The extreme wide-angle focal length is an area that I had long ignored. When I was first starting out, I just wasn’t interested in it. I was interested in people – and that meant 85mm f/1.4, 105mm, 135mm, and 200mm lenses with both great compression and bokeh. Leave it Tamron to bring me back to the wide side with the world’s first ultra-wide-angle zoom with vibration control: the Tamron SP 15-30mm f/2.8 Di VC USD.
If you haven't heard of the app Phhhoto you're certainly not alone. Phhhoto is a mobile GIF/cinemagraph/image sequence creating and sharing platform that was released last year on iOS and will be coming to Android in the future. As of this week it now has over a million registered users and is really starting to take the world by storm. I'll admit I didn't really take it seriously myself until I saw Jeremy Cowart post a couple Phhhotos. After having messed around with it for the last week I can honestly say it has me pretty excited. I'm on Phhhoto and here's why you should be too.
Cloud Spot was created by full-time photographers who were tired of the available options for photo delivery. Nothing before truly placed the photographer's brand first and cut precious time off of their workflow. The goal was to beautifully display images in a branded and modern gallery, be super fast and easy for the photographer to share, and allow clients to easily download images sent directly in an email and/or in the galleries. After using Cloud Spot for the past few months, I can say that they've succeeded.
Two weeks ago we saw Tony Northrup comparing the Canon and Yongnuo 50mm 1.8 lenses with his thorough video. Now Kai of DigitalRevTV has decided to bring you his own version of this same comparison. In typical Kai fashion, his presentation is perhaps more humorous than scientific, but in between the jokes are some real kernels of truth. Take a look at how his analysis compares with Tony's and whether the Yongnuo copy is really worth the savings.
One year after the announcement of the original Sony Alpha a7, the new Sony a7II takes calculated steps towards improving function and ergonomics in their full-frame compact system camera series. With its revised exterior design now fashioning a pronounced grip with a DSLR-like forward-angled shutter button as well as the internal introduction of five-axis sensor-shift image stabilization, Sony turns their base model a7 into a not-so-basic specialist of its own. In this Fstoppers review, I examine the good and bad of how the Sony a7II performs with real-world use.
It goes without saying as photographers we prefer gear to be highly attractive in both form and function. Usually taking a hit in one department or the other due in part by price or depth in features, it's never a flawless combination. These two things for many companies is difficult as they balance high-end product design with outstanding thought in function all while fitting it inside an appropriate price point. Enter the perfect blend of both with the Union Street Camera Bag by ONA. It's not just another accessory in the world of camera gear, but rather a perfect pairing of design and functionality that I can truly stand behind and wear with distinction.
This year has already been filled with some compelling DSLR camera releases and announcements and the new Nikon D5500 is no exception. For the a quarter of the price of the Canon D5 Mark 3 that I purchased a couple of years ago, you can have more resolution, full HD video function with a wide-array of frame rates, comparable ISO range, and even its own built-in WIFI transmitter to send images to your favorite mobile device on set. Pretty impressive with what Nikon has been doing with its pro-sumer camera bodies these days. Check out Digital Rev's full review.
Yongnuo recently released a 50mm F1.8 auto focus lens to compete with the very popular Canon version. The Canon 50mm F1.8 is already considered a bargain lens, so with the Yongnuo coming in at half the already bargain basement price, can it possibly perform equally or even better? Tony Northrup put together a fantastic and comprehensive video that pits these two lenses side by side in a comparison that will answer all your questions.
The photographer makes the photo, not the gear. That being said, it’s essential to have the best tools for your career. Would a doctor go into surgery with a blunt scalpel? There's a lot of debate when it comes to the topic "best portrait lens." Personally, my choice of lens until now has been the Nikon 85mm 1.4G. A few months ago I decided to rethink my choice of lens and tried the Nikon 200mm f2 and Nikon 135mm f2. Here are the pros and cons for both lenses and examples of what they can do.
Elinchrom has been the brand of choice for years many Europeans and Australians photographers alike. They are cheaper than Profoto or Broncolor, offer a good range of modifiers and – unlike Paul C. Buff – have service centers outside of the USA. To many photographers they also have been a great way to get into studio photography before moving up to Broncolor or Profoto. With the Elinchrom ELC Pro HD, it seems like the brand wants to change that and offer a higher-...
A few months ago I wrote about Pixsy, a new online service, which promised to facilitate the process of dealing with copyright infringement. I have since been invited by the folks at Pixsy to give their Beta software a run through. After a few weeks of testing I am ready to share my opinions on this unique service!
The calendar just turned its pages to 2015. We have tiny and versatile cameras like the GoPro Hero 4 filming 4K video, camera companies making 50-megapixels DSLRs, and artists making mind-blowing stop-motion/hyper-lapse/time-lapse films. So why is it still so hard for artists and big brands to easily connect to collaborate on photo and video projects?
It's already been a couple weeks since Serif announced the release of the Affinity Photo beta. I, along with literally thousands of others, have downloaded the program and started putting it through its paces, trying to fit it into my own personal workflow. In this little first impressions review I'll focus on Affinity Photo as a raw converter, a basic retouching platform, and put it up against the big dogs: Affinity versus Lightroom, and Affinity versus Photoshop.
I haven't had the Meike MK-DR750 Battery Grip and Wireless Remote for long, but I can already tell I'm definitely keeping it. Not only does it fit well enough and do everything as promised, but it also comes with a wireless 2.4GHz (not infrared) remote control that can trigger the Nikon D750 to which it's attached. Meanwhile, Nikon's grip costs upwards of $350, and their wired remote cable release timer clears the $150 mark. Naturally, there have to be a few caveats for a grip and remote package to come in at an astoundingly low $80, but I was hard pressed to find any at all.