Change is one of the hardest things people will have to deal with during their life time. Some people love it, others hate it, but there’s really no way around it. And one of those big steps that can really alter your path is a career-related change. Most people spend a third of their day at some sort of job. Maybe it’s temporary, maybe it’s a means to an end, or maybe it’s an amazing career with a path for growth that you find favorable. But most of us have to work the majority of our lives to get by.
Shooting fashion can be a whirlwind of activity as you try to corral a team of creatives into constructing an amazing array of images. More than with any other type of shoot, I find that things have tendency to go wrong during the course of the fashion shoot. As the photographer, it is your job to not only be prepared for these things to happen, but also to be fully equipped to solve the problems as they come up. Below you will find a series of things I like to keep in my camera bag that are often saviors during a shoot that seems to be going belly-up.
I recently moved to Paris from Cape Town, South Africa. I don't speak French yet, but I have made some friends here due to the photographic industry mixing with the fashion and beauty industry quite a bit. I decided that I needed to get out and meet some photographers and maybe learn and share what I know while having a good time. So as any person would do, I went online and searched the Facebook groups focused on photography in Paris, but it didn't give me anything I felt I wanted to join. What I did find, however, was insight into a photographer's life in a big First World city, so I joined an event and had an epic day.
Earlier today, Sony announced the a9, a revolutionary mirrorless camera with a spec sheet that at first looks like it's full of typos. Did they really mean 20 frames per second? Is it actually 693 phase-detect autofocus points? Continuous burst raw capture up to 241 frames? But sure enough, the a9 delivers on it all. After spending a brief time getting familiar with the new camera, here's what made me most excited about using it.
When you’re planning a trip to visit Iceland’s majestic countryside, chances are that you are probably following the ring road in one direction or another. And with good reason. Almost all the major sights are dotted around this single road. Or are they? Should we even be chasing these well-known compositions to get a copy of our own on the wall?
Everyone has what they would tell you is their favorite photo. The measure of why has changed quite a bit over the years and I think I might like the old way better. I only say this because Social Media is the main source of validation for a number of photographers today. Applying modern day metrics of likes, shares, retweets, and views creates a score of sorts that someone can use to justify why a photo might be their favorite. This score didn't used to exist. The old equivalent might have been a photo placing well in an art show or being used in a print publication.
There’s a big trend in the business of weddings. In the old days, when venues had to walk to the bus stop uphill both ways in the snow, they also designed and printed their own wedding brochures. These handouts are given to every couple who comes into the venue. They typically feature some nice photos of the space, sample menu options, and a list of their “preferred vendors.” Lately, venues have started to contract out their brochure design process, and most of them are using the advertising firm Hawthorn Creative. Let's try and figure out if it's worth it for you to advertise in these handouts.
Ever since I was young, I was interested in photography and being able to create awesome things that I could appreciate. At first, gear wasn't something that really mattered to me, as long as I could take photos and video and somehow edit them to create what I envisioned. As time went on and I began to get more serious, I realized my gear was sort of important and I do think that having the best gear you need for the field you are in is one of the most beneficial things you can do for yourself. I know not everyone is a huge gear head and may not want to invest in new gear, but I will share some of my reasons for upgrading my gear to benefit my work.
There are a lot of variables to consider when discussing the income we generate from our photography. Aspiring professionals often site a lack of work when defending their status as either hobbyist or part time photographers, but the truth is often a little more complicated than that. When times get tough, many creative photographers use the skills they’ve collected to generate income in other ways.
Have you ever gone to the see a romantic comedy and absolutely fallen in love? Have you ever gone to a romantic comedy and spent the majority of the film’s running time politely sneaking peeks at your watch? Have you ever realized that both movies were essentially the same story and wondered why you couldn’t get enough of the first, and got way too much of the second?
If there was one thing I wanted to know when I first became interested in shooting editorials, it was "How do I do this?" That seems like a broad question, and it is, but it goes to show what a mysterious subject this was for me. I wanted to know how to get started, and what steps I should take. In this article, I would like to pull back the curtain a bit for people who are interested in getting into editorial work and share what steps I go through to conceptualize, build a team, schedule, and shoot a fashion editorial.
Being a master of keyboard shortcuts isn’t just a party trick to impress friends and clients, it’s a path to a faster and more efficient editing process which makes you more of an asset as a video editor. Whether you’re hoping to earn a Pro Certificate or just become faster in post, one way to get you there sooner is to invest in a dedicated keyboard.