I woke up this morning to find an email from Chase Jarvis's camp showcasing his new photo campaign for the Samsung 9 Series Monitors. It feels like ages since Chase has released one of his epic behind the scenes videos, so I was excited to see he's still alive and kicking the creative cloud (pun intended). If your imaginative juices don't start flowing after watching this video then it might be time to put your camera into retirement. Check out the behind the scenes video and then
Beauty retouching can be an arduous task in any photographer's workflow. The amount of detail that can go into retouching a glamor portrait can easily run into several hours. Learning the secrets of the pros can be even more difficult. Julia Kuzmenko McKim has made learning easy with her new book entitled 'Digital Photo Retouching: Beauty, Fashion and Portrait Photography'
Recently I have been wanting to do an avant-garde hair shoot. I just needed to find the right stylist to work with. A few weeks ago I met Devan Aledia Ford who is a fantastic hair stylist. When I told her about my desire to do a stylized hair shoot, she took the idea and ran with it. She conceptualized a spring-themed, fairytale-inspired shoot. She even styled the wardrobe and did the makeup (never underestimate the power of a great stylist).
Photographer Kenneth Cappello is known for his celebrity portraiture, his advertising work for Nike and Puma as well as his flashy editorial work for Nylon, GQ, Fader and Vibe. Cappello shot musician/DJ DeadMau5 this past month for Vibe Magazine, and, lucky for us, also shot a little BTSV to give us a peek at his process.
The Einstein E640 strobe from Paul C. Buff is compact, light weight unit capable of shouldering studio work yet portable enough to take on location. The unit weighs in at four pounds and because it is self contained, it does not require a battery pack which cuts down on gear bulk.
I shot around with the Einstein 640 and the 86 inch PLM (parabolic light) umbrella in studio to test the products and see how they stacked up in my work flow.
Every week Benjamin Von Wong releases a new behind the scenes video for your viewing pleasure and this week is no different. I find that Ben is probably one of the most talented conceptual photographers that likes to use fire in his photographs, but this week he decided to switch it up a bit and the results are stunning, to say the least.
After Bar Refaeli took over the Superbowl with her controversial commercial, Bar found time to do something she never did before: pose nude for a magazine shoot. The magazine that paid her to do that is currently unknown, but somehow the photos leaked earlier today. Check out the BTS and the final results in the post.
Fabian Oefner’s latest series entitled Black Hole shows us a world of paint, drills, and motion, all within 1/40,000th of a second. While high speed photography is nothing new, the art of it is still underground, as its still incredibly expensive. Oefner’s newest work uses high speed photography to show us a world of color that our eyes normally could not process.
If you've seen any movies in the theater recently you've probably seen a preview for the movie Oblivion. A major part of the movie takes place on a science fiction "sky tower" above the clouds. Instead of using green screen the director had a 360 degree set built that allowed the team to project real skyscape video around the glass building. The results not only look incredible but they also gave the actors a more realistic set to work on.
The best part about learning rules is breaking them. For example, most of the time, blur in a photograph is a faux pas. But there are ways you can use blur to add energy and emotion to your images. In this lighting diagram, we will explore how to introduce blurring to your images with the use of an on-camera flash.
Before you start experimenting with this technique, make sure to go to you menu in your camera and set it to "rear curtain sync".
A couple weeks ago I posted a lighting diagram showing how you can emulate Martin Schoeller's lighting by using gaffers tape and foam core. One reader commented that the catch-light makes the subject's eyes look like a cat. This got me thinking about what would happen if I were to change the pattern of the tape into various shapes. Here's what I discovered.
Guest writer, Patrick Gensel is a photographer from Northeast PA with a passion for travel and adventure. He sent us this fun inspiration project on abstract macro photography. Hopefully this very thorough demonstration will spark your imagination for your own abstract macro project.