One of the really great things about the Fuji GFX 50s is the fact that it has a shutter built into the camera instead of it being in the lens. With a sync speed of only 1/125 of a second, on the surface, this may seem like a massive downside for the Fuji compared to the Hasselblad X1D which uses a leaf shutter mechanism. Instead, this one feature opens the GFX to a whole world of adaptable lenses and possibilities.
Pixellu is a startup known for making extraordinarily intuitive and time-saving software for professional photographers. A company started by photographers for photographers, Pixellu aims to help streamline the workflow of product delivery, effectively giving photographers back their time, while simultaneously adding value to the final product the photographer delivers.
When it comes to retouching as best as possible, a graphics tablet is crucial. It gives more control and allows for fine adjustments that are extremely hard to get with a mouse or trackpad. I’ve been a longtime Wacom Intuos Pro user and always loved it. However, I’ve always wondered what it was like to edit on a screen. Recently, I've had the opportunity to try a couple of these including the Acepen 2150, a cheap alternative to the Wacom Cintiq line. In this review, I’ll explain what I loved about it but also tell you why retouching directly on a screen is not for everyone.
Recently, Spiffy Gear had released a very unique-looking light named Spekular. What caught my attention was its ability to combine, shape, and separate one single "light" in so many different ways. From my perspective, having the variety of options for on-the-go shooting held value. I ended up taking the LED light kit for a spin. There were some aspects I liked and some that could use some improvements. Let's dive in.
CalDigit, a company known for its high-quality devices aimed at working professionals, have just released the latest update to their popular Thunderbolt Station line of products. Fstoppers took a look at the last iteration, the Thunderbolt Station 3, in August of last year and it was a good device that lacked a few simple things that would make it a great device. I’m glad to say that a lot of that has been fixed with the new release and there have been some exciting additions as well. Let’s dive right in and check out the new CalDigit Thunderbolt Station 3 Plus.
Up until now, Canon is still the only full-frame manufacturer that offers a 50-megapixel camera. The Canon 5DS R is still very much my favorite full-frame camera to use for any professional work. The usability and image quality are what appeals so much to me. Medium format, however, has always been seen as something that's a little out of reach for many photographers, but with releases from Pentax and Fuji the price has really come down and they're much more viable now than they have ever been. In my latest video, I decided to compare the Canon 5DS R, The Fujifilm GFX, and the Pentax 645Z to see how they perform against one another.
Working with multiple cameras in filmmaking is almost inevitable. Most of the time you are in a situation working with cameras of different brands or different models. Matching the picture from these cameras can be a painful process involving color charts, reference frames, creating custom LUTs (look-up tables), etc. PolarPro tries to make our workflow easier by releasing presets of cinematic LUTs that can be used to match footage from different cameras and drones.
It seems that every time I close my eyes, Godox releases a new product. Their array of hot-shoe flashes, portable strobes, modifiers, and other flash gear seems to have no end. The great thing about a company like this with a fast product cycle is that technology develops very quickly. Starting with basic flash triggers just a few years ago, Godox now offers multiple solutions and supports TTL and HSS technologies for all major brands. Their new Godox XPro trigger series is no exception, with versions for Canon, Nikon, Sony, and Fujifilm already on the market. Let’s take a look at the Fujifilm version of the trigger today, the Godox XPro-F.
When it comes to filming, using a fast shutter speed is generally a bad idea. For most applications, you'll probably want to keep your shutter speed somewhere around 1/60 of a second, maybe even slower, depending of course on what frame rate your shooting at. The reason for this is because it allows for more smoother and cinematic looking footage which isn't choppy or harsh looking. Faster shutters speeds generally can be a little jarring to look at. The problem with this is that to compensate for this slower shutter speed you may need to stop your lens down. This, in turn, prevents you from getting that shallow depth of field, especially when filming outdoors.
The WiMiUS L1 4K action cam is a competitively priced budget alternative to a market that has quickly become saturated with tiny cameras from a huge variety of companies looking to stake their claim in the action sports market. On the surface, the WiMiUS L1 boasts what appears to be an impressive value, so Fstoppers put it through the grinder to see if it is truly a considerable contender in the action camera market.
If there is one thing photographers are obsessed with it is lens bokeh. Even if you shoot landscapes or interiors at f/22, your mouth will surely drop the second someone pulls out a fast f/1.2 lens from their bag. One of the most sought after ultra-fast primes in the Nikon lineup is their manual focus 50mm f/1.2 lens. Can this 35-year-old design compete or even beat Nikon's newest 50mm f/1.4 lens in a studio setting? Today we find out.
The iMac Pro is undoubtedly a slick piece of hardware with some very impressive specs, but it also comes with an equally impressive price tag. And while we can drool over specs day in and out, what really matters for most working professionals are real world results. This great video pits the new iMac Pro against a Mac Pro, MacBook Pro, and a Windows PC.