Sports

Check out this beautifully shot video made by Corey Rich of Lake Tahoe, CA. The video shows off not only the incredible capabilities of the Nikon D4 (be sure to watch it in HD and full screen), but also offers inspiring footage of three athletes in action: Alex Honnold, a free-solo climber, Dane Jackson, kayaker, and Rebecca Rusch, an ultra-endurance athlete. The final product combines both time lapse footage and video footage, which according to Corey was recorded directly to CF, and all of the interview audio came directly off the camera. Now that I mention it, you might want to grab your headphones while you watch this video.

If you've watched an american football game, you've seen those cool shots from high up in the air. They come from a camera called the Skycam which was actually invented by the same people who designed the Steadicam used in movie productions. It's basically a remote camera controlled by four computer driven suspension cables. But what happens when everything goes wrong and the camera comes crashing to the ground? Well that's exactly what happened during the 2011 Insight College Bowl Game featuring Iowa and Oklahoma. Luckily the camera missed landing on any of the players but it sure did come close. Check out the full post to see a behind the scenes video on how the Skycam works.

Hey guys, my name is Lauren and I'm the newest addition to the Fstoppers team. Having lived in Charleston for a while, I have many friends who are huge surfers. This campaign video is super creative and it has really sparked my imagination. Even if you're not the least bit interested in surfing, the use of these portable neon lights can be used for all sorts of photo projects. This glow-in-the-dark surf session was part of the cider company Strongbow’s “Welcome to Summer” campaign. Click the full post to watch a second video explaining how they used Electroluminescent wire (EL Wire) to light up their suits and boards. Maybe this will spark some imagination for those of you who still need to create a video for our Behind the Scenes Contest.

If you are from the US, then chances are every Monday night your television is tuned into football. Monday Night Football is a cultural staple in North America and one of the largest traveling media productions around. ESPN sports announcer Mike Tirico (surely you recognize his voice) gives a great commentary to this slideshow of behind the scenes images as you get a tour throughout the entire Monday Night Football experience. Everything from the meetings, the cue cards, the commentary booth, the cameras, and the production trailers are included in this fun look into one of my own favorite sports (not sure what happened to the audio guys though). It's pretty incredible to see this circus of technology and then realize this whole team travels the entire country week in and week out.

When Lee and I started this website almost two years ago, our vision was to not only share knowledge of what some of the best photographers around the world were doing but to also create a community that could inspire other creative professionals. Our Facebook Group is full of photoshoots from our readers that were inspired by some of the top talent featured on Fstoppers, and it's always fun to see photoshoots that were inspired directly from something we first did here. The latest such video comes from the Netherlands where photographer Wouter de Winter recreates my very own Indoor Wakeboard Studio Shoot using kiteboarders. Wouter isn't the first to draw inspiration from the original video but he is the first to also create a BTS video about it, and I think you will enjoy it. The next step for other photographers should be to take this idea and create something even bigger! If you have ideas or thoughts about what direction the next "indoor wakeboard shoot" should go, leave them in the comments below. I'd love to hear where others would take this concept...it might even make for a great BTS Contest Video!

Red Bull no doubt has some of the best sports video work I've ever seen. In their latest sports commercial, the energy drink company takes to the skies as they film 2x Women's Motocross Association Champion Ashley Fiolek. Ashley, who has been deaf since birth, has been making a lot of noise on the women's circuit, and she has become an inspiration to fans of the sport world wide. The video features some interesting camera angles with much of the footage coming from cable suspended camera. Everything was filmed in 3D to give the POV shots a bit of kick as Ashley soars through the air. Check out the behind the scenes video below and then click on the full post to watch the final commercial.

There are just less than 7 weeks left to submit your behind the scenes contest video. Submissions are starting to come in and it's amazing what our readers are doing through their photography. As the video submissions come in we are going to feature the standouts here on the front of Fstoppers. In Zach Hetrick's behind the scenes video, he shows how he created commercial sports portraits of The Hoosiers's track and field team. Zach takes some time at the beginning to talk a bit about the lighting setup he used and shows how you can give your group shots a punch with some nice light thanks to a few Alien Bee monoblocks. Leave your comments below if you have any questions about this shoot or simply want to give some friendly support to Zach. You can check out all the entries on the BTS Contest Forum Thread, and remember to get your submissions in early so we can share your work on the front of the site.

Some of our readers might have met up with Monte Isom at last month's Fstoppers NYC Meetup. His videos have been fan favorites on the site and this week he is sharing another one of his commercial shoots. In this behind the scenes video, Monte shows you how he photographed his latest Molson Export Ale ad campaign featuring hockey players as they slide in towards the camera. As always, Monte has a lot of fun on his shoots and hopefully you can gain some ideas for shoots of your own from this video.

Here is your heart thumping GoPro video of the week. During a routine paragliding expedition in the Indian Himalayans an eagle collides and is caught in the chute lines of the glider. Acting quickly he deploys the reserve chute and lands safely and frees the bird from the lines. This video would be scary from a 3rd person's perspective but it is even more horrifying watching it first person, from a helmet cam.

So I am going through some of the slow-mo HD camera options that are on the market right now for an adventure I will be taking soon, and I stumbled upon the new GoPro HD Hero2. On their site they have one of the illest trailers I have ever seen for a camera, and I had to watch it several times. This isn't an ad for the camera and I am not saying that this is the one I will buy, but man what else compares? With that said, watch this trailer, it really is rad to see what kind of punch that tiny package can deliver! (that's what she said)

If you were approached by a big client and asked to only shoot with one light, would you freak out or would you make the most of the situation? In Nike's latest basketball commercial Basketball Never Stops, they only used one single hard light to tell the story how the game and fans go on even after the court lights turn off. I think videos like this are a great reminder that sometimes less is more. Sometimes a simple setup can still produce dramatic results (even if you have you substitute a helicopter for a lightstand). Check out the video below and click the full post to see a short Behind The Scenes video on the making of this latest Nike Ad.

Jay P Morgan is a commercial photographer out of California who has a history of creating some of the best most educational behind the scenes videos out on the internet (click here to watch tons of them). In this video Jay explains how you can shoot athletes in a studio environment and composite them into any scene easily and effectively. I want you guys to take note of how Jay breaks down his photography approach and offers concise and detailed information about his shoot. If you are interested in winning our Behind The Scenes Contest (and instantly having a studio of your own), you are going to need to explain your process thoroughly and in an interesting manner. Also be sure to check out the full retouching video on Facebook to see how everything was pieced together in post.

It seems like every week someone uploads a new GoPro video which gives me shivers. Well this video has topped them all. 3 guys with helmet cams climb on to the OUTSIDE of a elevator and ride it to the top of the building before jumping off. The first person view makes you really feel like you are there.

We've featured tons and tons of extreme videos shot on GoPro Cameras. Usually what makes them exciting is experiencing first hand views of activities you probably won't participate in yourself. This video has gone viral since it was released yesterday and for good reason. Mountain biker Evan Van Der Spuy probably didn't see this huge Red Hartebees (an Antelope from southern Africa) charging him as he raced the Albert Falls Dam. Luckily his friend Travis Walker had his GoPro camera rolling and captured this remarkable footage.

Videographer Jeff Newton is most well known for his work shooting war zones. When he wasn't being shot at Jeff decided to take up climbing as a hobby and through that heard of free climber Alex Honnold. After meeting Alex, Jeff was hired to film one of his giant free climbs. In the quick video below Jeff takes us through his setup for his segment for 60 Minutes in which he filmed Honnold climbing without any sort of safety gear on a massive rock face. The setup alone took 2 days and a huge crew of people to pull off.

Ryan Enn Hughes just submited his entry for our BTSV contest and it is quite impressive. Ryan teamed up with The Big Freeze and set up 48 D700 cameras in a circle and then fired them all at once as dancers did their thing. The photographs are pretty cool on their own but the real magic happened in post during the editing phase when Ryan teamed up with sound designers at Zelig Sound to create two incredible 30 seconds videos. Obviously this is an extremely high budget project but our contest will not be judge on that so don't be discouraged if you don't have 48 $3000 cameras to play with. As always, you can check out all of the submissions to our contest as they come in here on our forum.

Since the start of Fstoppers, I have had a dream list of photographers that I think would make for a great FS Original. At the top of that list has been ESPN and fight photographer Ed Mulholland. Unfortunately getting clearance from HBO and UFC have been tougher than going backstage with Bon Jovi (who would have thought). Fortunately, Grover at Photoshelter recently caught up with Ed to talk boxing, UFC, and what makes a compelling sports photograph. If you don't already know, The Ultimate Fighting Championship is one of the fastest growing sports in the US, and tonight's card is pretty star studded if you want to check it out. While very few photographers are lucky enough to shoot for clients like ESPN and Sports Illustrated, hopefully Ed's insight can inspire you to take better sports photographs regardless of who is in front of your lens.

A couple months back Patrick and I flew up to Chicago to film a BTS of a Gatorade commercial featuring Chaz Ortiz. We have still not completed our BTSV but someone just sent me ANOTHER Gatorade commercial shot at the very same school featuring Chaz Ortiz that has a killer BTSV. The video below was shot in one single take and it will blow your mind. Our video should be released soon but it will be hard (impossible) to top this one. Check out the full post to see the BTS.

I have to thank Tyler Kaufman for turning me onto this next video. Sports photographer Peter Read Miller recently shot some of the top NCAA college football players for the latest issue of Sports Illustrated. There really isn't any super informative information in this video but it's still great to see how the top photographers in the world pull off cover material for magazines like Sports Illustrated. From the video, it appears that these shots are lit with only 3 light sources: One large parabolic reflector as a key, one smaller parabolic reflector as a kicker, and a spot gridded flash head for a rear rim light. If you've ever shot in this style you know that small hard rim/kicker lights can really edge out your subject. If you click the full post and look at the super high res final image you can see how the larger side light makes the highlights broad but still harsh. It's easy to think that a barebulb speedlight to the side of your subject is sufficient for a rim light but adding that one extra modifier can really make a huge difference in your final result.

A big part of what makes commercial photography so interesting is it often requires photographers to incorporate the latest graphic trends into their work. In other words, in order to cut the mustard in commercial photography, you not only have to be at the top of your game but you also have to produce something eye catching in a market full of interesting media. That's exactly what photographer Gary Land did with his latest Adidas ad featuring soccer superstar Lionel Messi. However, his arsenal of Profoto lights and heavy photoshop has caused a bit of controversy over on the Strobist website where many photographers are claiming the final image is a bit overkill. I personally love the final image and think the direction Gary went is exactly what separates the boys from the men. However, I can appreciate the purists point of view who think great advertising photos should remain true to real life and capture a more realistic vision. Check out this great behind the scenes video of the latest Adidas shoe ad and let us know what you think in the comments. Check out Gary's interesting website as well for more inspiration.

Being a sports photographer often requires standing in a place of potential danger. However some photojournalists have also found that capturing a sports story off the field or in the locker room can be just as dangerous when a player isn't having a good day. Sports Center has put together 10 of the most outrageous attacks and hits on sports photographers. Not all of these confrontations end as relatively peaceful as Scott Kelby's tackle last year as an NFL photographer.

Footage like this scares the bejesus out of me but also makes me wish I knew how to surf. Tahiti is home of Teahupoo, the world's most dangerous naturally occurring wave. If you've watched the documentary Riding Giants then you've seen how monsterous these waves can become. I'm not sure that Teahupoo is actually larger than Peahi or Mavericks but it must be called the most dangerous wave for a reason. This video was shot with the Phantom in all it's slo-mo glory. Click the full post to see more footage in real time as 32 of the world's top surfers try to wrangle the beast.

I have a desire to jump off a cliff with a wing-suit on but I am still terrified to go skydiving. While I try to psych myself into it, I do enjoy watching others risk their lives from the comfort of my computer chair. I've seen a lot of base jumping videos and this one has to be in my top 3. Once again the cheap GoPro video camera has created another mind blowing video.

A few weeks ago Reese Moore interviewed Jimmy Chin for her column the Fstoppers Spotlight. Her Fstoppers interview revealed a lot about what makes Mr. Chin put himself in harms way as he climbs, rappels, and base jumps from assignment to assignment. In this behind the scenes video, Jimmy talks about the changing culture taking place within the sport of extreme rock climbing. He and his fellow climbers explore Yosemite National Park as he captures images for National Geographic. I dabble in climbing and think base jumping would be a huge thrill but I'm not sure I would ever have the guts to even hang with Jimmy for one day if this is his typical photoshoot. Check out 2:40 for some interesting off camera lighting while climbing!

On Assignment from Camp 4 Collective on Vimeo.

This video has been making its rounds today through the blogosphere and for good reason. Photographer Josh Maready thought it might be interesting to view New York City from the eyes of his skateboard's back wheels by mounting a GoPro video camera dangerously close to the ground. The result is pretty interesting and extremely creative. However we cannot say no camera was harmed in the making of this video; Josh destroyed the first camera and practically vibrated the second one to death. Read more about Josh's simple video project over on his blog. It should be interesting to see what sort of GoPro projects we see in the near future as they make great tools for exciting behind the scenes contest entries!

Last time we featured a video from Mike Tittel, he was showcasing his edgy lighting look on some female tennis players. This time he has taken his photography team to the salt flats of Utah to photography the Brazilian sport Capoeira. For this shoot, Mike pulls out a few Profoto 7Bs with 2x3' gridded softboxes for many of the shots. However it's his natural lit shots that really grabbed my attention which he lit using the very helpful 4x6 California Sunbounce to fill his subjects. After the video, head over to Mike Tittel's Website to check out more of his work and click on the full post to read how Mike lit these shots in his own words.

This time last year Lee and I were profiling concert photographer David Bergman as he was shooting a series of Bon Jovi concerts in their New Jersey hometown. A lot has happened since then with David, and he is now currently traveling the world and seeing some pretty amazing venues. Mark Wallace recently caught up with the rockstar photographer and asked him some specific questions about both his photography and his concert website TourPhotographer.com. If you follow David on facebook, be prepared to be blown away and extremely jealous of his news feed - he's always up to something interesting.

Recently LeBron James was photographed for GQ Magazine. The video below is really just a promotion for that magazine but if you keep a sharp eye, there is some really good information to be learned. The lighting for most of the shots appears to be pretty simple; a single light above the camera. The size of the light changes from shot to shot from a huge parabolic reflector to a simple bare bulb held by an assistant.

The guys over at Stillmotion video have come up with a rather interesting way to film point of view video. Instead of mounting something small like a GoPro to a helmet, Stillmotion decided to use a Canon T2i. The camera was upside down directly in front of several football players' eyes as they trained in the 2011 NFL combine. Everything was made from common parts you can find at Home Depot or Lowes and the results are pretty interesting. After you watch the behind the scenes video below, head on over to the NFL Network to check out the final promo piece.

One of the most important things any photographer can do to push their career forward is to take on assignments that are beyond what they feel comfortable shooting. When Todd Rosenberg was approached by Sports Illustrated for a commemorative issue, he was asked to shoot 10 historic cars from the last century of the Indianapolis 500. The only problem was Todd had never photographed an automobile before in his life! Using advice given by car photographer Michael Furman, Todd built a large studio (which included a 10'x30' Chimera softbox) directly inside the auto museum. Check out this great interview conducted by PhotoShelter as Todd discusses how he organized the shoot as well as some business tips on how he got the client in the first place. Also check out all of the images on the Picade Indy 500 page.

Now that we are in the thick of the major league baseball season, you are probably going to see a lot more images from the league's best photographers appearing on issues of Sports Illustrated and ESPN. One such photographer is Michael Ivins who is the official photographer for the Boston Red Sox. Check out this little behind the scenes video from the Boston University Today on how Michael captures athletes and creates interesting portraits quickly and on the fly.

Peter Langehahn is a photographer from Germany who approaches most of his images a bit differently than most of us. Instead of photographing a single moment, Peter captures the "collective scene" of an entire event. Standing at just one vanishing point, Peter takes panoramic images throughout each event and combines them in a unique composite image that features the best moments throughout the day. Sometimes these images total over 3000 captures and the edits can take up to 60 - 90 days. I must say I've never seen anything like this but it's definitely a way of branding your own photography into something no one will forget. I'm sure someone out there has done something like this before; what are your thoughts on this technique?

I just ran across an incredible ad by Nike called "Nike Chosen." The concept was to grab the best surfers, snowboarders, skaters, motocross, and BMX riders and film them doing their thing at night. The BTS footage (that can be found in the full post) is not as informative as I would like but if you pay attention to the details, there is a lot to be learned. The lighting, especially for the surfing session, is really amazing and although you may not ever do a shoot of this size, the same techniques could be used for your still photography at night.

This video gives a quick look at Jay P. Morgan's latest advertising campaign for Pedia-Sure. The video isn't quite as informative as Jay's average BTSV but there is still a lot to learn from it. I was really impressed by the size of the campaign and then range of images that were taken.

Many photographers claim that they will never shoot a wedding because there is too much pressure. If you miss some of the key moments, you will never get another chance. I agree with this to an extent but at least weddings have hundreds of "moments" over the course of a day. If I miss a couple, it's usually not a big deal. A first descent is another story though. In the video below, Lucas Gilman shows us all of the work that goes into capturing just 5-10 seconds. When it comes to something like this, there is absolutely no room for error.

Most skydiving videos are extremely high energy. This video, produced by BettyWantsIn.com, has a totally different vibe though. Instead of the heart pounding "plummeting to your death" feeling, this video creates a calm almost floating sensation by taking advantage of the 60fps that the GoPro can shoot. I thought it was creative so I figured I would share it.

You may remember a post that we did months back of Lakai shooting a video with skateboarder jumping over huge flames... Well I believe this video is actually older but I like it more. This time the shoe company used explosives to ramp up the excitment and I love it! Usually we post the BTS on the front page but the finished product is so cool I'd rather you watch it first; then you can hit the full post to see all of the "mistakes" that actually made it into the finished product.

Speedhunters.com is an online blog dedicated to the international auto and racing community. They have have a pretty amazing staff of photographers over there. After watching this behind the scenes video they have me wanting to out to the speedway. I love Jonathan's quote, "You can be artistic as a photographer, but...all that is, is really just trying to take a different shot which is risky because it can go all wrong." I know we have all felt that way before yet we keep trying to push the envelope. Check out more work by Jonathan Moore, Linhberge, and Mike Garrett, and head over the SpeedHunters if you enjoy auto photography; Linhberge's stuff is sick!

EA Sports has been allowing fans to vote for the cover of their newest installment in the college football series NCAA Football 12. For the contest, they filmed four short behind the scenes videos from each player's photoshoot which can all be found in the full post. The photoshoots consist of two primary setups: hall of fame style portraits and on the field action shots. Each portrait was created with a gridded beauty dish and a hard background light while the action shots were lit with a huge octabank, some stripboxes, and a bunch of white v-flats acting as both gobos and reflectors. I'm not sure that the final images are online yet since the contest just wrapped up, but you can see a lot of them on photographer Tim Mantoani's site. My vote goes to Mark Ingram; roll tide roll!

Skateboard and snowboard companies have really been pushing their advertising budgets to the limits over the past decade. In the video below we can see exactly what goes into creating amazing 10 second clips of individual skateboard tricks in super slo mo. The concept is simple but actually making it happen is another story.

Robert Seale is a high end sports portrait photographer who was recently commissioned by Sports Illustrated to photograph Evan Longoria of the Tampa Bay Rays. His attempt to create something unique and a bit off-kilter involved using a huge 8'x5' piece of Plexiglas that was 1.25 inches thick and 400 pounds. He then set the huge piece of Plexi on a 5 foot tall frame of scaffolding. Using a couple of Profoto Pro-7B strobes and a unique 'below the player' angle, Robert was able to create this photograph for the magazine. The concept and image are fantastic but unfortunately the BTS video is just a timelapse. If you have a hard time imagining what is going on in this video, head over to Rob Galbraith's post for a traditional write up.

Allstate created a pretty clever advertising campaign for motorcycle insurance that showed super slow motion motorcycle wrecks without their riders. Their tag line is "Bikes never crash alone." I think this ad makes a really strong statement without being gory. Check out the BTS below and the finished product in the full post.

Novak Djokovic is currently ranked alongside the top tennis pros in the world. Only a crazy person would put his life and talent in jeopardy...but that is exactly what Head Tennis Racquets have done for their Untek IG Speed MP racquet commercial. The full commercial is really awesome with mysterious briefcases, seductive women, vintage prop planes, and music straight out of a Tarantino film. As far as I can tell there are no special effects here just lots of conjones by Novak and his tennis trainer.

I remember seeing this video a long time ago and really enjoyed it. Maybe we thought it was not educational enough to post it but after watching it again I think it's worth sharing. For those of you who have not already seen this short story, the Dark Side Of The Lens is a poetic journey into mind of surf photographer Mickey Smith. The cinematography is outstanding and the locations are breathtaking. It's this sort of presentation that truly makes me appreciate what we all do as artists.

Lately there has been a trend of showing super slow motion videos slowed beyond the native frames per second the original footage was shot on. We love the results of Twixter but nothing can compare to seeing the real thing especially when combined with an extreme sport. The BBC has a great DVD on the South Pacific which features some amazing underwater slomo camera work of waves crashin, and this short surfing clip was the highlight for me. Rudi Diesel shot this on a Typhoon HD4 which at the time could do 500fps at 7 seconds or 1000fps at 3.5 seconds. If you enjoy this segment, check out a longer clip from the documentary in the second clip below.

I can't tell you how many photographers I encounter think being successful has to do with being at the right place at the right time. Sure a bit of luck on your side always helps, but if you are looking to quit your day job to become a professional photographer, increase your photography income over last year's earnings, or catapult your career as one of the industry leaders then you need to work hard and work smart. The guys over at Photoshelter sat down with professional photographer Brian Smith to talk about what it takes to push your career to the next level. You simply can't wait for your big break, you need to create them.

Yesterday I got an email from one of the Red Bull brand managers inviting me out to 2010 Illume Photo Exhibit here in Charleston, South Carolina. Illume is a traveling exhibit where dozens of images from the world's best action and extreme sports photographers are displayed on huge 6'x6' backlit panels. I have to say it was one of the most interesting photo displays I have ever seen, and the winning photos are nothing short of spectacular. The next stop on the tour is Miami, Florida but you can check out the images and future tour dates at Red Bull Illume Online. Also, check out this BTS video we posted last year of one of the winning images.

Harry How is a sports photographer without any prior photography training. With hard work, determination, and a pressing urge to create images that hold up against his peers' photographs, Harry now has a career shooting for Getty Images. In this video Harry explains in detail what it takes to make the transition from hobbyist to full time professional and outlines his gear and little tips throughout his own transition into a sports photographer. If you enjoy this type of candid interview, be sure to hit the full post to watch part 2 and part 3 of this video series.

In the video below Jay P. Morgan shows us the setup for his latest sports image. Using a special body harness, the goalie is able to move in a very realistic way without the potential for injury. As always, Jay does a fantastic job of also breaking down his lighting scheme.