When the term "compositing" comes up, one often considers it a destructive, transformative process that involves frankensteining a myriad of images into a single, completely new, composition. This method can draw as much ire as it does praise. Personally, I love great composites, but many feel that they are too fake. Not all compositing has to be a metamorphosis creating a brand new image, however. By leveraging compositing technique to make slight alterations to your image you can, instead, create a shot that is much more true to reality but still creates a sense of fantasy or surrealism.
Let me preface this article by saying that I LOVE Billy and the rest of the team at Resource. I’ve shared quite a few hung-over mornings with you guys at misc. photo conferences and I wouldn’t trade it for the world. I would also like to note that I disagree with much of the article that they just ran.
You can have the tools, and you can have the know how, but what is one of the most powerful skills that most photographers, videographers, and just about anyone else will swear by in a creative industry? The power of forethought and pre-planning. Granted, for some this step isn’t as important as it is to others. However, whether you sit down and make a shot list, sketch out some rough ideas for shots, or just develop a really strong concept of what you want to accomplish on a project, most people do pre-plan in some way shape or form.
The Fstoppers team has been working on a new project with Mike Kelley. While we're with him, we wanted to give some of our readers the chance to have their architectural images critiqued by one of the best in the field. Join us for our next episode of Critique the community by submitting some of your pictures below in the comments. We will be selecting a total of 20 images to give feedback to. See the instructions below to submit your images correctly.
Most photographers have a difficult time turning their social following into income – Yes, even those with HUGE social followings. The great part is, it doesn’t take a genius to learn how to capitalize from your social following, whether it’s 100 people or 100,000. It just takes some research and small bit of effort.
Photography is one complex profession which requires many skills, from the technical to the psychological. We have all been faced with unpredictable scenarios which have put us or our clients/models in an awkward position ,or a state or panic. It can be anything: an insecure model, no time to set up your planned light, an equipment which breaks or malfunctions, a sudden rainfall, an unhappy bride, etc. Being well-equipped won’t always save the day. And if we lack self-control, good communication skills, and if we lose creative approach in stressful situations, we could just pack our gear and go home with an unhappy client glaring at our back. Being able to deal with these different scenarios might be surprisingly beneficial both for your photography and business.
I keep seeing Community Over Competition everywhere. People get upset at another photographer for "stealing" a client or undercutting their prices, and go on tangents about how creating community is more important than competing with one another. While I do agree that community is extremely important, (I mean who else is going to listen to us gripe about the industry and let us bounce ideas off of them?) I also believe that competition is healthy for the industry, and for you.
The mania surrounding food photography is a pretty recent phenomenon. In the last decade, what used to be a niche in photography took social media by storm and ever since has been one of the favorite topics for a huge amount of accounts. It is supposedly the second most popular subject of photography fanatics on Instagram after the selfie tsunami. I sat down to talk with Hein van Tonder, a food photographer carving his way into the food royalty.
Do you spend more time researching photography gear than shooting? Do you believe that you can’t achieve a particular look without buying the latest shiny product? Then you might be suffering from G.A.S., also known as Gear Acquisition Syndrome. Step into my office and let me share some prescriptions that can help you cure this debilitating disease!
Retouching, much like photography itself, is a really subjective topic in the community. What one photographer considers great, another considers mediocre. While there are many debatable topics regarding retouching, I think it’s important to note these three things most photographers get wrong when they’re retouching.
The Nikon 58mm 1.4 and The now famed Sigma Art 50mm 1.4 are two lenses that arguably have a lot in common and at the same time polar opposites. The fact of the matter is the Sigma series which is marketed under the “art” moniker has received its praise because of technical proficiency while the release of the Nikon 58mm fell flat due to misguided expectations.
Leaving the car, mountains, and solid ground behind, we get into a small airplane to do some landscape photography over Western Australia with International Fine Art Photographer of the Year Scott Jon McCook, not only to cover more ground while we’re at it, but to gain a rather unique perspective of the landscape and the story behind it.
Work hard. Create personal work. Blog. Be active on social media. Pick up the phone. These (any many others) are tried and true ways to promote yourself and your business while you're trying to get noticed in a sea of other artists. But what happens when life gets in the way of your success? How do you balance taking care of your family while giving photography an honest to goodness shot?
We are living in an era that everyone complains about their bulky camera gear and how hard it is to carry it all day. Many photographers are now switching to mirrorless cameras for this reason. But hey, there is another solution for that: You can minimize your lenses and other gear, rather than changing your main camera body. That's what I did.