We’re living in a visual society. Every day, we see new ways of visual advertising. Some of the messages presented without the use of words can be very powerful, as if there's some subliminal code that makes us think. As photographers, we are used to delivering messages by solely providing the image. Or are we? This series is the go-to resource for compelling visual storytelling in landscape photography and closes this week with advanced communication techniques that help create spectacular images. Join me now as we dive into the deep end, far beyond compositional elements like lines and color and learn that secret code by heart.
There are many tips online. Five step listicles of composition, post-processing, editing, getting the model to smile more, and to capture a story in the best way possible. You can be friendlier to clients, communicate your vision to the team, client or model, use on or off camera flash, and setup your camera in a better way to enable easier ways to capture the shot. You can learn about better workflows and how to increase your productivity in post too. All these tools are available on Fstoppers.com for you to learn and use in your everyday photography career and life.
Sometimes being a "creative" really sucks. But it's also the best thing to be in the entire world. But did I mention it can suck? Well if you feel like you're in a rut, then watch this preview, and prepare to be inspired. Today, Musicbed released their feature-length documentary, "Make," which explores why creatives continue, well, creating.
I know that I’m preaching to the choir when I say that personal projects, free from the constraints of commercial clients dictating production details, are an important outlet for creativity and staying sharp on your skills. Photographer Ray Demski just dropped his latest passion project, "Fireball," combining parkour, football (soccer), and beatboxing.
Foster Visuals, known for the nationally-awarded "Legacy Project," recently teamed up with DJI to tell the story of Heraldo Riel, a gaucho in Patagonia, Chile. Like his father before him, Riel became a Gaucho at the age of nine. To be a Gaucho means to be kind and caring for all living things. Using a combination of equipment, including the DJI Osmo, Ronin, and Inspire 1, Brent Foster and his team tell Riel's story and captures the intense beauty and solitude of the remote section of Patagonia in which Riel lives.
Ah, vacation! As photographers who shoot to put food on the table, it's exceedingly difficult to unplug. The temptation to jump into post-processing as soon as we take a photo can be overwhelming. The image is never done! If we just push this slider or that, tweak this or that, or crop here or there, the image would be so much better. At some point, though, shouldn't we be experiencing our vacation instead of documenting it? Enter the ultimate in quick and dirty memory-making: the 35mm film camera.
Documentary videos have always been there to grab my attention. These short, yet powerful videos can really pull you in, making you want to know more about what you're watching. I have made a few videos like this myself but none that I have really liked until now. I don’t usually like to share my work or go into depth about it, but here I will go over a few things to do when shooting a documentary like this.
In the latest installment of the “More Than Just Parks” series, filmmakers Will Pattiz and Jim Pattiz journey through Grand Teton National Park and capture breathtaking visuals of the natural vistas and wildlife. Their video series aims to document all 59 national parks through beautiful imagery in order to promote the protection and enjoyment of these lands. After you check out the new video (it does not disappoint), the Pattiz brothers share with Fstoppers some of their experiences and challenges working on “Grand Teton” and the video series altogether.
When I got into wedding photography twelve years ago, I didn't know a single photographer who was shooting macro shots of their clients' rings. Today, these shots have become expected, and hopefully, if you're a wedding photographer, you've got a macro lens in your bag so that you can capture professional-looking shots of the rings.
Last year we teamed up with Elia Locardi, one of the most followed landscape photographers in the world, to film "Photographing The World: Landscape Photography and Post-Processing." This is a 12-hour video tutorial on landscape photography, and today, we are releasing the first lesson for free.
It goes without saying that creating a comfortable, safe environment while shooting beauty photography can go a long way towards building a strong working relationship with your model. Comfortable, however, is what I'd define as the "barrier to entry." What you really want to do is go beyond that by giving your model a slight boost in confidence. By building up the model's self-esteem you get her thinking positively, and that state of mind leads to fantastic moments which create a genuine spark of expression.
For years, I enjoyed cinematography and photography as almost non-overlapping magisteria. I was fully aware that they played by many of the same rules, but I didn't entertain the idea of extracting elements of cinematography and inserting them into my images until much later.