I recently noticed that a handful of photographers were producing images that had a look as if they were stills captured from films. A couple of the most well known photographers of this genre are based here in New York so I got them together and challenged them to not only come up with a dynamic personal project on the fly incorporating this cinematic look, but to share with us how it is achieved. Read on to find out how it all went down...
Now this is fascinating: Lady Gaga worked with photographer Robert Wilson to produce a stunning video portrait. The portrait was one of a set of others that were on display in the Lourve last year, but are only released to American audiences last Saturday at the Watermill Center in New York. Likely as a marketing initiative, two minutes of those 6 hours have been uploaded to YouTube.
I’ve always been enthralled with first person movie scenes, games and music videos. Clocking countless hours with Duke Nukem 3D in my parent’s basement on an old Packard Bell PC planted a seed that forever changed me. To this day I think The Prodigy's breakbeat electronic hit “Smack My Bitch Up” is one of the greatest first person videos of all time.
Photographer Neave Bozorgi’s work captures the seemingly effortless beauty of his subjects, evoking a sense of undone glamour and sun-soaked easiness synonymous with the urban west coast. I talked with Bozorgi about the evolution of his work since his start in 2011, and where he’s headed next.
Like most photographers, you have probably had in influx of senior calls recently. Schools will be back in session in less than a month, parents are trying to squeeze in appointments before their kids get busy with their final year of high school. What are you doing to turn your calls into appointments?
Japanese photographer Tatsuo Suzuki captures the frenetic atmosphere of Tokyo through richly toned black and white street photography. Suzuki’s use of long exposures and high contrast serve to emphasize the overwhelming experience of navigating a massive urban environment.
If you think you've got a quick trigger finger, then you haven't used the new Strike Finder Touch (SFT) by Ubertronix. This sleek remote trigger boasts the ability to trigger your camera shutter in less than 1 millisecond. The device has 5 different modes: Time Lapse, Lightning (or high speed flash), laser, sound and motion. All you need is 4 AAA batteries, your camera, and a great subject to get started.
One thing we often forget - All successful photographers started somewhere. This knowledge is motivation that fuels my every action and every photoshoot. We all have the power to exceed our expectations, to set goals and reach them. We may look back at our work and feel embarrassed, asking ourselves, “What was I thinking?” But remember, Rome wasn't built in a day. Here's a show case for 25 popular photographers with their first photos, next to their recent work. Proof that you can be successful, too.
I have only been shooting photography for a little over 3 years now. Things have progressed so quickly during that period of time that I haven't really had the chance to look back at the evolution of my photography. I had to think thing long and hard about the investments I have made over the 3 years and the things that really changed the game for me.
If you are interested in creating the softest light with an amazing wrap around quality, look no further. The book light technique, coined by film maker Shane Hurlbut is so simple and basic, requires the most inexpensive light modifiers, yet gives you the maximum control over the quality of light.
In this brilliant tutorial from Phlearn, Aaron Nace shows you how to create an artistic, composite image to replicate the double exposure effect. Despite being a little complex, the instruction is easy to follow. Nace’s great tips include: finding an appropriate blending mode, using detailed masking and grouping as well as using the gradient tool to add that extra something to your image.
Lighting isn't easy, a world-class-perfectly-lit studio portrait happens with a lot of instinct and experience. A strong grasp of lighting comes with experimentation and practice. Those that know my aesthetic know I'm a huge fan of one light photography. With that said, every image I produce I try and maintain the look of one light, even though it very well be lit with six lights. If I'm shooting for a hair, the hair needs to be well lit. If I'm shooting for makeup, the light needs to fill the face and really show detail. The same applies to product photography or fashion. I always give the client what they need, but always retain my dramatic lighting style.
French photographer Vladimir Antaki documents The Guardians of local shops he's visited in 9 different cities around the world including London, Beirut, Las Vegas, New York and Paris. This is all just part of an ongoing project in which Vladimir plans to take on the road as a traveling exhibition in the Fall of 2014. His use of centering his subjects in the middle of the frame helps to further illustrate the beautiful environment they are surrounded by every day.
Back in 2004 I was given the Nikon D100 digital camera for Christmas and I started making money with the camera within a few months. I fell into wedding photography and within 2 years I was making almost 100% of my income shooting them. In the last 10 years I never learned how to process a RAW file (effectively) or use Lightroom until last week.