Early in February of 2013, Rovio announced a new side project called "Angry Birds Superstars," which juxtaposed athletes with the hugely popular Angry Birds imagery. Though there likely are more on the way, Rovio has started the project with NHL Stanley Cup champion Anže Kopitar and NBA All-Star Veteran Andrew Bynum, both photographed by Jere Hietala. The point? Because it’s fun and awesome.
I recently came across the work of Miller Mobley on Twitter on a random chance of browsing through a few recent tweets. I was linked directly to his blogwhich had a post about his recent shoot with Quentin Tarantino and Jamie Foxx. What I loved, more than his impeccable results, was how he was quite giving in regards to the details of the shoot.
During this last superbowl there were some pretty amazing commercials, but one stood out to me. The new live action, God of War Ascension trailer. Being a huge fan of the God of War series I was happy to see the character, 'Kratos', brought to life. Below are the behind the scenes videos on how they brought the game out of the Playstation and into the real world.
The Verge and Gizmodo have featured a video found on Youtube that shows Adobe's CEO, Shantanu Narayen, masterfully avoiding answering a very direct question: "How can Adobe justify selling the Creative Suite for $1400 more in Australia than in the United States?" Rather than talking about the pricing of the Creative Suite, Narayen continually deflects to the Creative Cloud.
Skreened is an eCommerce company that specializes in on-demand screen printing. Shirts are their biggest sellers. Since each shirt design is unique, they needed a library of images with models in blank tees so they could overlay the latest designs in post. When they approached me to shoot for them, their main request was that these portraits be fun and energetic.
Whether you watched the Super Bowl or not, it's very possible you saw the now world famous PSY perform an adapted version of "Gangnam Style" for a pistachio commercial. I have to admit, when I first saw the commercial, I was taken off guard by the lack of connection. Still, I've thought about pistachios since, so I guess the marketing campaign worked.
For reasons unknown, I receive many calls to photograph pseudo reality TV shows more than almost anything other than athletic campaigns. Like sports, I try not to watch the shows I photograph. It is not out of disrespect for what the celebs and athletes are doing, but rather I want to remain distant from the connotations put upon them from commentators or editors. As much as we’d all like to believe that everything about a reality TV show is real, it is often far from it.
Now that the Superbowl is behind us we can all start talking about the best commercials we saw. All over social media it seems the one that got the big win for the night was the excellent commercial from Dodge truck with photos of farmers. Great commercial indeed... but did you know that it was inspired by an idea posted to YouTube back in 2011 by Farms.com. I have shared them both below.
For sports photographers everywhere, tonight is the night that you someday hope to be working. Super Bowl Sunday has basically became a national holiday for Americans. Whether you’re watching for the commercials, or the game, photographers everywhere want to see that lineup of camera bodies and lenses on the sidelines.
Our good friend Dave Lehl is at it again and this time he's moved out of the snow and into the skate park. To add a bit of flare to the standard skateboarding shot Dave taped sparklers to the bottom of the board and used smoke bombs to set the mood. Check out the full post to a link to the high res finished shots.
Every Week Benjamin Von Wong releases new behind the scenes content for your viewing pleasure. This week Ben takes off for Paris and tackles the challenge of shooting a piece of fine art called the “WOM dog” by Cyril Anguelidis. Ben and his talented fire-wielding partner-in-crime, Andrey DAS, took their time in pre-production. They sketched out what exact effects were to be used around the expensive sculpture for the most dramatic look, while still keeping the crew and subject safe.
Whenever I talk to another photographer the topic of “personal work” always comes up. Usually in the casual form of, “hey, have you shot any personal work lately?” This standard artistic rendition of the workplace, “how’s the weather” is usually brushed off and more enjoyable conversations quickly replace it. However, for me, it is probably better that my “personal work” remains limited, for doing it usually leeds to bodily harm (or in this case recurring nightmares).
In my opinion, nothing is sexier than a glossy black surface. And you don't even need a black backdrop sweep to achieve it.
During my time as the lifestyle photographer for JackThreads, I shot many different products in many different ways. Since I was shooting an average of 10 brands per day, I had to work quickly and in a tiny space. Through working in this condition, I developed some cheap and easy lighting scenarios.
When I first got into portrait photography, I saw his work and I wanted to be Zim Killgore. Years later, I still have inspiration folders that are filled with his stuff. I've always been interested in his work because its nothing like anything I've ever seen before. Its a fresh take on portrait photography, that encourages you to just sit down and stare at it.