Fstoppers Originals

How To Produce A Combined Print And Motion Fashion Campaign

We live in a time where photographers and filmmakers must combine powers to be competitive in todays advertising market. Recently a huge fashion client approached our production company to capture concurrent motion and still ad campaigns with supermodel Lily Aldridge, but we had to do it all in under 10 hours with 2 complete hair and makeup changes and 12+ outfits. Advertising creatives today need to be able to shoot stellar visual content and assemble bulletproof productions.

BTS: Building An Architectural Interior Photograph From The Ground Up

In today's post, I'm going to walk you through how I build an architectural photograph from square one. We'll discuss composition, lighting, staging, styling, and posing models in an architectural interior in order to create the image that the client has in mind. Despite appearing as a rather simple image, this shot took over an hour to finish on location with multiple steps and a lot of pre-visualization.

The Ultimate Guide to Bokeh

Bokehliscious photos. That is the ultimate goal for any photographer no matter the experience level. When "bokeh" is mentioned, the first thing that comes to mind is the lens and the aperture. Although both play vital roles in bokeh, there are a few key elements that play an even more important role in achieving the finest milkyness in a photo. These requisites aren’t often discussed or even seen as necessary.

My Favorite Photographer Is...Everyone With A Camera

Some days, as we plod through our respective news feeds, it seems as though the Internet was invented for one thing and one thing only; to share photos. Although the quality of the photos we have to wade through can sometimes be questionable, and at times our feeds can become overwhelming, the relative ease with which photos are shared is in my opinion, the greatest benefit to our seemingly photo-obsessed and Social Media saturated society planet.

Say Yes To Noon Sun - Create Amazing Portraits With One Simple Tool

I've been there, standing in the middle of a field on a hot day with a scorching sun, mulling back and forth on how to capture a quality shot. In the back of my mind, I'm wishing for some cloud cover or an overcast sky to magically move in. A commercial client or art director doesn't care what time it is, they just want the right image. It’s up to you to capture that image with the weather Mother Nature has dealt.

Selective Color - Possibly The Best Tool For Photographers

Much to my dismay, I've recently discovered that many photographers are unaware of the power of selective coloring. With its versatility, I'm convinced it's one of the most powerful tools for photographers today. It sounds insane, but I've used selective coloring for the majority of my photos over the last few years, and have left largely everyone impressed with my techniques. And no, I'm not trolling you.

Interview With Nicolas Bruno The Sleepless Photographer

Our dreams are often wildly confusing with imagery many of us don't understand and memories which seem to fade the instant our eyes open. Photographer Nicolas Bruno suffers from a condition called sleep paralysis which keeps him in a halfway state between being asleep and being awake. Through his incredible and haunting images Nicolas Bruno recreates the experiences from his dreamscape. This week we interview him to get a better idea of the struggle and the process behind his art.

Ask A Commercial Photographer Anything About The Industry

Have questions you want to ask a creative industry professional, but wasn't sure who to turn to? I've been writing for Fstoppers for over a year now. I've been able to share my own BTS shoots, those of friends, reviews, tutorials, and more. I've had the chance to interact and meet some great people through here, and I really want to do something more for you folks. Rather than do a fresh article this week on something I find interesting, I am leaving the content completely up to you.

High Desert: Polaroids by Nate Matos

“It began with a cheeseburger. As we drove 5 hours to relive a childhood memory at a diner in Bend, OR the appeal of the area around us was clear. Vast sweeping landscapes being capped at either end with snowy peaks surrounded us, but where we were, and what we saw was dry. The arid homes, leafless trees and bright blue sky is what we would remember.”

Subject Matters - Kicking Technicalities For Content

I'm guilty. As a commercial and fashion editorial photographer as well as a writer for Fstoppers, I love lighting, bokeh, rigging, and all technicalities involved with cinematography and photography. For many months, content fell second to setup. From my experience, there are three types of photographers: those that confide in instinct and sunlight, those that rely on post processing, and those that excel at artificial lighting and formalities.