Documentary Filmmaker Janssen Powers makes me want to go to the mountains immediately. The beautiful Pacific Northwest is on amazing display in "Muir Song," an ode to naturalist and conservationist John Muir. Fittingly released on what would have been his 178th birthday, Powers takes us on a beautiful journey through the mountains and sea. If after watching this video you haven't booked your tickets (or if you're lucky to live there and don't go outside immediately), there is truly something wrong with you.
I've been feeling pretty cool lately. I've been making some time-lapses and doing a lot of aerial work. It's hard not to feel cool when you're taking shots from 300 feet in the air. Then, NASA came along and made a time-lapse 250 miles up in space. I no longer feel cool.
Adventure, outdoor, and eco-sports photography has had a surge in popularity over the last decade. Rapidly growing social media outlets like Instagram have narrowed a spotlight across specific arenas of interest. Many photographers are making a living on the outskirts of the grid creating mesmerizing imagery of U.S. National Parks, remote foreign territory, and backcountry destinations only accessible by highly technical off-road transportation or arduous hiking. With the flux of imagery and surge of outdoor brands promoting a simpler lifestyle more closely connected to nature, more photographers are taking to the outdoors to create imagery that communicates a love for nature.
Reportage seems to be a genre where feminine qualities are seen as an obstacle rather then as an asset. I sat down with French photographer Audray Saulem who proved them wrong and listened to her experience shooting an epic race of 210 kilometers in the Sahara over 6 grueling days.
We have finally made it to the end of our behind-the-scenes series of Elia Locardi's “Photographing the World” tutorial. In episode 18, we continue our travels through New Zealand as we hike out 4 miles to the base of Mount Cook for an interesting astro photography lesson, the team celebrates the end of this trip with a skydiving session in Queenstown, and Lee and I say our final goodbyes to Elia and Naomi Locardi.
The smaller size, lighter weight, and ability to get a high angle shot has made the monopod a useful tool for many photographers and videographers, especially for subjects like sports, wildlife, and run and gun situations. I got to review the new 3Pod Orbit Monopod to test its features on a couple of different projects to see how it holds up to real world shooting scenarios.
Photographing The World Behind The Scenes continues today with Episode 16, our final few days in Cambodia. In this episode we visit a gun range, we fly in a hot air balloon, we ride an elephant, Patrick eats "happy" pizza, and we have dinner with our tuk tuk driver's family. We also get to see the most spectacular sunrise of our lives.
"Undisturbed Places" is a time-lapse film by Maciej Tomkow. This breathtaking four-minute film transports you to some of the most beautiful uninhabited places in the world. Tomkow presents them in a way that creates a sense of awe that I didn’t think possible. I had previously seen another award-winning film created by Tomkow, "Treasures of Zakynthos." This film covered a relatively small area, focusing on the Greek island of Zakynthos. Tomkow has taken that same masterful vision and technique and applied it to a vast array of locations around Namibia and Botswana.
Photographing The World Behind The Scenes continues today with Episode 15. In this episode, we are finally able to leave Hong Kong (after our disaster with Vietnam Air in last weeks episode) and we arrive in Cambodia. We captured some amazing images and lessons in Cambodia and Elia almost gets his face bit off by a monkey.
Despite having grown up around photography all my life (thanks, dad) and then starting my own commercial portrait business in 2009, there is one small little thing I'd never done before, silly as it sounds. I have never, ever shot in snow. Born in the Caribbean in 1975, then briefly living in Miami before settling down in Houston in 1979, I have truly never experienced real snow. But all that changed for me recently in Salt Lake City and Albuquerque - in January.
How many of us picked up our first camera because it was a way to make a buck? For most videographers, the hustle of media production work gradually evolved from a passion for filming into a business formula based on our strengths, reputation, and market necessity, but fun was the kickstarter.
About two years ago, in the spirit of adventure and creativity, I decided I was going to try and photograph the ocean with artificial lighting. I had an image in my head of all the things I’ve seen in daylight hours, with the stark contrast of an illuminated wave against a dark backdrop. A run-of-the-mill day down at the beach certainly wasn’t going to do either. We were going to go straight to the top and shoot the biggest and meanest waves we could find.