I remember seeing this video a long time ago and really enjoyed it. Maybe we thought it was not educational enough to post it but after watching it again I think it's worth sharing. For those of you who have not already seen this short story, the Dark Side Of The Lens is a poetic journey into mind of surf photographer Mickey Smith. The cinematography is outstanding and the locations are breathtaking. It's this sort of presentation that truly makes me appreciate what we all do as artists.
Lately there has been a trend of showing super slow motion videos slowed beyond the native frames per second the original footage was shot on. We love the results of Twixter but nothing can compare to seeing the real thing especially when combined with an extreme sport. The BBC has a great DVD on the South Pacific which features some amazing underwater slomo camera work of waves crashin, and this short surfing clip was the highlight for me. Rudi Diesel shot this on a Typhoon HD4 which at the time could do 500fps at 7 seconds or 1000fps at 3.5 seconds. If you enjoy this segment, check out a longer clip from the documentary in the second clip below.
I can't tell you how many photographers I encounter think being successful has to do with being at the right place at the right time. Sure a bit of luck on your side always helps, but if you are looking to quit your day job to become a professional photographer, increase your photography income over last year's earnings, or catapult your career as one of the industry leaders then you need to work hard and work smart. The guys over at Photoshelter sat down with professional photographer Brian Smith to talk about what it takes to push your career to the next level. You simply can't wait for your big break, you need to create them.
Yesterday I got an email from one of the Red Bull brand managers inviting me out to 2010 Illume Photo Exhibit here in Charleston, South Carolina. Illume is a traveling exhibit where dozens of images from the world's best action and extreme sports photographers are displayed on huge 6'x6' backlit panels. I have to say it was one of the most interesting photo displays I have ever seen, and the winning photos are nothing short of spectacular. The next stop on the tour is Miami, Florida but you can check out the images and future tour dates at Red Bull Illume Online. Also, check out this BTS video we posted last year of one of the winning images.
Harry How is a sports photographer without any prior photography training. With hard work, determination, and a pressing urge to create images that hold up against his peers' photographs, Harry now has a career shooting for Getty Images. In this video Harry explains in detail what it takes to make the transition from hobbyist to full time professional and outlines his gear and little tips throughout his own transition into a sports photographer. If you enjoy this type of candid interview, be sure to hit the full post to watch part 2 and part 3 of this video series.
In the video below Jay P. Morgan shows us the setup for his latest sports image. Using a special body harness, the goalie is able to move in a very realistic way without the potential for injury. As always, Jay does a fantastic job of also breaking down his lighting scheme.
Earlier in the week I posted a video featuring commercial photographer Monte Isom photographing comedian Colin Kane. We'll it turns out Monte has been filming great behind the scenes videos of his photoshoots all along. In this video Monte shows you not only how he created the fun ad campaign for the EA Sports FIFA 2010 video game but also how he secured the job in the first place! It's really great to see photographers like Monte having a good time on their shoots and also showing exactly how they took a concept, pitched some images, and ultimately won the bidding war to secure a high end project. If only every photographer would be so open with sharing their success stories we might have more videos like this. Monte gives some exclusive insight on the shoot and the final image on the packaging in the full post.
Jay P. Morgan just sent his newest video over to me and it is once again top quality. Jay was commissioned to create a professional looking image from a drawn composite and he takes us through each step of the process. The entire project is really amazing but my jaw is still dropped after seeing his lighting setup.
Our friend Tyler Kaufman from New Orleans is a young sports photographer who had the opportunity to go and photograph Super Bowl XLV. Understandably, he was so busy shooting that he didn't have time to create a proper behind the scenes video on what it must be like shooting one of the largest sporting event in the world. Luckily for us, Max Morse was able to make a video showcasing many of the Sport Illustrated photographers in attendance. During our own interview with David Bergman, an SI photographer also in attendance of the big game, I learned that sports photographers do not simply show up and try to frantically track each player and each play for the perfect shot. Instead they are stationed in strategic spots which allows each photographer to cover their section of the field and specific players....assuming the play does come in their direction. I've always thought shooting sports at this level must be extremely difficult, and that might be why I have such respect for great sports images. Click on the full post to see a video on Tyler's experience in Dallas!
One of my favorite things about Charleston, SC is being close to the ocean. I love being in and around the water, and although I'm not very good at it, I do enjoy wakeboarding. Charleston has become a pretty big hub for sports like kiteboarding and wakeboarding over the last few years, and this city is not short on talented athletes. I took an interest in wakeboard photography a couple years ago, and I always enjoyed shooting images from extreme angles. Although I've gotten some cool images, I never felt like I really had much control over my images with just daylight. I've tried to bring strobes outside to create something "different" but even those shots have been done a million times. I decided I wanted a way to shoot a rider flying through the air with interesting, studio quality lighting and this is what I came up with....click the full post for the full story.
Profoto has really done everyone a great service in having photographer Matthew Jordan Smith explain some of his personal favorite images in his portfolio. In this particular image, Matthew decided to photograph NBA superstar Ray Allen in his own backyard while jumping on a trampoline. Equipped with just a single Profoto D1 Air and a magnum reflector for hard light, Matt was able to take a rather limited lighting setup and create a highly stylized image. I think it just goes to show that thinking outside the box and not limiting your shoot to any prior conception can be more important in making a great image than simply focusing on your initial plans.
Fstoppers reader Tyler Kaufman sent me this interesting video that shows a little glimpse of what it is like to shoot NBA basketball. Professional photographer Layne Murdoch has been shooting sports for over 30 years and has created some really spectacular images as the New Orlean's Hornets main photographer. Part of what has made his images so successful has been the use of Pocket Wizard triggers for remote camera operation. He can actually cover both sides of the court at the same time while only being physically positioned in one spot throughout the entire game. Professional Basketball is one of the few sports that allows studio strobe use during the games and Layne shows you a little on how having built in house lighting can freeze action for sharp motion shots.