We have featured Elena Jasic on Fstoppers a few times now. Most recently we featured a tutorial from her on how to utilize frequency separation. Elena's newest tutorial is on dodging and burning, and how she goes about doing it in her work flow. Dodging and burning can add dimension to your photos and take them to the next level.
Fashion photographer Lindsay Adler is at it again, creating amazing images and sharing her secrets with the industry. Over the last year, since first hearing about Adler, I have been impressed with her willingness to constantly share tips and tricks openly in an effort to make all of us better at our craft. This morning I watched another one of her videos that really caught me eye and while it's not something I would use very often, it did open my mind to thinking more creatively on shoots.
Bert Stern's career started in the mailroom at Look Magazine and soon became sought after by Hollywood and Madison Avenue.
Bert Stern: Original Mad Man directed by Shannah Laumeister, follows Stern's career through the golden age of the ad world and the iconic Marilyn Monroe "The Last Sitting" series.
Stern is notably well known for his 3 day photo shoot with Marilyn Monroe for Vogue
Warning: The following interview contains adult language, adult situations and nudity.
Michael Donovan rules. It says so on his website. It also says so on his Tumblr. It says so anywhere you’d find his name. And to be perfectly honest, believe the hype. Michael Donovan does rule. This is why I’m here, in a Lower East Side bar that never left 1982, having a drink and trying to hold a conversation while Asian fetish porn plays on TVs that I’m sure were taken from the dumpster behind a Motel 6.
Certainly, fashion editorials take a lot of time and energy and often involve entire teams to get the job done correctly. Superstudio just released a new video, showing how they were able to shoot an entire catalogue for their client NN07, without the use of elaborate studios, equipment or even models. Perhaps the most impressive part of it all is that they were able to do this, in a total span of 5 days, while in Argentina.
While this BTS doesn't give a lot of insight into techniques used, you can still gather a lot of info from it. I found it interesting that the photographer, Julia Chernih, used just natural light and a reflector. Also upon closer inspection it looks as if she shot the whole thing on a Canon 50mm f1.8 (my favorite lens, but I will go into that another time), which is pretty sweet to me. The photos came out gorgeous using a very minimal setup.
Russell James is an extremely talented photographer who has shot for a long list of high end clients and famous celebrities. This behind the scenes video gives us a quick rundown of what it takes to produce and execute a high caliber photo shoot for a upper echelon glossy like GQ. Even though it moves fast, we can see from this glimpse what types of gear used during the shoot, how lights are set up and what it takes to work with talent like Erin Heatherton.
You can find more work from Russell James on his site www....
Just recently a friend of mine posted some rather stunning images on his Facebook page. While vacationing in Vegas, Réjean Brandt, a very talented fashion photographer from Canada decided to take the opportunity to organize a portfolio shoot. The photos taken at Red Rock Canyon were beyond splendid to say the least, and I quickly jumped on Réjean to get behind the scenes details for an article on this very site. The next day the images were abruptly taken down. Why? Because Red Rock Canyon threatened to seize his equipment if he didn't.
Adrien Broom, Connecticut based photographer, recently successfully funded her new project "Where did All the Colors Go?" on Kickstarter. The project is a multimedia story for children in the forms of a children's book, a short film and also an integrated platform to be viewed through a tablet. For both the photo and video production, Adrien created amazing sets featuring different colors. The first color Adrien shot was White. Check out how she built the set and of course the final results.
I've always found that photos that capture and freeze rain to be exceedingly interesting. Rain gives the photo depth and a moodier feel, but usually you have to wait for a storm to blow through your area, or invest in a rain machine. No longer. Benjamin Von Wong has figured out a way to create those wonderfully drenched and moody shots without even stepping outdoors.
In a recent editorial for Numero magazine white model Ondria Hardin poses as an "African Queen." With a ton of deep bronzer the white model fit the part, but why not choose an African American model? The modeling agency that represents Ondria also had several black women to choose from, however the magazine chose to paint Ondria instead.
London photographer Dave Kai-Piper, who is an one of the more active members of the Fstoppers Facebook group took off to explore the United States this summer with his Fuji X-Pro1. He traveled super light on his journey and rarely used anything more than natural light to journal his expedition. I love his series that he has slowly been revealing through our FB group so I caught up with him over chat to share some of his work with you guys. Click the jump for photos and a word from Dave. Enjoy!
As a wedding photographer I have learned that our shooting conditions are not always ideal. One of the places I dread most is the bride's dressing room. It is typically a hotel room with bags, shoes and every beauty accessory invented strewn across the floor. The lighting is never ideal and the decor just might be the straight out of your grandma's home. Read on below to see a simple lighting setup using two flashes that can help you create beautiful portraits even in not so flattering locations.
The other day Phlearn came up with a way to emulate Martin Schoeller's portrait lighting. I have been wanting to lock down Schoeller's technique for years now, so when I saw Phlearn's post, I was stoked. And they did a fantastic job. I even learned their cool Photoshop technique of adding natural looking highlights and shadows. The problem was that in order for me to try out their lighting technique, I needed two strip soft boxes for my strobes, which I didn't have.