This month I'll be traveling to 5 European cities with Vincent Laforet to shoot and edit video for him as part of Project AIR, his new night aerial stills project. We have been working hard to offer something pretty unique – a totally free, direct first hand social event open to anyone who is interested in photography, video or the creative process, where we can share skills, technique and project support for your own projects as a result of what we’ve learnt with AIR. If you live in London, Barcelona, Berlin, Paris or Venice, we are throwing the doors open to you all.
As a fairly established photographer, many beginners ask me what camera to buy to get started. What’s more important: body or lenses? Or is it the brand? My standard advice has always been to buy a cheap, used body and save your money for quality lenses. A beginner just doesn't need a high-end camera. That’s easy to say, of course, when you shoot on a Nikon D800 with some pretty nice glass. Perhaps it was time to do a little experimenting of my own to see what, if any, difference there was between a top end camera and something cheap.
May is upon us, wedding photographers. Its the beginning of the season and we need to prepare ourselves for the long haul. Sure, we could brushing up on lighting techniques, talk about new lenses, buy faster cards, or argue about presets, but what we really need to think about are the intangible must-haves. The greens socks, my friends. That's right, I said socks.
Coming off of its previous reputation as an extreme budget brand when it came to DSLR lenses, Sigma has now had well over two years to fend off quality concerns with their restructured Global Vision lineup that began with the superb 35mm f/1.4 Art lens. Since then, Sigma’s Art-, Contemporary-, and Sport-series lenses have proven themselves better than or on par with their Nikon and Canon counterparts for far less capital; and the 24mm f/1.4 Art gives us no reason to suspect the new direction doesn’t have a clear vision to go global.
CrossFit is taking the world by storm. With 11,000 affiliates and growing, it has become a great way to get into shape and is an untapped resource for photographers to sharpen their skills. I started shooting CrossFit as a member in 2010 and learned many things along the way. This is what I learned and how you can improve your skill set.
Before I learned about makeup I used to strengthen or create contouring in post the same way on every single picture. However, because everyone’s face is different, contouring should differ from person to person. Contouring not only can help create dimension it can also help alter shapes. Let see how we can make our model’s and client’s face look their best without going crazy with the liquify tool. Shadows and highlights are photographers and makeup artists best friends!
Two summers ago, I attended a music festival in Italy, where I had the opportunity to attend a master class given by Louis Andriessen, a prominent figure in new music composition. Classical musicians are known for striving for perfection, so when I opened one of his scores and found the following note regarding the ossias (alternate passages of music), I was struck:
Who are you? Ok, now who are you? You know that name you've decided to call yourself and now have x amount of people calling you that? How often have you stopped to think about how important your social media name — your brand — is? It's something that, many times, I myself have come to revamp, change the style of, market differently, and so on.
The creation of a successful fashion image is often a team effort. Aside from the model and the photographer, the contributions of a talented creative team can elevate your fashion photography from good to great. In this article, we will review the key members of a creative team, and how you can cultivate a reliable crew.
Street photography continues to be a growing area in the industry. More and more people enjoy it and are learning how hard it is to get it right. Here are some tips from distinguished professionals Eric Kim, Yanidel, and Martin Parr on how to improve your own street photography.
As nature photography has grown, so has its critics. Wardens, legislators, and police officers have begun to push for laws that would better protect animals in nature and create more concrete boundaries by which a potential shooter would follow. Are we, as photographers, the new law-breaching intruders, à la poachers? Are we destroying nature?
As professional photographers and videographers, we are constantly striving to stay ahead of the game doing the best we can and give our clients the best possible product. We are constantly looking at new gear and techniques, improving our post-production skills, and putting in long hours studying and editing. While hard work, solid equipment, and good business skills are a must, here are a few simple tips that can help open doors, bring in new clients, and help give you the confidence to make important decisions.
If you aren’t familiar with the work of Dave Lehl, it’s about time that you change that. Dave is not only one of the top photographers in the snowboard industry, but he consistently creates work that transcends genres and has landed him gigs shooting for a list of clients that includes the likes of Red Bull, Nike, and Lamborghini. He has been published in nearly every major snowboard magazine including the covers of Pleasure Mag and Transworld Japan’s photo annuals.
Color lookup tables (also known as LUTs or 3DLUTs) have been a popular tool used by colorists in the video industry for a while and are just starting to find their way into photography. LUTs are a great alternative to actions or expensive plugins that can help speed up your editing workflow.
Learning how to light your subjects with one light is easy. Learning how to light a subject in a variety of ways using one light and one modifier requires a bit of creativity. When you're using one light, each inch you move your modifier ultimately affects your scene. Lighting at that point becomes very purposeful.