The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2017, we're featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.
This month's winner is Mario Olvera! His work is notable for its strikingly imaginative concepts and top-notch lighting. Be sure to check out our favorite shots of his below and give...
If you’ve been following the recent news about Panasonic, it’s possible to believe that the sky is falling over at the camera division, only to find out directly from the company it’s not, but then – reading between the lines – realizing it probably is a bad situation either way. A large, 4/3-sized chunk of the photo community is probably asking how it got so bad – didn’t the company just come out with the killer Lumix GH5?
Maybe it just fell through the cracks for just me, perhaps it did for you as well, but recently through a friend I found out about the Amazon Locker concept. With Amazon Prime's rapid growth, so has the complaints about stolen packages and damaged packages from shipping companies. So to counter-act, Amazon doubled down and introduced this concept as far back as 2011. I gave it a try recently where I am based in Tampa, here's how it went.
Luminosity masks are well known amongst landscape and nightscape photographers but often underrated by many other creatives. They are an incredibly powerful tool and can help you apply adjustments only to certain areas of an image according to their luminosity. In past articles I wrote, I’ve shown different ways to create these masks. However, with time, I’ve come to the conclusion that there is one way that seems to always be the most effective and yield the most natural-looking results.
As photographers, part of our job often involves making a relatively unexciting location into something exciting. Everything from subject to exposure to framing plays a part in this transformation but one often overlooked tool at a photographer's disposal is color. By adding color to a scene with the use of gels a photographer can bring an uninteresting scene up a notch by creating ambiance and drama.
I’m not a trend-setter. I’m 31, pudgy, married, and writing this from my modest ranch hidden among 5000 other modest ranches in a suburb about 90 minutes outside of New York City. I shop at Big Y, buy my clothes at Khol’s, and look forward to Sunday Night Football every Fall. I’m also not really a trend-follower. Ultimately, I spend my time under-the-radar, paying my taxes, and mulching my lawn. Which makes my switch from Nikon to Fuji pretty remarkable.
Detail shots are one of the most neglected shots I see missing from boudoir photographers portfolios. Not only do they compliment another image when placed in an album, they can help to create larger sales in the end. Keeping a mental note of which detail shots to not forget can help you in your flow during the session as well as helping you see another angle you might not have thought about before.
It’s common knowledge that to master a craft you have to practice it every day. As Twyla Tharp says in her classic book The Creative Habit, “I’ve learned that being creative is a full-time job with its own daily patterns… The routine is as much a part of the creative process as the lightning bolt of inspiration, maybe more.” But what does that mean for filmmakers whose craft is so macroscopic? A film takes years. It includes writing, casting, financing, producing, editing. So how, exactly, do you practice filmmaking?
I am not good at Instagram and neither are you. I know this because if you were good at it, you would not be reading this. The photographers who gain a following and crush it with likes and comments have put in a lot of work to get where they are. We have not, but we want more results anyway. Case in point, we suck.
You can't work in the photography industry for any length of time without developing a few pet peeves; it's only natural. Surround yourself with anything for 8-12 hours per day, and a few things are bound to get on your nerves. So, what is it that drives photographers up the wall? A lot, it seems. A few brave photographers and other industry professionals shared what makes them crazy. Is your personal pet peeve on this list?
Everyone has their baby. You know, that one camera that speaks to them in a way that all other cameras fall short. Of course, saying something like, "best portrait camera ever" is pretty loaded, but I calls it how I sees it! The Mamiya RZ67 is, for a variety of reasons, one of the best cameras ever made. In this article and accompanying video I'll give a birds eye view of the camera and its features, show a little work produced by it, and give you some insight into why this camera is at the top of the heap for me.
I'm a symmetry snob. If you are going for the down the center shot, get in the middle. It may seem obvious but at the end of the day a few inches can make a huge difference and actually make or break your photo. So as much as you want to start filling that memory card, slow down and make the fine tune adjustments.
Photography isn't something you decide as a career path. You rather find photography and then setup your life to do it as a job. It has that effect and it's why it's such a beautiful art form. You'll never be a successful photographer if you are not passionate about it, which is different to deciding a financial adviser or insurance broker. I might be stereotyping, but I am sure there are many who love their job, but also many who do not, but at least get a good paying salary at the end of every month, so they keep at it.