Earlier this summer we saw the release of Brett Ratner's "Hercules". The movie was a mild success despite critics' anticipations. Recently Milk VFX and Double Negative VFX houses have both released breakdowns of how they created the visual effects for the movie. Mike Seymour of Wired walks you through a detailed featurette on how Double Negative created the numerous creature effects for the film. In the second breakdown we get to see how Milk expanded the world in the movie with set expansions, matte paintings and other special effect touches.
A sign at the flea market read "Creative Minds are Seldom Tidy." Do you ever feel this way? Do you ever wish you had a program that would help you organize your thoughts, your to-do's, your contacts, contracts, invoices even bank information? As a creative, often we get so caught up in our work that we forget to run our business like a business. Fortunately a new program recently launched that will help you get everything organized and automated in your business making more time for you to actually do the things you love.
If you're familiar with Fstoppers, you've certainly have heard of Pratik Naik before. As a contributor to Fstoppers for years now, Pratik has been able to share his own retouching secrets that help make him one of the biggest names in the retouching community. Following his recent trip to Seattle to host a Creative Live series - one of the most watched to date, I was able to meet up with him and talk about his upcoming projects and his path as a world class retoucher.
This is something that I am proud to hear being said, and I genuinely hope it continues to be said. When I saw this article making the rounds online, I knew I had to help spread its message, not just because it is important in my industry, but also in my personal life. Sexual harassment of any kind is unacceptable, and I will always fight against it. Awareness is step one, speaking out is step two.
I have seen absolutely beautiful things happen in the photo industry. I've seen strangers become best friends, I've seen grand ideas being brought to life, and I've seen photographers grow from beginners to mentors. I've seen so many things that make me proud to be a part of such an amazing community. The sad news is that I've also seen the uglier side of it. I've seen jealousy turn into bad-mouthing, I've seen photographers knowingly leave out key techniques from classes or talks, and I've seen new photographers become discouraged and disheartened by the cold shoulders of the more popular photographers in the industry.
Announced this morning to kick off Adobe MAX, Adobe has released a series of applications for mobile devices that are designed to increase productivity, especially when on the move. They were able to show me some of these pieces of software during a briefing last week, and I must say, these look to have incredible potential for photographers, videographers and graphic designers.
I'm always moving around, which can make doing work on the road an absolutely nightmare. Between travel for photography, workshops and the general need for some decompression, I find myself packing for travel much more often than I expect. After years of just shutting off while on the road, I've finally developed to ways to make traveling as a photographer easier.
Tonight (Saturday September 20th) Patrick Hall and I (Lee Morris) will be attending the Fuji Photo Walk from 6pm-9pm meeting and ending at the "Dom" cathedral. We will then wait from 9pm-9:15 at the steps in front of the cathedral for any others wanting to attend and from there we will all walk to a bar/restaraunt to hang out.
Back in August, while preparing for my latest trip - Seattle on this particular weekend - I found myself casually scrolling through Instagram to kill some time while taking a short break. After just a couple of minutes of this, something I had known quite well for years suddenly became clearer than ever: photographer's images are routinely modified by their clients, with the various filters and image manipulation tools Instagram offers, before they post them. I decided I was going to do what little I could do to speak out against it that afternoon because, by golly, I was all self righteous at that moment, and I was going to be heard. Well, at least on my Facebook anyway.
With the rise of smartphones and lack of expandable storage locally, many manufactors have been creating storage solutions with options to access over a wireless network connection. While this isn't anything new, it appears as Western Digital is releasing a one-step solution for photographers needing to backup SD cards on location.
This Thursday September 4th Patrick and I are flying into Amsterdam for a 20 day tour of Europe. At this point we don't have anything set in stone but our basic goal is to go from Amsterdam to Berlin to Prague to Austria to northern Italy to Switzerland, and then to Cologne Germany for the end of Photokina. If you live in any of these countries/cities we would love to meet up.
One of the most common things I get asked at my photography classes is, "What is depth of field?" or often a variation of: "I think I get depth of field, but can you explain it?" Explaining it without a visual wasn't always easy, but I made it work during the class and for the most part, I managed to convey the concept and people understood. After a while I sought out other DOF visualizations online to try to show my classes, finding examples that, to me, made perfect sense. However, one day on the back porch at home, it occured to me that perhaps simplifying a visual could help those still puzzled by DOF.
If there is one thing we learned this weekend concerning Jennifer Lawrence and others, it’s that even the most seemingly safe photos are not safe at all. We happen to be amongst two eras. One where cameras are more frequent than ever, and one where privacy is disappearing rapidly. Here are some tips to keep those two things separate.
The sad truth is this happens more than we would like to admit. Hearing a photographer steal another's work as their own to pull in clients is truly terrifying especially for something as precious as a wedding. In this video Pye talks about the occurrences that take place multiple times per month to every day photographers just like you and hopefully sheds some light on how we can help keep this from happening again.
We have been sold on the biggest myth of all time; In order to succeed at anything and have a lustrous career you must spend 4 years in an overinflated educational institution and spend a small fortune, which doesn’t include costly textbooks, supplies and living expenses. All in exchange for a fancy sheet of paper we call a degree… a piece of paper that gives us instant credit and a golden ticket to the gravy train. Right?