Some people love filters. I personally really like neutral density filters and I know there are those who swear by UV filters. For those of us who love these little glass lens enhancers, we have to separate from that love when we use ultra wide-angle lenses. That is, we used to. Not anymore thanks to Fotodiox’s Wonderpana system which is designed to give us the freedom to use those filters even on convex front elements.
If you haven’t heard of TetherTools.com yet, well… you have now. Tethered Tools makes a wide range of fantastic products to make your tethered shooting go more smoothly. They are THE one stop shop for all of your tethered shooting gear needs including software. They have seemingly infinite customizable tethering configurations that you should definitely check out.
I am the type of photographer that doesn't stay up to date on the latest gear. Instead, I find what works for me and I use it until I hear about something that works better. This is why it was so hard for me to hand in my Pocketwizard Plus II's for the Radiopopper PX system. But boy am I glad that I did.
Plus II's are tanks. They are virtually indestructible. I used them for years with nary a misfire. But there was one thing they couldn't do. High speed sync.
Longtime reader, photographer and winner of last year's behind the scenes contest Justin Wojtczak, shares his review of the Sigma's 35mm f/1.4 lens with some footage he shot while out on-location in Los Angeles photographing a wedding.
From his video review, you can a see a range of videos and stills that were shot featuring a sampling of wedding and landscape images. Wojtczak also added the settings from each shot for the viewer to get a better understanding of the conditions he was working in.
I'm a lifelong motor head. I salivate at a great custom exhaust on a big block V8 engine, or a custom candy paint job on a 1957 Chevy BelAir. I literally dream of pro-touring modernized 1960's muscle cars. So as a photographer, it would only make sense that I would crave to customize my cameras, especially after recently investing in a Phase One digital medium format which I cherish like I would a car. For years, I've been looking for a cool rugged camera strap system that fit my style and functional needs. Thanks to Vulture Equipment, I think I've finally found it.
I have been a fan of VSCO since their first film preset pack. Both VSCO Film 01 and 02 have a nice way of giving photos a subtle but believable film effect. This week I got the email that VSCO had released Film 03 and I was dying to check it out. It turns out that the effects seen in 03 are not quite as subtle as 01 and 02, because 03 emulates instant films. So I've decided to do a little review with some examples and share it with all of you.
When Adobe launched the Creative Cloud more than a year ago, it was not met with much fanfare from actual users of the software. Those around me heard about it, shrugged and moved on. I’m pretty sure many of us didn’t really fully understand what it exactly was. Fast-forward to today, and Creative Cloud has turned into something that is obviously Adobe's future, begging the question, "Is it good for Adobe, good for consumers or both?"
When major brands build product enhancements or special components, it’s only a matter of time before after-market options with much lower price tags become available. Generally speaking, off-brand products have about a 50/50 chance of being successful or disappointing. With the Nikon MB-D12 grip for the D800 being so highly priced, I took a look at Vello’s after-market model to see if it’s a worthy substitute.
The internet has become a gold mine of resources for photographers of all different genres, experience levels and styles. It's so easy to find inexpensive Lightroom or Photoshop presets to help create interesting post-processing colors and effects without spending hours trying to create them yourself. The only problem is: which ones do you use? SLR Lounge has released an all-comprehensive Lightroom 4 Preset System that is user-friendly and takes the headache out of using presets.
I have been following the amazing photographer Sam Hurd for a little over a year now. I just recently recommend a good friend to have an anniversary shoot done by Sam and I was intrigued by the techniques I heard he used. Shortly after this Sam released a blog post sharing his method of Prisming and his secrets were out of the bag. I have given his method a try and I love the results.
Ah the ProDot, tied for the win as recipient of the most baffled and confused responses from photographers along side Tiffen’s confusingly expensive flashlight. Many of you laughed aloud when you saw this product hit the market, and even more after you watched the launch video. But is it possible that you might actually like the ProDot? Actually, yes.
When I need to send a contract out to a bride or other photography client I never have a stamp. Which makes the document sit on my desk till I finally force myself to swing by the post office (which is never a happy place). Well now there is a website that can help you bypass the mail and hopefully speed up the contract signing process.
Last night I was fortunate enough to catch Brief Encounters, the new documentary about Gregory Crewdson. Many of you may be familiar with his work, and may have even read our previous article on his production process. Crewdson operates on an extremely large scale, using a film production crew to execute his large-format photographs.
Rokinon recently released a new offering in the 35mm lens range, and I was super excited to get my hands on it for a number of reasons. The great price, wide aperture, and popular focal length of 35mm makes for a great combo, but never having used a Rokinon product before I wasn't quite sure what to expect. After an extensive review covering nearly two months (thank you Rokinon, for lending it to me for that long!)
Telephoto lenses are a key part in nearly every photographer’s camera bag. Having a solid long telephoto lens in our arsenal lets us be prepared for numerous scenarios without having to switch out our primes and possibly miss the shot. Tamron’s latest lens revamp is the 70-200mm f/2.8 DI VC USD, and it’s a solid option for those looking at this focal length.