As a wedding photographer, I don’t often put much of a focus on video. Therefore I had never put any real thought into what accessories I might need to outfit my Nikon D800 as a proper video-producing machine. That being said however, the Chinese company Aputure may have just started me thinking more seriously about video.
Living in NYC and having to drag gear around I have become very particular about my camera and gear bags. Comfort, size, weight, and protection are the deciding factors, then I worry if I look cool or not (you can’t go wrong with a black bag). I started looking for a small light stand case that would fit nano stands, a small umbrella and a monopod. This is usually what I use for reception lighting at weddings. After searching through all of the camera stores online, I finally stumbled across the StandBagger.
About a year ago, Lee Morris stated that Alien Skin Exposure 4 was his favorite photo enhancement plugin for Photoshop. Claiming that all of its film presets makes it stand out above the rest, and the clear winner in the plugin world. Just a few weeks or so ago, Alien Skin released the latest installment, Exposure 5. But is it still the champion and must have plugin that Exposure 4 was?
Imagine a colorful self-setting rubber that you can keep in your camera bag and bust out at any time to repair on-the-job cracks, breaks and tears. Sugru is such a product, a moldable Play-Doh-like synthetic that can also be shaped into custom camera grips, monopod and tripod mounts and can add color and texture to existing buttons on your DSLR.
Just because we are photographers for a living doesn’t mean all our equipment has to be 100% utilitarian. Sometimes a little bit of style and fashion is appreciated, and ONA looks to deliver in that department. The ONA Leather Brixton, now available in “dark truffle” color, is a sling bag that looks like a businessman’s briefcase sling, but is designed with a photographer in mind.
Carl Zeiss (Now just named Zeiss) has always been considered the premium brand for lenses in the photography industry. With their high ticket price and extreme build quality, Zeiss had always been reserved to the biggest (and richest) names in the industry. Well now they're trying to maintain that brand image, while moving into the mirrorless systems industry. But how does their latest 32mm f/1.8 lens hold up?
There's been a lot of buzz these past few months about Rokinon's new 24mm tilt shift offering. Many enthusiasts are interested in tilt and shift capabilities, but are not interested in shelling out the $2,000+ for the Nikon or Canon equivalents. Rokinon's entry into the field has been widely anticipated and it was finally my chance to get my hands on this little lens for a review.
Starting today PhotoShelter released their new "Beam" portfolio websites templates on top of the secure cloud storage, e-commerce capabilities, SEO, image delivery and client proofing tools that are available to PhotoShelter’s existing members with Standard and Pro accounts. PhotoShelter's CEO Andrew Fingerman gave me a quick rundown of the new designs during a walkthrough last week and from everything I saw it looks like it could be great tool for account holders who need a functioning website with minimal set up.
LED has come a long way in the last three years. It was not too long ago that serious photographers and videographers were having a hard time with the idea of LED. They tended to be under powered and cast unattractive shadows. But there was potential, and that potential is beginning to blossom. Fotodiox’s LED100WA monobloc-style heads are one such shining example of how far LED has come and what can be done with it.
If there is one lens manufacturer whose heritage exudes excellence, it’s Zeiss. They are the Ferrari, the Lamborghini of camera optical glass and with that reputation comes their, usually, extremely high price. And much like a Lamborghini, the Zeiss is a no-frills powerhouse that does one well-designed thing: as the Lamborghini is fast, the Zeiss is sharp. Zeiss’ latest telephoto prime is no exception, and the 135mm f/2.0 APO SONNAR is truly magnificent.
Lowepro’s new DryZone bags come in two different models, a 40-Liter backpack (40L) and a 20-Liter duffel (20L). Lowepro has been making bags for years, and these are a new entry into their DryZone series. These new bags have an IPX6 waterproof rating, which means they can take a significant amount of water blasted onto them and keep your kit dry. Think rappelling through a waterfall or taking on some white water rapids in a small boat. This review will focus solely on my experiences with the 20L and how well it performed.
The Nikon 200mm f/2 VR II is one of those lenses you always read about, but short of running into a professional sporting event, an affluent amateur, or Ryan Brenizer you just don’t see them. They’re rare and they’re expensive, but besides the obvious lust factor of the lens, is it any good?
Shock, dismay, joy, and envy. These emotions have been running wild since Sigma announced their new 18-35mm f/1.8 DC HSM lens. It’s the first lens in our modern age to maintain that open of an aperture through a zoom range and it’s also equipped with auto focus. This type of innovation has been unheard of from Sigma until recently, but now it’s almost expected. The main question I wanted to answer about this lens was: “Is this lens for real, or relying too heavily on the hyped, somewhat gimmicky nature of that innovation?”
Tim Hetherington, without a doubt stands high among the elite of war photographers.
There is no way that one can possibly encompass the magnitude of an individual within the pages of a single book. Alan Huffman makes that attempt with his biography Here I am: The Story of Tim Hethergington, War Photographer.
The FujiFilm X100S appears to be the camera everyone is seeking this summer. The upgrade to the highly successful X100 has promised faster speeds and additional features and the early reports have been singing its praise. So much praise, in fact, that Zack Arias recently made the statement that it will single handedly kill the DSLR in its tracks. But will it?