There are a ton of speedlight modifiers on the market today. Some utilize the miracle material we call Velcro, others use rare-earth magnets to affix their product to your flash. Photoflex takes a more traditional approach with their latest speedlight modifier by developing a collapsible octobox style modifier specifically designed for speedlights.
I’ve been a Profoto user for quite a while now, loving my B1s and B2s for wedding photography, and my D1s for studio photography. I’m a huge fan of off-camera flash, especially when it can be easily manipulated into looking like natural light when I need it to. After all, that’s what 99 percent of my wedding clients want: natural light and a golden-hour glow regardless if it’s raining or we’re shooting in noon-day sun. What I’ve been missing, however, is the portability of a small flash, and being able to use it on camera.
It's been the nuisance of the modern, technological era: shaky video. Shaky video not only is annoying, but the fix is usually expensive, bulky, and not too practical — until recently. DJI, one of the most innovate companies going right now has the answer to that problem, at a consumer price. It’s called the DJI OSMO.
Sigma has been killing it lately with their Art series of lenses, and this entry doesn't stray far from the pack. With a great build, low distortion, and a very competitive price, it’s a contender for the best ultrawide lens available in its class. I had one for a few weeks and got to see if it lived up to the hype and high bar set by its fellow Sigma Art lenses.
In the last decade, cell phones have made huge leaps forward in technology and capability. It's simply incredible what they are capable of these days, and the amount of processing power and features they have would have been unimaginable not so long ago. The latest iPhones are capable of shooting beautiful images and video up to 4K at 60p. Further, still, the iPhone 8 and X are capable of filming at 240 fps when shot at 1080p, which is very impressive indeed. Both of these features are currently not available in any other similarly priced phone, DSLR, or even most mirrorless cameras. Even popular DSLRs like the Canon 5D Mark IV and Nikon D850 aren't able to shoot at the same frame rates as the iPhone. The question that many people ask is, why?
When it comes to wildlife photography, high megapixel cameras aren't normally the first kind of cameras that most people tend to think of. Cameras such as the Canon 1DX Mark II, the Nikon D5, and the Sony a9 come to mind, due to their incredible burst rates, rugged build quality, and amazing autofocus systems. Tony Northrup, an avid wildlife photographer, believes the Nikon D850 to be the best camera for wildlife photography. In his latest video, Northrup describes in detail why he believes this to be true and based on the information he presents, it's difficult to argue against his points.
I recently stumbled across the iOS app Cascable 3 while perusing the App Store. I was in search of that next great app to make my life a little easier. I fully admit my iPhone seems to find a new app each week, but for my own sanity I attempt to keep everything neatly organized with folders. Keyword: attempt. Just don't ask to see how many folders I have.
In the last few years, Laowa, a Chinese company, released some very interesting lenses. Several of their wide-angle lenses have been praised for excellent performance and can be bought at relatively reasonable prices. The Laowa 15mm f/2 is one of these lenses and is currently the fastest 15mm lens that you can buy. Of course, there is the Sigma 14mm f/1.8 Art, and although that lens is almost double the price, Sigma's Art lenses have developed quite the following due to their incredible performance. But can the Laowa beat it? Kaiman "Kai" Wong helps us find out in this video review.
Designed for DJI photographers and cinematographers alike, PolarPro's Cinema Series for the Phantom 4 Pro/Advanced includes six incredibly useful filters: three neutral density filters and three polarizing and neutral density filters. I had been looking at filters for quite some time and wasn't sure where to begin so this set was the perfect place to start. Available for a wide array of quadcopters well beyond the Phantom 4 Pro tested, if you are looking to improve your quadcopter's image quality by adding filters, check out this review of PolarPro's Cinema Series.
It would seem that the Nikon D850 can do no wrong and with this latest test and comparison from Tony Northrup, the results seem even more positive. The dynamic range was something a lot of photographers were concerned about, especially due to the higher megapixel count. At ISO 64, it's safe to say that the dynamic range of the D850 is a solid improvement over the Nikon D810. As Northrup demonstrates in his video, the D810 suffered from a heavy magenta cast in recovered shadows whereas the D850 has a more neutral and pleasing look to it. At higher ISO, however, the differences between the two Nikon cameras may not be as significant.
Since obtaining my FAA Part 107 certification and flying with the Phantom 4 Quadcopter, I have been pouring over flight apps like crazy. Kittyhawk, available for iOS and Android, has become my go-to app for every flight I make that provides a comprehensive flight workflow all in one location. With enhanced telemetry data, airspace maps, fleet management, and weather reports, here’s my review of the app that could replace the entire drone folder on your mobile device.
While the technology we use every day swiftly marches towards the pursuit of perfection, cinematographers everywhere have found a friend in lenses with character. Few looks allow cinematographers to express that pursuit of unique character more than anamorphic lenses. With the array of accessible anamorphic lenses growing and no comprehensive comparisons, renting a lens was often based on budget, and not on personality — that is until ShareGrid released their Ultimate Anamorphic Lens Test.
Along with the new 85mm f/1.4L IS, Canon recently announced three new tilt-shift lenses with macro capabilities, an intriguing combination that should excite product, food, macro, and portrait photographers alike. Here's a first look at working with the lenses and some scenarios where their unique capabilities really come to the forefront.