During the recent years, Dell launched its affordable UltraSharp Premier Color wide gamut monitor series in different screen size and resolution options. The features and technical specs of Premier Color monitors are impressive on paper, but how about the real results? After spending 3 months with 4 different units of the 25-inch model, I have finally completed my in-depth review.
When it comes to price, everything we think we know is an illusion. Consumers assume that paying handsomely for something magically increases the product’s quality. We can acknowledge that there is a logical fallacy in this thinking. By understanding perceived value and the nature of the psychological construct, photographers can climb into the mind of a consumer, reflect on their marketing practices, and transform their new understanding into increased revenue.
We've all done it. We find a location for our subject, place them, set up a light pointing down at 45 degrees, check the light power, and start shooting. When shooting an environmental portrait, there's a lot to worry about. From interacting with your subject to hauling equipment and making sure makeup and wardrobe are on point, it's easy to fall back on our go-to lighting setups. As an exercise, though, let's concentrate on ancillary lighting first and see how it can drive the narrative of our shot.
Background blur has been the mark of the pro almost exclusively since the digital revolution began in the early 2000s. That polished and premium look is now coming to the world's most popular camera, which until now has been beholden to the physics of tiny sensors. Professional photographers may have more to fear than just fear itself.
How do you recognize a talent? How do you predict if someone in the photography industry will become a good professional when they are just starting? Is it the level of the aesthetics you see in someone’s work, a sense of perfect balance in their compositions, their speed of mastering technical aspects of certain art, or do you just feel it in your gut? It might be an amalgamation of all, but the young Mauritian Photographer Karen Pang sure has it all, and I feel privileged to have spotted her right at the start of her career and watched her growth throughout the years.
Joe McNally once said: "the easiest way to take better photos is to point your camera in the direction of more interesting subjects." One of the most common challenges photographers face is finding incredible people to work with. There is a misconceived belief out in the world that convincing amazing talent to step in front of your camera is actually really terrifying and hard. Fantastic talent is always looking for the opportunity to create new images to toss onto social media, and thus is always looking for great new photographers to work with.
As large as the photography community is in a whole, it seems small and intimate when a crisis attacks one of our own. We have seen photographers unite and rally when another is hit with tragedy. However the way one couple decided to deal with the crisis themselves leads to a whole new way of thinking for personal projects and photography shoots.
Photography as a sector has been affected by shifting technology as much as – if not more than – any other industry. The biggest change is undoubtedly the availability of cameras compared to 50 years ago, with almost every human in the Western world having a camera within arm’s reach every waking second. This is met with nothing but doom and gloom by the commentators on the professional photography industry, but is all that negativity justified?
Whenever I am working with models on a shoot, I always have their best interests at heart. You may say I care too much about my models, but I am alright with that. No one badmouths a caring photographer. I have seen firsthand how some models are treated badly on set and it saddens me to see how bad attitude from photographers can ruin the photographer-model relationship and also lead to bad photos. Knowing how to build a relationship upon meeting your model and engaging in a photoshoot with the latter is a must and I asked a couple of models for advice to write this article.
If you take a look back at Ikea's marketing catalog used to showcase their new products and looks for the season, there was a time where they decided to use images displaying only the products and Ikea-styled sets with no human intervention or interaction. At one stage these images were computer generated and rendered to make a simulated environment look as perfect and clinical as possible.
You get what you pay for. In most cases, this saying rings true. However, there is another narrative playing out in the photographic world. This other, rather untold story has a central character getting much, much more than what they pay for. When it comes to portrait photography, clients are reaping rewards from photographers who are unwilling or too fearful to raise their prices. There comes a time when something other than a photographer’s livelihood must give.
When getting into flash photography, it’s easy to look at camera manufacturers' flagship flashes and assume they are the best you can get. When I first started out, I made this exact assumption. But I always wondered how some of the cheaper hotshoe flashes would hold up against these higher priced competitors. So I ordered a few Phottix Mitros+ flashes and put them to work.