A number of websites offer multimedia content to content creators for their projects through an easy-to-access online portal. But as well as those sites serve the many that use them, they all have one thing in common: they set the price for all content. Letting photographers, videographers, and musicians set the price for their own work, Pond5 is an exception in a set of businesses between which it is increasingly hard to differentiate.
Full-time photography is a dream many of us have considered fulfilling. What could be better than to get paid for what you want do? A pursuit of passion is often a difficult start, but there’s one critical aspect that I think you should consider immediately: specializing.
To preface, most professional photographers are of course only doing their best to help others when they speak from past personal experiences and while giving advice. However, even the most well-intentioned words from somebody may create negative consequences for the listener. Sometimes it’s not even in the words, but the examples they tell through their actions. When it comes down to it though, you must always remember: Don’t let anyone — even the professionals — ever give the final say in how you do your photography or run your business.
Photographer Greg Florent has made images that capture Budapest in a new light. The images are made by taking them at the transition of daylight into sunset and then nighttime until the lights come on and the city's evening starts. He spends around four hours at a location taking one shot, making sure he gets the whole transition and changes of light to produce the images in post.
If you need a break from the overly technical photography articles that seem to have taken over the Internet, look no further than “More Than a Rock: Essays on Art, Creativity, Photography, Nature, and Life” by Guy Tal. This brilliant 256-page book is filled with topics that can both enlighten your artistic mind as well as challenge your views on the craft of photography, and I could not recommend it more.
The first time I saw streaky clouds and silky smooth water, I knew I needed to learn how to do that. However, after buying my first neutral density filter, I realized it wasn't so easy to do. It was really hard to focus, and some photos were too dark, while others were too bright. And why were the middle of so many photos pink? Hopefully, this article will help you avoid some of the mistakes that I made as a long exposure beginner.
The filmmakers of “The Muir Project,” known for their first documentary, “Mile… Mile and a Half,” have just released their latest film, “Noatak: Return to the Arctic.” I interviewed Director Ric Serena who told me about the production challenges his team faced when working on a remote river deep in Alaska and why they chose to go with the Canon 1DC as their camera of choice.
I had been using a Mac since I first started photography and retouching. Over the years, I upgraded my Macs and used them without a problem, and all software that I have been using worked flawlessly. The Mac has several advantages such as ease of use, a perfect interface (OS X 10.6 Snow Leopard is still my favorite by the way), advanced file and folder tagging, and security, but there was a problem that led me to change my mind and switch to Windows: very high price tags and limited customization options.
As a photographer who shoots primarily on location, I have a lot of stuff to haul. I shoot both film and digital and frequently I'm bringing a small lighting kit as well. I also tend to go it alone, especially when I'm shooting personal work. Up until recently, I've been doing it the hard way, taking multiple trips back and forth to my car, in order to get the shot set up at my chosen spot. And of course, the best spots are nowhere near the car. My deodorant is doing overtime before I've even squeezed off the first shot. Being a sweaty mess while shooting is no fun, especially when you're shooting people. I'd rather not be known as "Hans, you know, that one photographer with the pit stains."
Sometimes photography can be difficult, but what keeps us going is our passion for creating images that satisfy something inside us. However, if your passion happens to be wildlife photography, then you have a whole other level of difficulty coming your way. Come to think of it, there are so many valid reasons to abandon this passion and yet, this group of photographers persevere and do it anyway. Here are 10 reasons why wildlife photographers are crazy and why we can’t help but respect their pursuit of happiness.
The world's fastest zoom lens for 35mm full frame cameras is the Sigma 24-35mm f/2, and it's one way to follow up from making the world's fastest zoom for APS-C. Sigma has been making hit after hit for a few years now, leaving their "budget" lens brand stigma in the dust behind them. Having a 24-35mm may seem like an odd focal-length range that wouldn't be too useful, but I have found it to be an excellent range for a lot of the work I do in editorial and family portraiture. Let's start with just how it fits in my camera bag.
As artists, we have all been there. The creative rut. The most fatiguing part of being an artist and perhaps the downfall of many talented individuals who could not climb out of it. Creativity comes from many places within us all. However when a photographer's passion is absorbed by the repetition of what we specialize in, the outcome of the work becomes all too grueling to look at. So how do we get back to the love of what we do? How do we fuel once more the passion that showcases our work as new and creative?
A couple of years ago, I came across a portrait of a sad owl under the rain on 500px. I couldn’t take my eyes off of it. I never knew there existed such a deep photograph of a non-human creature. I was not the only one thinking so. That picture had won an award and I discovered Shamma Esoof (Sham Jolimie), a person who advocates for animal welfare, social justice, and is passionate about nature conservation. The cherry on top was when I discovered that the author of that unforgettable owl portrait was a mutual friend on social media and was from Mauritius, a country I call my second home after Armenia.
Earlier this year, Pentax released the K-1, its first foray into the digital full-frame market and a camera surrounded by a healthy dose of excitement and intrigue. I've had the chance to use it and some of the new system lenses for the past month. It's a fun and highly capable system that could be just the ticket for many photographers.
Image sharpness is, for the most part, a false economy. It is mistakenly believed to be synonymous with image quality; that isn't the case. One major difference is that image quality has a ceiling and once reached (if that's even possible), the image cannot be any better in terms of quality. However, with the sharpness of an image, you can far exceed the perfect amount (again, if there is such a thing), and it begins to cost your image dearly.