One of those most important parts of any portrait sessions is what happens after the shoot is over. In the last part of this series I want to talk a bit about the end of your photo session, and how you can ensure you have a happy client that will not only come back for more but will tell their friends how awesome the experience was. Almost every day I get a call from someone asking me to advertise on Google. I simply reply “no thank you” as I don’t feel that Google can compete with word of mouth. As I have mentioned in first part of this series, word of mouth is one of the most powerful advertising weapons you have, with the ability to grow your business exponentially. This will be a bit different for everyone, but I think you can take this and apply it to any type of photography session you do.
Brandon Stanton and his blog Humans of New York need no introduction. In recent years, we featured many stories about the success of Stanton's unique project, and HONY is now a household name. About two weeks ago, Stanton went out to photograph new random people in the projects of Brownsville, Brooklyn. One of the people he shot was 13-year-old Vidal Chastanet. His photo and quote went viral, and made a real change to his school and the community.
Larry Busacca of Getty Images was given a very limited time and cramped space to create some of the most memorable images from the Sundance Film Festival. The video showcases Busacca in action, blowing through group shots, pairings, and solos without missing a beat. With some of the most well known faces in Hollywood no less.
In many modern cultures, we view white teeth as a sign of health, virility, and attractiveness. A large reason as to why there are a million toothbrush, toothpaste, and teeth whitening products on the shelf today. So what do you do when your overworked, over-caffeinated, and/or over-smoking portrait subject has teeth stained yellow? Our buddy Glyn Dewis shows you a quick way to whiten those teeth effectively and realistically.
When taking portraits with natural light, often times, there is one key aspect that is overlooked. This facet of naturally lit photos is far more important than things like shooting at a specific time of day. Before diving into what makes a naturally lit photo a spectacular one, it is important to know and understand the difference between artificial lighting and using natural light.
I will start this article off by saying that I am not a pet photographer. I am a portrait photographer that typically captures humans for magazines and ads. However, a couple years ago I started a pit bull charity (Not A Bully) and it unexpectedly led me to some jobs photographing rescue animals. If you're reading this, you already know that capturing animal portraits is a unique challenge in itself. I've done some of the difficult leg work for you and put together a list of tips to hopefully make your next in-studio pet portrait session much easier.
The School Sessions is a novel idea and concept started by the photography community in an effort to help raise $200,000 on April 12, 2015 for building a school in Mellier, Haiti. The students of this community were greatly affected by the 7.0 earthquake that occurred in 2010. They are asking photographers from all over the world to sign-up and donate their session fee from one or more of their portrait sessions on that day.
One of the most intimidating things to learn when it comes to lighting is how to choose the right light modifiers. There are countless umbrellas, softboxes, octaboxes, stripboxes, and beauty dishes offered. All these contraptions help shape the way light spreads in different ways, and the appearance of the people and objects we photograph will be affected by this. The decision can be crippling. Thankfully there is an easy way to choose, and it’s all about understanding the language of light.
As a photographer, my skill set is constantly put to the test. In most cases, I’m handed an idea on a slab of wood and the mission is to hand that idea translated to a tangible artifact back to my client on a silver platter. It’s never an easy process, but it’s a part of my job.
Building a quality portfolio can be an expensive endeavor, especially if you don't budget and carefully consider your costs. Putting together professional quality shoots on a budget can be challenging. After experiencing some of the wide variations in cost for things like models, makeup artists, and the other essential pieces of a shoot, I wanted share my experiences and lessons learned the hard way.
With a combination of intimate portraits and urban landscapes, French photographer Lucile Chombart de Lauwe captures a snapshot of Mongolia in transition for her beautiful series “Foyers (Urbains) Mongols,” which documents the move of rural populations into large cities.
U.K. commercial photographer Karl Taylor takes us behind the scenes on a rather exciting and unique photo shoot where the goal is to create an animal portrait of a hawk during flight. There are so many variables to this concept that even with a trained bird of prey, Taylor still ran into a little bit of trouble at the beginning of the shoot.
Côte d’Ivoire-based photographer Joana Choumali documents the disappearing practice of scarification in a series of powerful portraits entitled “Hââbré, The Last Generation.” Illustrating “the complexity of African society today,” Choumali’s work is both compassionate and evocative.
It is never too late to start a senior model program. In fact, now is the best time of the year to define your program and select your models. Every market is different, but most of us slow down in the winter months. We have photographed the bulk of the senior class in the fall, however there will be a few spring senior's sessions that book right before graduation. This is the time to prepare for the next class. Jen Basford with 3 girls photography and Seniors Ignite joins us for another article highlighting how to plan your senior model program and at what times to execute your marketing for the new year.
It's amazing how adding just a little bit of shadows can drastically improve the depth of your photographs. Contouring faces is a little trick that can take a few minutes to do, but ultimately increases the overall image quality. I'm going to show you how to use the adjustment brush tool in Lightroom to act similar to the dodging tool in Photoshop, and then the key areas to brush for properly contouring a face.