When I need to send a contract out to a bride or other photography client I never have a stamp. Which makes the document sit on my desk till I finally force myself to swing by the post office (which is never a happy place). Well now there is a website that can help you bypass the mail and hopefully speed up the contract signing process.
Last night I was fortunate enough to catch Brief Encounters, the new documentary about Gregory Crewdson. Many of you may be familiar with his work, and may have even read our previous article on his production process. Crewdson operates on an extremely large scale, using a film production crew to execute his large-format photographs.
Rokinon recently released a new offering in the 35mm lens range, and I was super excited to get my hands on it for a number of reasons. The great price, wide aperture, and popular focal length of 35mm makes for a great combo, but never having used a Rokinon product before I wasn't quite sure what to expect. After an extensive review covering nearly two months (thank you Rokinon, for lending it to me for that long!)
Telephoto lenses are a key part in nearly every photographer’s camera bag. Having a solid long telephoto lens in our arsenal lets us be prepared for numerous scenarios without having to switch out our primes and possibly miss the shot. Tamron’s latest lens revamp is the 70-200mm f/2.8 DI VC USD, and it’s a solid option for those looking at this focal length.
If you own a DSLR camera, the odds are that you've tried to create an HDR image using one of the many available HDR software programs available on the market, and you might have even created what people call 'disastrous' results. But fret not, because SLR Lounge recently released the end-all, be-all HDR tutorial to conquer all other HDR tutorials.
NEC is synonymous with high-end displays. Everyone knows they produce great monitors for professional imaging applications. But if they know that much, they also know they’re quite expensive. So why should you pay thousands of dollars for the PA301W 30” monitor when you can get one for a few hundred? What’s the difference? And is it worth it? Let’s find out...
There have been a few really great lenses released in the past couple months hogging the spotlight, so it wouldn’t surprise me if the newly released upgraded Tamron 90mm f/2.8 VC Macro passed under your radar. I’ve had a few weeks with it and have mixed feelings on Tamron’s latest prime.
Ok, you're probably pretty skeptical right now reading that title alone. I hear ya, so was I. Really Right Stuff is known for extremely high quality carbon fiber tripods, not cases, and definitely not something in mobile computing. After hearing my surprise, the guys at Really Right Stuff laughed and made me think of it this way: the iPhone is the most popular camera on the market. It would be weird if they didn't support it, as they are one of the best camera support companies out there. Hearing that, I was ready to give this thing a look.
Creative lenses have become a popular way to do things “in camera.” Sure, there are hundreds of options for numerous editing programs that can do creative effects in post, but there is something to be said about getting everything in camera as it’s happening, including tilt shift effects. Unfortunately for most of us, tilt shift lenses are just not in the budget. That’s where Lensbaby’s modular lens system comes into play.
From lifestyle to celebrities, Quavondo is a photographer that has a wide range of talent. He has a great ability to shoot many genres and do exceedingly well at it. Even prior to meeting him, everyone who knew of him would ask him how he would light his subjects, no matter what he shot. It seemed so effortless in execution but very appealing as an end result. Recently, he released a book with these answers.
Fewer things get me as excited and enthusiastic about gear in my studio than something reliable. I just want it to work. Part of the reason I haven’t shot much on a Nikon is that it takes too much thinking for me. Having shot on Canon for 10 years, I just like using something that my hands just understand. The same goes for tripods, lights, and most definitely applies to lenses. For me, the Sigma 35mm f/1.4 lens just works, and might be have the best combination of speed and sharpness in and auto focus-enabled lens I have ever had the pleasure of shooting.
Many of you are familiar with Scott Hargis, who has made his living as both a successful architectural photographer and in recent years, teacher. Scott has cris-crossed the world to teach his methods, including a recent trip to Dubai to teach at Gulf Photo Plus. Scott recently released a multi-part video tutorial that teaches his methods for shooting high-quality photos for real estate photography using off-camera flashes, and Scott was kind enough to send us a copy to review.
When I test products, I like to have a plan. I put together what I think the product should handle and then carefully execute and document the situation. It's the easiest and best way for me to give a fair assessment of the gear. A relatively straightforward and planned review was on my schedule for the C-Loop and Glide Strap but instead, I found myself in the midst of a natural disaster and the desire to capture the moment as best I could. This required the cooperation of this camera strap, and inadvertantly, resulted in this review.
Fstoppers Mirrorless Month really got me rethinking the entire small-camera strategy. I’m normally someone who doesn’t mind lugging a camera mounted to an 18th-century cannon, so long as it can take better photographs than the thing before it. But holding so many small cameras every day gets me thinking, is there another, better way to do this? And if so, what’s the best...?