Every once in a while, a lens comes along that truly breaks new ground for one reason or another. Such is the Sigma 14mm f/1.8 DG HSM Art, which has an aperture over a stop faster than its competitors and is the fastest full-frame lens under 20mm. Of course, extreme lenses often have compromises of some sort, so how does this one perform? In short, extremely well. Check out our full review.
Late last year, Imatag announced a new means for photographers and image-makers to protect their work: their service allows customers to embed an invisible watermark which is then tracked on the web, alerting the copyright owner each time that the image is published online. I put their service to the test.
For many architectural photographers, tilt-shift lenses from Canon are the go-to option. These particular lenses are quite possibly the best available, and although Nikon has their variants, they just don't seem to be as good as Canon. The problem, however, is that Canon doesn't currently offer the best camera to put those lenses on with cameras like the Nikon D850 and Sony a7R III offering much better noise performance and dynamic range. In this video, I adapt Canon lenses to Fuji's medium format camera.
When I first started shooting flash, I would lug my big studio lights and battery packs from location to location. But after a while, this became such a hassle that I stopped doing it. I instead settled for using a hot shoe flash or just shooting with no flash at all. But this may change now that Elinchrom has the new ELB 500 TTL. Not only does this light offer a significant increase in power compared to a traditional hot shoe flash, but it also does it with a much smaller package than standard studio lights while maintaining the benefits of TTL and HSS.
My workflow has relied on SmugMug starting back in March of 2008, and after a decade of use, my organization was a disaster. In that ten-year span, the focus of my business has evolved, and SmugMug's features grew with it, and my account was well past due for cleaning house a remodel. Part how-to and part review, check out what I did to revamp my account so you can easily configure your site like a pro.
Light. We see it all around us as billions of photons pass right by us, bouncing against objects like "Punch-Me-Clowns." As photographers, we're obsessed and spend our lives figuring out how to manipulate them, and it could be an exhausting task to pursue, but that's about to change.
Fujifilm set the bar for APS-C portrait lenses with their phenomenal XF 56mm f/1.2 a few years back and they have done the same for digital medium format with the GF 110mm f/2 R LM WR. The GFX system is an exceptional fit for those shooting high-end portraiture and the GF 110mm f/2 is quite possibly the perfect portrait lens for this application.
Making videos on Premiere Pro using just my mouse has been getting really old really fast. Keyboard shortcuts are a way to make the whole process a little less monotonous, but it's still not perfect. Recently, however, I've been testing the Sensel Morph tablet and I think I've found the best thing for Premiere Pro.