The critical value created when shooting a great portrait is tied to building impact that lasts. Psychologically, humans have evolved to take notice of sexually attractive people, focus on them briefly, then completely forget. This phenomena helps maximize genetic quality in a population but can also have an impact on how viewers remember your sexy photos.
The world of fashionable photography bags isn’t unknown, but it’s not all that vast, either. As much as everyone might want to be fashionable, that desire simply isn’t as compatible with the necessary practicality we need from our gear... or is it? Can a bag look quite good while being quite practical? Or better yet, can a strict adherence to a bag’s fashion appeal aid its practicality? Is this bag even "fashionable"? The Filson McCurry Sportsman is certainly a "cool" bag. But as far as standing up to the test of practicality, we’re about to find out.
Just a few weeks ago, Lowepro launched it’s first grab-and-go protective and customizable quadcopter drone storage system, the DroneGuard Kit. Lowepro’s solution is an interesting one in that you can adapt it for different devices combining organization, portability, and protection using it as a stand-alone kit, or as an insert with some of their other bags. Over the last two weeks I’ve been putting this bag through its paces on the streets of Chicago, as well as the in desert and dunes of Michigan. In my full review I’ll cover the features, price, build, aesthetics, and function of the DroneGuard to let you know just how they fit the current market.
Documentary photographers, fashion photographers, businessmen, housewives, househusbands, you, the world – everyone should know the name and works of Sebastião Salgado. His work has moved millions of social workers, doctors, politicians, economists, and photographers alike. His work moves humans because it is human. This might mark the second or third film review on Fstoppers, but it’s rare and extremely fortunate that we should have the ability to engulf the pleasures of what can easily be called the most soul-entrancing art documentary in the world that is “Salt of the Earth.”
High-speed sync has been around for quite some time now, and has mostly been limited to speedlights. With Profoto’s recent adoption of the technology into its B1 and B2 Series lighting systems, they are signaling a change that has the potential to bring some much needed relief to the strobist community. This signal hopefully means the beginning of the end of flash sync limitations with DSLR cameras.
Hollywood's latest A.I. thriller, "Ex Machina," promised to take viewers on a fascinating and thrilling philosophical, ethical, and human journey. The Turing test, man's domination over machine, artifically intelligent machines' potential and perhaps inevitable self-awareness and domination over man, and an eccentric Silicon Valley-like billionaire-type leading the helm... how could this not be a great film? More on that later, but to make all of this happen, director Alex Garland and VFX supervisor Andrew Whitehurst had to create a robot that would connect so well with audiences that we would treat it as any other human character.
When I saw this wedding shoot I was stunned into silence for a few moments. I really didn't know what to think of it! In my mind, when I think of wedding photography, I think of a world of immaculate white dresses, expensive shoes, thoughtful furnishings and of course, smiling wedding couples and their guests.
The short days and long nights of winter have finally given way and spring is in full swing. For many photographers, this means one thing: wedding season. While wedding season is great, it can also be physically and mentally exhausting. I recently shot my first wedding of the season and want to share a few tips as well as things I would do differently next time around to help you plan ahead and prepare for any events you have coming up.
Being a working photographer, and even as a weekend warrior, I'm sure we all suffer from low back pain after finishing a long day of shooting. This pain can last for days and sometimes weeks, and as photographers, if we can’t move, then we can’t work. So lucky for us, there is a simple solution.
Photographer Jason Lanier is on a mission to end discrimination against the small business photographer. As seen in the video above, he and his group were confronted multiple times while attempting to do a shoot. In the first location they are asked to leave the premise altogether. In the second they were asked to "make it look less commercial" by getting rid of a strobe. In both instances they weren't interfering with any event around them nor were they disturbing the public and only had a single portable strobe setup. Lanier notes a growing trend to neglect and discriminate against the small business photographer.
This ingenious video has gone viral as the true level of photoshopping to manufactures 'beauty' is exposed. In this clip, we see 6 hours of photoshopping sped up to fit into a 90 second clip. All of these hours of work has gone into creating just one perfected image of a model.
As a fairly established photographer, many beginners ask me what camera to buy to get started. What’s more important: body or lenses? Or is it the brand? My standard advice has always been to buy a cheap, used body and save your money for quality lenses. A beginner just doesn't need a high-end camera. That’s easy to say, of course, when you shoot on a Nikon D800 with some pretty nice glass. Perhaps it was time to do a little experimenting of my own to see what, if any, difference there was between a top end camera and something cheap.
May is upon us, wedding photographers. Its the beginning of the season and we need to prepare ourselves for the long haul. Sure, we could brushing up on lighting techniques, talk about new lenses, buy faster cards, or argue about presets, but what we really need to think about are the intangible must-haves. The greens socks, my friends. That's right, I said socks.
Coming off of its previous reputation as an extreme budget brand when it came to DSLR lenses, Sigma has now had well over two years to fend off quality concerns with their restructured Global Vision lineup that began with the superb 35mm f/1.4 Art lens. Since then, Sigma’s Art-, Contemporary-, and Sport-series lenses have proven themselves better than or on par with their Nikon and Canon counterparts for far less capital; and the 24mm f/1.4 Art gives us no reason to suspect the new direction doesn’t have a clear vision to go global.
Two summers ago, I attended a music festival in Italy, where I had the opportunity to attend a master class given by Louis Andriessen, a prominent figure in new music composition. Classical musicians are known for striving for perfection, so when I opened one of his scores and found the following note regarding the ossias (alternate passages of music), I was struck: