When working with models, photographers often expect someone with perfect skin and a great physique. In reality, this is not always the case. Some models have no idea how to get ready for a shoot, and that can be really annoying -- especially in post production, as it might add a lot of retouching time!
Sigga Ella is a photographer from Reykjavík, Iceland whose recent photo series looks to shed light on the ethical questions of where we are headed as a society with today’s ability to choose who is born based on prenatal testing for genetic disorders such as Down syndrome. She chose twenty-one people from ages 9 months to 60 years, both male and female, to show that they are more than a 21st chromosome anomaly – they’re people.
If you're planning on attending Lin and Jirsa's Ultimate Wedding Workshop 101 down in the Bahamas you will want to act fast. With only 6 seats left in this class, Pye and Justin will be covering proper exposure and how to shoot in manual, how to pose your couples, how to modify natural light, on and off camera flash, and much more. If you have seen the wedding work of Lin and Jirsa Weddings then you know Pye, Justin, and the rest of their team are at the pinnacle of the wedding genre. Their 101 workshop takes place May 13th through May 14th.
We often hear how much makeup can impact the final result of a photo shoot. It can either make or break a picture depending on its quality. A great makeup artist can save you tons of time in post while a bad one will add many hours to your job. However, working with a great makeup artist doesn't necessarily mean you will get what you need. If you cannot communicate properly, his work might not suit you, and neither will the resulting pictures. Educating yourself on some of the makeup basics can save you from this kind of situation.
Learning to find the perfect light is something that takes time and experience. But what do you do when the perfect light isn't there? Shooting in hard sunlight isn't always the most flattering or ideal situation. Don't settle for less than ideal results, bad light doesn't have to mean bad images. In this tutorial you'll learn how to defeat hard light by scrimming and lighting to completely reset your lighting conditions and take control of your shoot.
Shooting on a clean white backdrop can be one of the more complex in-studio lighting setups around. Properly exposing for full lengths while giving your models room to work can require four or more extra lights and considerable amount of setup time. While taking the time to take care of the details is important for getting the perfect image and saving yourself hours of retouching on the back end, sometimes you just want to get a nice clean background without the hours of prep.
One of those most important parts of any portrait sessions is what happens after the shoot is over. In the last part of this series I want to talk a bit about the end of your photo session, and how you can ensure you have a happy client that will not only come back for more but will tell their friends how awesome the experience was. Almost every day I get a call from someone asking me to advertise on Google. I simply reply “no thank you” as I don’t feel that Google can compete with word of mouth. As I have mentioned in first part of this series, word of mouth is one of the most powerful advertising weapons you have, with the ability to grow your business exponentially. This will be a bit different for everyone, but I think you can take this and apply it to any type of photography session you do.
Brandon Stanton and his blog Humans of New York need no introduction. In recent years, we featured many stories about the success of Stanton's unique project, and HONY is now a household name. About two weeks ago, Stanton went out to photograph new random people in the projects of Brownsville, Brooklyn. One of the people he shot was 13-year-old Vidal Chastanet. His photo and quote went viral, and made a real change to his school and the community.
Larry Busacca of Getty Images was given a very limited time and cramped space to create some of the most memorable images from the Sundance Film Festival. The video showcases Busacca in action, blowing through group shots, pairings, and solos without missing a beat. With some of the most well known faces in Hollywood no less.
In many modern cultures, we view white teeth as a sign of health, virility, and attractiveness. A large reason as to why there are a million toothbrush, toothpaste, and teeth whitening products on the shelf today. So what do you do when your overworked, over-caffeinated, and/or over-smoking portrait subject has teeth stained yellow? Our buddy Glyn Dewis shows you a quick way to whiten those teeth effectively and realistically.
When taking portraits with natural light, often times, there is one key aspect that is overlooked. This facet of naturally lit photos is far more important than things like shooting at a specific time of day. Before diving into what makes a naturally lit photo a spectacular one, it is important to know and understand the difference between artificial lighting and using natural light.
I will start this article off by saying that I am not a pet photographer. I am a portrait photographer that typically captures humans for magazines and ads. However, a couple years ago I started a pit bull charity (Not A Bully) and it unexpectedly led me to some jobs photographing rescue animals. If you're reading this, you already know that capturing animal portraits is a unique challenge in itself. I've done some of the difficult leg work for you and put together a list of tips to hopefully make your next in-studio pet portrait session much easier.
The School Sessions is a novel idea and concept started by the photography community in an effort to help raise $200,000 on April 12, 2015 for building a school in Mellier, Haiti. The students of this community were greatly affected by the 7.0 earthquake that occurred in 2010. They are asking photographers from all over the world to sign-up and donate their session fee from one or more of their portrait sessions on that day.
One of the most intimidating things to learn when it comes to lighting is how to choose the right light modifiers. There are countless umbrellas, softboxes, octaboxes, stripboxes, and beauty dishes offered. All these contraptions help shape the way light spreads in different ways, and the appearance of the people and objects we photograph will be affected by this. The decision can be crippling. Thankfully there is an easy way to choose, and it’s all about understanding the language of light.
As a photographer, my skill set is constantly put to the test. In most cases, I’m handed an idea on a slab of wood and the mission is to hand that idea translated to a tangible artifact back to my client on a silver platter. It’s never an easy process, but it’s a part of my job.