If you own a DSLR camera it means you take your photography relatively seriously. And that means you might be looking at adding to your kit lenses. But if you don’t have the budget, what’s the best walk around lens that will cover you in almost any situation?
There are simply no shortcuts to building a career as a freelance photographer. Making money out of something you love is really hard, but it absolutely can be done.
Photographers sit for so long during the day — an average of ten hours for the photographers I interviewed — that it's affecting their health in potentially disastrous ways. In this review, I'd like to help you decide whether adding a Fluidstance balance board to your office could provide a valuable way to protect your health.
First things first, personal work is incredibly important. Client work often pays the bills but the most fundamental personal development you’re going to experience is when you take your vision and execute it. I would say that applies to just about anyone and certainly to photographers.
There are many different cameras options out on the market with many different features. There’s a big range in camera prices which can funnel some to a certain group of options. A popular question besides which camera should you get is "should I get a full-frame or crop sensor camera?"
It seems like every time you open Instagram, someone is complaining about their post exposure or the algorithm on their profiles. Whether algorithm changes or some other inexplicable event have dropped their engagement, the reason they don't have a following yet is because Instagram is always holding them back. What we fail to realize is that this free platform that promotes our work really doesn’t owe us anything.
Your posts will still be out of order. And here's why we are so confident about it.
I was on Instagram the other day when an ad for one of Canon’s two-lens kits popped up. The kits package together a couple of interesting options for photographers looking to step up from a kit lens, but the real question is: are the lenses a good value for photographers or should the money be spent elsewhere?
Canon is king, but they sure aren’t getting that level of respect from photographers. What does this mean for their future?
In the first year or so of learning how to edit images, photographers are completely bombarded by information regarding the dos and don’ts for what makes a good photo. This is one area of post-processing that continues to be misinterpreted.
Who knows how many new videos and articles are put on the line each day talking about the gear you should own as a photographer? And, more importantly, when was the last time that you read an article about gear that promised to get you closer to the action, help make you more energetic, and it can charge all of your batteries too?
When it comes to working with models (whether it be aspiring or established), there is one trait that I value above all others. If you're thinking that I'm going to say cheek bones, freckles, or a specific hair color you're way, way off.
There are several different methods for tethering during a photo session and there are multiple methods for organizing one’s archives. But my gradual progression to a Capture One driven universe has immensely streamlined my photography process and boosted my business.
We now know that the Sony a7R III and a7 III have sorted out many of the major complaints with mirrorless cameras, such as battery life, overheating, and autofocus, but there are still so many more features that we didn’t get. What does the next generation of Sony mirrorless cameras have in store for us?
What would you do if one of the proudest photographs in your archive suddenly took on a very dark association? In 2004 I sold an image of a parkour athlete to Adidas to launch a new line of trainers. That athlete is now a convicted sex offender.
Episode 27 of Critique the Community took one of the most popular genres here on Fstoppers and added a twist. We asked the community to submit any landscape or cityscape shot taken above 50mm.
I don’t use Adobe Lightroom. I use Bridge and Photoshop to retouch my client’s and my own images. Here are some tips and advice on how to use certain tools in Photoshop to get the best out of your work.
There is a lot of buzz around Sony’s recent announcement of the a7 III, and for good reason: at the price point, there is no camera on the market with a better feature set. But does the autofocus hold up to Sony’s extravagant claims?
I see it daily with newbies on Instagram: "like-for-like", "please follow me", "validate my existence, please". The fact that I see it daily also says something about me: Hi, my name is Mike, and I'm addicted to likes.
Ten years ago if you posted a video of kittens playing, you may have gained a significant number of views. YouTube was still relatively new at that point and the perception towards it was very different. The perception has gradually changed and this is due in part to the kind of content now on YouTube and the success it has developed for many content creators. In his latest video, Casey Neistat discusses an article posted on Bloomberg describing how success on YouTube still means a life poverty.
Canon’s tepid 4000D isn’t released in this country yet, but the fact that it even exists is a sad commentary on where camera manufacturers are today.
Photography doesn't always have to be perfect. Ian Wong, the former senior editor of DigitalRev TV, departs from the tech-focused company, opening up his own YouTube channel. Instead of focusing on the gear he is using, Wong talks about theory and the emotional process behind his photography.
Photographer and artist Tyler Shields has announced in a short video that "celebrity photography is dead." No stranger to divisive statements, Shields is exploring the discussion around the democratization of photography and the implications of a new generation of celebrity photographers creating images of themselves and others.
Disappointment only comes with expectations. Fortunately, the leaked specifications of the Canon M50 published a few days ago on the internet prepared us for the worst. It’s beyond that.
If all of a sudden you found yourself in the market for a new camera, would you know what you'd be looking at first? This video poses an interesting hypothetical question that I until now, I had not given much thought.
Amazon has been a reputable store for many years. But this happened: a guy received a Canon 1D X Mark II box full with rocks. You think that's all? See what happened when the Amazon representatives apologized and sent a second package to him.
I’ve bought and sold a lot of photography gear over the years, between system switches and jumping into mirrorless. Some cameras I remember quite fondly and others not so much (it wasn’t me, Canon 7D Mark II, it was definitely you). What about cameras I loved though. Were they good, or am I looking through rose-tinted glasses?
The Internet can take you to places that you might never get to see in person such as the famed astronomical clock in Prague’s Old Town Square or the Amundsen–Scott research station in Antarctica. And, there are cameras situated at literally the top of the world capturing things in the night sky that you may have never even seen before.
A basic formula to attain a fulfilling photography career does not really exist. The industry is abnormal, so your life climbing into it will be too. Whether your dream is to be the go-to photographer in a small town or to be a world-traveling journalist, this is what you can expect in a life full of photography.
While some photographers are on the hunt for the most outrageous image, others become increasingly sensitive to what they shoot. We are confronted with a never ending stream of images that blurs our ability for ethical judgement. I asked Joey Lawrence and Graham Macindoe about their opinion.
A week and a half ago we asked the community to submit their best environmental portraits to be critiqued by Lee and Patrick. We got some awesome submissions and one lucky entrant won a free Fstoppers tutorial.
Our next episode of Critique the Community will offer a slightly different take on landscape photography as we will be focusing only on shots taken over 50mm. Submit your best telephoto landscape or cityscape shot below and receive a chance to win a free Fstoppers original tutorial.
After many long months of waiting, my new D850 has finally arrived! If you read my previous article about the joy/trauma of being on backorder, you’ll probably have some inkling of how excited I am at the moment. But as this is not my first new arrival and most, if not all of you, have experienced the same situation, I thought I’d take a moment to try and describe our universal moment.
Most landscape photographers argue that scouting locations ahead of time creates the best final product. I beg to differ.
The voyage we opted to take is exactly that, an adventurous voyage and not a straight, smooth road to success. Remember that when you doubt yourself and question your potential. Unlike most occupations, the artist has no roadmap for their success. We’re not handed a list of classes to take in a preferred order created by the educational institute.
My social media feeds are full of awesome photographs at epic locations taken by talented photographers. So, why don’t any of them want to tell the Internet where they got the shot?
Fujifilm has recently announced the X-H1, a larger APS-C mirrorless camera that leans more towards the video crowd. Although this camera is definitely an interesting one, I can't help but feel a little disappointed with the features.
The Poynter Institute bills itself as a global leader in journalism. For decades, journalists have turned to the Florida-based organization's workshops, resources, and staff to learn about and advance journalism. For a time, that seemed to include the visuals side as well, but if a recent article and the furor around it is any indication, it looks like photojournalists are no longer welcome to the party. It's a sad development to see unfold, and it's not a good look for the storied journalism institution.
“It’s like a Mercedes-Benz. You drive it off the lot, it loses half its value," says artist Peter Lik, describing his own work. This brutal article from the New York Times examines the extraordinary amounts of money that people continue to spend on Lik's work and how he has created his own speculative — and lucrative — economy.
After receiving yet another email stating that my new camera order is still backordered, it is becoming even more difficult to fight the urge to look at other options.
Will breakthrough camera technology affect the entire atmosphere of press conferences? This White House photographer for the New York Times predicts big changes coming in just a year or two.
If you are content to remain at the same skill level, taking the same photos for the rest of your career, then please, ignore this article. If you want to become a better artist, read on, but be prepared to be uncomfortable.
Ever since the Canon 5D Mark II, it seems as though Canon has been dragging their feet when it comes to innovating. Their new announcements and releases tend to be met with quite a strong negative response, and although this may not be an overall consensus, it's prominent enough.
I went through some situations over the past four months that was making me question if I chose the right company in Sony. After hours of research and really weighing the pros and cons of all the big name companies, I chose to stick with them. In this video, I’ll give you my five reasons why.
Danielle King walks through the advances that we’ve seen from major lens manufacturers in recent years, and peers into what we’ll want the most from the future.
I will speak from a perspective of a non-American here. I find lots of U.S.-based photographers who are working on projects they hate, and they admit it. I tried to dig into the reasons for that, and here are my conclusions, and my advices.
You book a commercial job and the client wants a beautiful face to grace their next ad. The client relies on you, the photographer to help with the process of hiring the model. The crew you hire rely on you to select the right candidate for their needs. That's great, right? Get the most radiant face, possibly the one with the highest social media numbers for that extra bump and you're set! Is that how it works?
One of the most toxic poisons to continued inspiration is the sudden belief that your own work is hated by your audience. Online criticism can be a harsh weight on motivation that all photographers must face at one point or another and is something that should almost always be completely ignored.
Pressure to produce quality content for social media profiles is contributing to the unnecessary injuries and deaths of many adventure sports athletes, according to Marc Peruzzi, a former competitive rider writing for Outside.
It's no secret that we all have to start somewhere. Usually, that place is not very good. At the very least we all start out in the “room for improvement” category. Assuming that progressing with our work and improving our images, style, brand, knowledge, and skill set is the goal, how to we go about getting better at a quicker-than-a-snail pace? The answer is straight forward, but requires deliberate action. Intelligent investment of time and money is the fastest way to get improve quickly.
