Chances are you’ve all seen this iconic photo of Che Guevara at some point. But do you know who took it? Magnum, still arguably the most esteemed photographic collective in the world, announced the sad news last week that one of it’s longest serving members, Rene Burri, passed away aged 81. This post celebrates the life and work of Burri, and sheds a little light on what made him such a special photographer.
After 17 years in the video game industry, Bert McLendon decided to change things up and become a full time portrait photographer. For the past few years he shot many interesting people and families in the studio and had great local success in Austin Texas. Earlier this year Bert decided to try a fun experiment in his spare time, and the result went viral. Check out his great and unique Caricature portraits and learn how he's creating them.
On the heels of an extremely successful Kickstarter campaign, celebrity and headshot photographer Adam Hendershott launched The Headshot Truck with his wife, Sylvia, and a team that includes another photographer, make-up artist, wardrobe and re-touching gurus, and even a tech and proper manager. The Headshot Truck is a great example of how a little ingenuity can give way to a brand new studio business while others are shutting down every day.
Benjamin Von Wong is at it again. He teamed up with the team at SmugMug on yet another collaborative masterpiece. This time, he left the cold, foggy San Francisco forest, and retreated to the warm, sunny outdoor confines of the SmugMug campus in Mountain View, California. With only $20, a couple lights, and a lot of creativity, he turned everyday tech employees into athletic specimens.
We just spent a week shooting the new Pentax 645z, the new, somewhat-affordable medium format system. We wanted to take a real world approach to how we would test the camera, so like most reviews on Fstoppers, this will be less technical and more about how it performed on the job. It was put through its paces at full wedding, a weeks worth of portrait sessions and a night shoot.
People often think that modeling is just about looks. This misconception turns a beautiful person into just a body with no skills. Modeling is not about having the perfect "looks." The key to successfully modeling is the mindset. With just one thought, a photographer can take his or her models to the next level.
I live just a few miles outside of New York City, so when 911 happened, my world was rocked harder than most in the world. After getting my daily dose of hate mail this week about taking pictures at the 911 Memorial at Liberty State Park in Jersey City, I thought I'd write about it.
It is easily one of the most vilified and stigma'd genres in photography, and the one genre that provokes the most ire from its critics. Difficult to define and even harder to describe to someone accurately, one could also argue that it's the one photography category with the most people, mostly men, who are involved "for all the wrong reasons". In short, some people loathe glamour photography. But, is the reputation deserved? And what the heck is this glamour photography thing anyway?
Photographer Tim Richmond’s series “Last Best Hiding Place” is the product of seven years spent documenting life in the American West. The series intertwines myths and realism; stereotypes and contemporary realities to create a nuanced portrait of a place and its people.
Paris-based photographer Laura Stevens created a stunning narrative portrait series entitled “Another November,” which explores the stages of heartbreak at the conclusion of a long-term relationship. The series portrays the “gradual emotional and circumstantial stages…along the well-trodden track of the broken-hearted."
Last month we interviewed Jen Basford of Seniors Ignite and 3 girls photography about reasons why you should have a senior rep program. The full article can be found here. This month we are getting into specifics of what is takes to build a successful senior rep/model program and insight on how Jen built a program that sees continued success.
We’ve all been there, stuck with bad light and fresh out of ideas. I may spend up to an hour pre-lighting before a model or subject steps onto set, I work out the kinks and make sure everything is how it should be. But, despite my best efforts to make it right, every now and then I run out of time and have to wing it. We all have our “go to” lighting scenarios, but when you’re standing in unknown territory, keep the following tips in mind and you just might make it through the storm.
As you may already know, I spend a good deal of time polishing my photos in post production and have taught retouching in Photoshop for some time. A few months ago I made the move from Lightroom to Capture One and haven't looked back. To test out it's power, I decided to see just how close I could get to my portrait retouching style using only Capture One Pro 8 and forgoing Photoshop entirely.
Mark Seliger is one of the top portrait photographers in the world. His career spans thirty years and in this time he has photographed some of the biggest names in music, politics, business and entertainment. Interviewing him was fascinating. Who has inspired him? What would he say to his younger self if he could go back to when he was just starting out, and which photographer would he choose to take his portrait, if given the chance?
There are dozens of classes, courses and books on posing and they’re all useless. Why? There’s a definitive difference between directing a subject and posing a subject; if you’re “posing" a subject, then you’re doing it wrong. Here are three reasons why I don't like posing subjects and how I’ve managed to overcome those obstacles.