Ready to drop your jaw? Richard Kendall doesn't really care if you're ready or not, and he's decided that it's going to drop. This is seriously cool. He took the bullet-camera idea from The Matrix/X-Games (think the whole "40 cameras in a ring shooting simultaneously" thing that we've all seen a hundred times),
This is what it looks like when day and night meet in a single image. Including the prep time, it took photographer Chris Kotsiopoloulos thirty hours to capture the hundreds photos needed to stitch this together. The shot was taken in Sounio, Greece. It got so cold at times that he had to use a hairdryer to keep the lens from fogging up. See the full post for more details!
Here's a breathtaking perspective on the city of Dubai, created by UK filmmaker Richard Bentley. It took him two and a half weeks to capture the footage, shooting one to two sequences a day from various balconies and rooftops. He shot with a Canon 7D, and edited in Avid Media Composer. The final product is fascinating. The only problem I have with this video is that it reminds me that I have yet to see this city in person. That needs to change.
My buddy Paul Mckelvie in the UK just showed me this music video for Benga that he worked on a while back as a runner for the video's directors, Us. The concept is fantastic and the execution turned out great. Once Us had the idea for the video, the next problem was trying to figure out how to actually do it. There was a lot of math homework, calculating the number of records per second against the frame rate. It worked out to be that 960 records would be the equivalent of 1 minute and 20 seconds worth of wave form.
There are some styles of photography which have been beaten into the ground. Take, for example, the trip to an old asylum; it seems like we've all seen a thousand HDR images of the local loony bin. Graffiti-covered walls, derelict operating rooms and spooky wheelchairs ad-nauseum. But every once in awhile, something comes along which makes my jaw drop and revisits what is possible in an ages-old subject. Drew Geraci's Asylum is exactly what I'm talking about.
Here's a great behind-the-scenes time lapse video from photographer Finn O'Hara. It's from a photo shoot he did for the Toronto Maple Leaf hockey team. They set up on the ice and it was an 18-hour production. You'll see the ginormous maple leaf backdrop, measuring 55 ft by 85 ft. Fantastic work from our neighbors to the north!
These stunning nightscapes were captured by German advertising photographer Michael Schnabel. He calls the series “Stille Berge” which is German for "still mountains." The images were taken in the Alps during the dead of night. It was so dark in fact that a one-hour exposure was required. At first glance they look a lot like film negatives, right?
Let's Colour is a worldwide initiative to transform grey spaces with colourful paint, and the results are quite incredible! This film was shot by Adam Berg over four weeks in Brazil, France, London and India. Every one of these locations has been transformed by a palette consisting of 120 different colours. The people in the film who rolled up their sleeves to transform their community with colour. I love this unity through art. Enjoy!
Doing video or photo projects for fun and experimenting can lead to some really unique images, and this video by Marc Donahue and Sean M. Williams is a perfect example. While having some fun with a DP Stage Zero Dolly and Canon 5D, they used several different timelapse and stop-motion techniques to achieve a really slick movement and feel to this video. How many different techniques can you spot?