If there is one thing I get asked, and that has been answered online time and again, it's "How do I get my photos to look like I want them to look on Facebook?" followed immediately by "Why does Facebook ruin my photos anyway?" and finally "I just want my photos to look awesome on Facebook." The bottom line is, Facebook does give us options, loopholes if you like, and we just need to adhere to them and our images will look stellar. But, what are these magical settings? I decided I was going to fuse my two careers together into one article, and explain it all as best I can.
I feel like I'm constantly hearing about new shortcuts in Lightroom that make my workflow increasingly painless. This is one that's been around for a while, but you have probably never used it. This short video is an easy to follow tutorial from photographer Matt Kosklowski about an exposure feature that will surely speed up your editing process.
Ever since the first mention of the Lytro camera system, I have been intrigued by how exactly it works and what possibilities it opens for photographers wanting to have complete control over their image, right down to the depth. With Lytro's announcement of the new Focus Spread feature built into their new software you can now pick and choose, in post-production, which sections of a photo that will be in focus.
While people around the world prepare for the holidays, photographers have something else on their mind. For all of us it's that time of year to buy your conference pass, make your hotel reservations, plan shoots with friends and highlight the classes you want to attend at the annual WPPI Photo Conference in Las Vegas from February 26th thru March 5th.
Through Premiumbeat.com's Vimeo channel and blog, motion graphic designer Kevin Gater did the world a huge favor by recently providing a tutorial on creating realistic, falling snow with RED Giant's After Effects plug-in. There are a ton of settings in After Effects, let alone in the RED Giant Trapcode Particular plug-in, that would take forever to navigate; but Gater does a great job going through which settings to ignore and which ones to pay attention to so you'll know exactly what to tweak for your needs. Thankfully, in 15 minutes, you can be ready to add great snow effects for the holiday season or that high-mountain horror short with just a few careful clicks.
This is a really unique article for me to post. I was talking with my friends at New York City based Phase One dealer, Digital Transitions, and they were interested in sharing the story of how industry's leading RAW processing and tethering software, Capture One, evolved into what it is today. It is very interesting to learn how a company learns from its products weaknesses and grows to make something that really shines. Read below to learn more:
I adore a good landscape image. And it goes without saying that few things can take your breath away quite like an incredible image of mountains, valleys, spires, oceans, even castles and cities. After all, what is larger than life, or at least larger than us, can be far more awe inspiring than most portraits. However, the craft of landscape photography is hardly a matter of planning a vacation and bringing a tripod, which is about where my landscape "skills" end.
Reviewing our old photographic work can be a little daunting. As styles change and skills improve, we start to notice what was once a hero image is now sorely lacking in quality and perhaps even embarrassing to look at. I propose that it is a good thing if you hate your old photographs because it could be a sign that your taste is improving. Having a refined visual taste is arguably one of the most important factors to developing as a photographer. It guides all our creative and technical decisions, but it is also one of the most elusive qualities to develop.
Everyone has heard the saying, "The eyes are the window to the soul." There is a lot of truth to this when it comes to photographs. The first thing many of us look at when we see an image are the eyes of the subject. In this article I'm going to teach you how to enhance eyes using the brush tool in Lightroom.
As I start to get more campaign work via Instagram for product photography, I've found that I need to use every bit of my creative mindset to get the shot I want. All the while I must also play to some of the iPhone's limitations. Tilo Gockel, a professional photographer and lighting expert, has created quite the tutorial for some outstanding product photography with nothing more than an iPhone and a few simple lights found around the house.
While sharing drinks with a friend, he started inquiring as to how I’m able to supplement my income with video editing projects. The more we talked, the more I realized that a lot of people have the ability and skill to do it, but they don’t understand the small things that can make or break being successful at it. In this post, I’ll share what I’ve learned about being a freelance editor.
Our generation has witnessed the death and rebirth of Polaroid Instant Film; yet it is interesting to note that most model agencies have always preferred the format as a staple facet in portfolios. From the model's perspective the idea of a harshly lit and un-editable image is less than ideal. However; standing in the shoes of the photographer or creative director, it is always best to have an idea what you'll really be working with.
In today’s photography world, photos capturing scenes in infrared are usually few and far between. A technique usually seen as intimidating or out of reach to the average photographer, Esben Olsen takes us through his workflow when working with infrared images. This video gives helpful insight and simple tricks for every stage of the process from gear setup to post-processing.
When I first attempted to retouch the photographs I took in 2006, I had no idea what I needed to do and how. Today there are thousands of video tutorials on the web on how to retouch, but nobody explains what it is that needs to be retouched to make a female face look more youthful, healthy and beautiful. It took me some time to figure out what the common problems that I needed to remove from my subjects' faces and bodies were, and what I had to alter to make them look more attractive.