Cameron Davis is a photographer, cinematographer and creative director based in New York. Growing up in Southern California, Cameron has developed a style that blends East Coast with West Coast, adding in flavors of London and Paris. Focusing primarily on shooting editorial fashion imagery, Cameron's work has been published in treats!, GQ Italia, Fault and S Magazine.
If you’ve ever wondered how much time a good make up artist can really save you in post on your stills images, you might want to take a look at the absolutely stunning before and after shots in this article. Believe it or not, no Photoshop was used in the making of any of these images, this is all done the old fashioned way - straight out of camera.
In the competitive landscape of fashion photography, Charles LUCIMA stands out with fashion-editorial images and videos that have graced magazines and televisions around the world. We caught up with Charles after his three-day, Destination MARS workshop and right before shooting a new line of cosmetics.
After reading the comments on the Miley and Terry article I wrote the other day, it made me realize how many people are in the dark about Terry Richardson's talent. I am a huge fan of Terry, mostly because he has an 'I don't give a damn' attitude but he turns out some pretty glorious images when you aren't paying attention. Most people when they hear the name Terry Richardson they think creepy, old, incredibly lucky photographer who gets to see a lot of boobs. But in reality he is highly talented and brought in millions last year for doing much more than mediocre white wall shots.
We've all seen behind-the-scenes videos before right? Most are quick little tidbits showing how much fun a shoot is and how amazing the life of a photographer is. Some of them even give you some amazing insight into the techniques used by some of the top pros working today. Well, this is NOT that kind of BTS video. This 16 hour (yes, you read that right) marathon of a video is by far the BEST BTS that I've found that really shows you what the elite in the fashion world actually do to make those amazing editorials we all love.
I've got a fun little DIY light modifier for you today. I call it the High Fashion Specular Reflector or "shiny board" for short. In my travels, I have to carry a LOT of gear. Especially when the trip is on my own dime and I don't have a budget to rent the cool toys I want to have. I came up with the idea for this reflector through experimentation and just obnoxious luck. I wanted to create a very hard light (in addition to the sun) to use on my model while on location.
Urban Hippie is an award winning fashion-short film that is also a Vimeo staff pick. I was immediately engaged by the visuals that depict a girl's journey into her imagination. There is so much energy and life in the video that it's a must watch. The way each moment was shot was meticulous and every frame could be a photograph of its own. It recent won the the best experimental film at the LA Cinema Festival and the best visual effects award at the La Jolla Fashion Film Festival.
Kesler Tran is a photographer based out of Los Angeles and New York specializing in fashion, editorial and beauty. Of the three, one will probably find his beauty work resonating the strongest; it teems from every pore of his images. His eye for light and shape, as complex and trained as it is, seems effortless when one browses through the images on his tumblr. With the sheer amount of content, it's also hard to imagine him ever taking a break. Thankfully, he took one for us.
Steve Fischer is a Los Angeles based fashion photographer specializing in shooting women for the fashion, high fashion, lingerie, swimwear and beauty markets. Steve started shooting about 15 years ago, taking a minor hiatus to write and produce television commercials. Not too long ago, he was in a car accident that nearly killed him and left him physically unable to shoot for several years. He returned to his love of fashion photography about four years ago and is here to stay.
Whether we shoot stills, video or both, better utilizing light is probably the single quickest and most effective way to boost the quality of our work. I recently came across the beautiful work of cinematographer and DP Matthias Koenigswieser. If you love to shoot natural or ambient light and want to see just how beautiful applying lighting to achieve a natural light look can be, you’re in for a treat.
When I first started shooting, I would spend absolutely no time planning my shots. I would focus tons of time and energy into every other aspect (location, wardrobe, mood, etc) but in some weird turn of events, it must have slipped my mind that the end goal is "The Shot." How that slipped my mind still baffles me. Instead of putting in the effort to plan what my actual finished images would look like, I found a model, found a location and showed up on shoot day with a plan to wing it.
Peter Lindbergh is one of my all-time favorite photographers. I often refer to his work for inspiration not only for the technique but for the amazing beauty that exudes from his work. Not too long ago I found this little clip of Peter shooting Amber Valletta (a legend in her own right) for Vogue Italia. What I've found interesting about this video is the level of production that goes into a shoot like this, when the final image appears so effortless.
Lilah Ramzi, creator of Part Nouveau, had a great idea. With art and photography, many of the great images we see today are concepts that are borrowed from the past. She found the potential source of inspiration for many of these images and put them together. The result is a great lesson with a concise history of where they also originated from.
Fashion Week in New York is coming to an end today, and is largely considered the Grammys for the fashion forward and fashion photographers of the industry. It’s not too uncommon for fashion to get its share of criticism from the public, looking largely like a marketing con for “What’s New For Fall”. So what happens when Jimmy Kimmel decides to play some pranks on those at fashion week in New York?
Because most of us fear rejection to some degree, speaking to a complete stranger and asking them for something, let alone asking if you can photograph them, tends to be pretty challenging. I’ve never been one of those naturally confident people but over time I’ve developed some techniques that have provided me with the confidence to work with strangers, which has brought additional benefit when communicating with paying clients.