation photographer Justin de Reuck unstrapped a good deal of his harness, slid open the canopy, and took photos at what I'm guessing is 100 knots, mere feet from the ground. I'm not sure how that plane actually took off with Justin's balls of steel on board, because man, they must be huge.
Have you ever been going through the magazine rack of your local book store and just stood staring at the cover of a car magazine? No? Ok, well maybe that's just me. But when I see a photo of a blazingly fast sports car clinging to the corner of a race track it certainly piques my interest. Even if you aren't a "car person" chances are you have at least wondered how these cover shots are made.
You might remember Coco Rocha from her past ELLE controversy that we recently posted. She's definitely one of the industry's top models. This time, we take a look at the making of a cover for Target Style. How many shots does it take to get 'the' cover shot when you have a supermodel as your subject? Take a look and find out.
Ken Burns is somewhat of a a legend when it comes to stories and film making. His documentaries cover some fantastic issues within the U.S. and have a fine tension throughout the film which keeps his audience captivated. In this short interview by Redglass Pictures, Ken shares what he feels the key elements of a captivating story are. How do you think his idea of that "extra element" applies to what you shoot or edit?
Check out this behind the scenes video of Alex Koloskov shooting a very complex image of a girl holding an orb of water. In the video you'll see his lighting set up, and how he interacts with his model and if you're interested in how all of those splashes of water became an orb, check out this link to all of the images he used in the final composite HERE.