If you are like me, your image library is full of personal shoots and client images that were never used. Instead of just letting those images collect dust on your hard drives, now these images may have a new home. The people at Image Brief partner with designers and advertisers and pair them with photographers who may just have that perfect image for their campaign.
Adobe just released a teaser video for their May 6th event where they will announce few new products and features. In this video they show one of their new tools for Photoshop - "Camera Shake Reduction". This tool will allow photographers to save photos that were always considered as garbage - photos taken in a rush, or in low-light situations. The tool analyzes the photo, and deblur it to make it sharp.
Ok so many of you will not be fond of this technique. That is totally your preference. But for those of you who like good HDR photos, the guys are PHLEARN show a method that will teach you a method to get faux-HDR final images that will make some of your images go from good to great.
Have you ever wondered how dance companies and productions get those amazing photographs of their artists in perfectly posed dance stances? Well, Benjamin Von Wong has recently thrown some light over the intricate process of lighting and shooting a complex dance campaign.
Ryan Moore is a professional retoucher. He recently wrote a list of five tips that can help save your client time and money. Saving time and money doesn't just benefit the client. It also lays a firm foundation for an ongoing relationship between the photographer and the client.
According to Moore, "there are many contributing factors in a modern day retail campaign,
Here in New York, we finally had a day that that you could actually call "warm." To celebrate, here is a BTS of the Guess shoot for their 2013 Spring/Summer collection shot in Bora Bora, Tahiti by Yu Tsai. I've always been a fan of the direction that Guess chooses to go with their campaigns. It has a seemingly effortless sex-appeal. A great thing to take away from this BTS is that, although every person on set is an incredibly talented professional, the fundamentals of what they are doing is rooted in simplicity.
Automotive photography can be an extremely rewarding niche in the photography industry. The fast, shiny, power-inducing machines that rush by in a blur of color can be a thrill to anyone photographer, but it can also be daunting making sure that every detail is just perfect. Automotive photographer John Zhang walks us through the post processing of one of his lates shots of a Lexus LFA.
To say that I have been absent from writing lately is a slight understatement. In all reality I have been absent from life in general. I have been sitting on planes listening to podcasts more than I have been sitting at bars listening to friends. All for one giant campaign: "Give Me Strength" by Muscle Milk.
When it comes to compositing, the most tedious part of the Photoshop workflow to me has to be the extracting of objects from the background. With so many different ways to extract a subject: the pen tool, the lasso tool, refine edge, or Fluid Mask, it can be hard to find the technique that best suits your workflow. Commercial and editorial photographer Michael Herb has recently released an amusing quick mask tutorial that might just be the thing to get you out of your compositing rut.
In one of their most recent advertising campaigns, Yokohama blends a fun mix of high speed sports car chases and childhood games to produce two different commercials. The filming process involved multiple rigs and setups to get a variety of shots, including the director hanging through the windshield of a truck filming the driver. Check out the final commercials below.
Fashion photographer Lindsay Adler is at it again, creating amazing images and sharing her secrets with the industry. Over the last year, since first hearing about Adler, I have been impressed with her willingness to constantly share tips and tricks openly in an effort to make all of us better at our craft. This morning I watched another one of her videos that really caught me eye and while it's not something I would use very often, it did open my mind to thinking more creatively on shoots.
Jurassic Park is my favorite movie of all time. The story line itself is captivating but the incredible special effects are what really set this film apart. The movie was released 20 years ago in 1993 and the CGI and robotic dinosaurs still look more realistic than the majority of special effects in movies today. Stan Winston has just released 3, never before seen videos of the creation of the robotic dinosaurs from the original Jurassic Park.
A while back, our very own Patrick Hall gave us a detailed run down of how to set up an indoor wake boarding shoot using flashes and water in a garage. Along a similar vein, Erik Isakson uses the same shoot concepts and applies them multiple sports. By using a simple backyard, hot tub water, and some great rim light Erik puts a fun flair into his action shots.
Hasselblad + Beer = Good stuff.
In this behind the scenes video, commercial photographer Rob Grimm and Phlearn, co-created a tutorial around the set of a beer photo shoot. Grimm does a great job explaining the lighting being used on set, how he works around reflections on glass with polarizers, how he creates highlights in the beer bottle and why chopsticks are necessary to make cereal malt beverages look crisp on camera.
A few minutes ago I received an email that contained some big red flags and alerted me of a dangerous situation that all photographers and models should be aware is happening. Recently here on Fstoppers we reported on models that went missing after accepting jobs on these modeling sites. Well now I have discovered that someone is actually representing themselves as me on one of these sites and trying to setup various shoots with models.