Tripods are an essential piece of equipment for most photographers. They steady your camera in order to capture the sharpest details, allow you to take exposures with long shutter speeds, make it easier to take multiple images of the same scene for composites, and help create those perfect panoramas. Like most photography equipment though, there are low end tripods and high end tripods. The offerings from Novoflex is on the high end of this spectrum with some really cool features.
Retouching in photography has many forms. Everything from skin work to background manipulation. With the latest software abilities to retouch and manipulate an image, there is an endless source of possibilities to create. Even with all the tools available, there is a fine line and perhaps sometimes too much is too much.
I have a lot of respect for photographers who solely focus on beauty imagery. It’s definitely a skillset that I’ve been honing over the past few years, but ultimately one that I’ve come to develop an appreciation for. However, beauty photography does not have to be terribly difficult. In this tutorial, I’ll show you how to create beautiful beauty lighting with a single studio strobe and a reflector.
Recently, Ted Forbes over at The Art of Photography posted a rather interesting video that challenges the pervasive axiom of the artistic world that the action of making art will inevitably translate to an audience valuing and appreciating your work. Forbes asserts that our society is so saturated with creative content makers that it is nearly impossible to create photography that people care about unless you are pushing beyond the normal limits and expectations of what is already present in the world. I agree with this on the surface; however, I also feel that it doesn't tell the entire story.
The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2016, we'll be featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.
As photographers and retouchers, we are often required to travel. But travel eats up a lot of time and thus it is crucial to optimize one’s workflow. While gear is not everything in our industry, it still maintains a critical place, especially to help save time. Spending more and more time on the road, I recently had to take a look at my editing workflow and find new solutions to make it better and faster. In this article, I’ll share with you some of the accessories I use or have since discovered to cut my retouching and keep me sane.
Any seasoned filmmaker or photographer will tell you that it’s not the size of your camera, sensor, or lens that matters, but how you use it (or craft your supporting elements like lighting, composition, etc.). But what I’ve come to realize is that size does matter– because impressing a client on set is just as important as impressing them with the final product.
I love color. Black and white photography holds a special place in my heart, but 90 percent of the time I gravitate toward color imagery in my own work. When I started shooting film again, I decided that I would most definitely learn to develop my own black and white film. From choosing your film stock to mixing super-secret developer cocktails guaranteed to make your images sing, there are tons of resources out there for the aspiring hobbyist. When it comes to color, however, I had always heard that the machines needed were expensive, the process complicated, and the chemicals harmful. Not so!
The debate surrounding the relevancy of film cameras is an ongoing one; the opinions about which vary from photographer to photographer. The resurgence of digital camera technology in recent years has meant DSLRs are now widely used by the masses, pulling the future of film photography into question somewhat. Is it now just a novelty? I chatted with Howard, one of the owners of a North England-based camera shop that shunned digital cameras in favour of film... and found that business is very much booming.
As someone who has spent a life in mathematics, I see a lot of attempts to ascribe mathematical concepts to real-world ideas in an overly simplistic way. The media misinterpreting a single medical study and reporting that a glass of red wine is equivalent to an hour at the gym does not mean you should forget the treadmill and buy more Malbec. Weathermen in Kansas do not expect the flapping of butterfly wings to cause tornadoes. But in photography, there's one incessantly perpetuated myth that drives me crazy.
Learning is a process that takes time. Malcolm Gladwell's 10,000 hour rule applies to the so-called mastery of anything. By working hard on our craft, we are able to become proficient in the tools and techniques required to make the end product we desire. We go through stages of understanding and breaking our understanding. These are natural parts of our learning cycle, and the end goal should be to learn not how to do things, but how to ask the right questions to get where we want to go.