[Video] Peter Jackson Explains How He Films The Hobbit In 3D
I'm not sure I believe that 3D is the way of the future but the current technology behind it does fascinate me. Check out the video below in which Peter Jackson takes us behind the scenes of his much anticipated film The Hobbit. In this video Peter and his team explain how they use 2 Red Epics to produce the most realistic type of 3D footage available today. How many of you guys actually own a 3D TV? Maybe we all will one day but at this point, I don't know a single person with one.

Vincent Laforet's Latest Video Shot On The New Canon C300
Out of the blue Canon just jumped into the movie business. Hours ago Canon just announced the new C300 video camera and minutes ago Vincent Laforet released "Movius" his newest short, shot on this unreleased camera. Patrick and I have been trying to get in contact with Vincent over the last few weeks (for a reason you will soon know) and I now understand why he was so "busy". Check out the short below and the BTSV in the full post.

Sick Trailer for the New GoPro HD Hero2
So I am going through some of the slow-mo HD camera options that are on the market right now for an adventure I will be taking soon, and I stumbled upon the new GoPro HD Hero2. On their site they have one of the illest trailers I have ever seen for a camera, and I had to watch it several times. This isn't an ad for the camera and I am not saying that this is the one I will buy, but man what else compares? With that said, watch this trailer, it really is rad to see what kind of punch that tiny package can deliver! (that's what she said)

StillMotion Shoots Video At An Aquarium With The Red Epic
As we have said many times before, we are huge fans of the crew at StillMotion for their wedding work. In this video, the team steps outside of their standard job to shoot for Shedd Aquarium. They decided to film most of the project on the new Red Epic so that they could shoot at variable frame rates up to 300fps. In the video below, they take us behind the scenes of the creation of this project. Check out the full post to see the reel from the shoot.

Basketball Never Stops: Filming A Nike Commercial With Only One Light
If you were approached by a big client and asked to only shoot with one light, would you freak out or would you make the most of the situation? In Nike's latest basketball commercial Basketball Never Stops, they only used one single hard light to tell the story how the game and fans go on even after the court lights turn off. I think videos like this are a great reminder that sometimes less is more. Sometimes a simple setup can still produce dramatic results (even if you have you substitute a helicopter for a lightstand). Check out the video below and click the full post to see a short Behind The Scenes video on the making of this latest Nike Ad.

Shooting the "Deadliest" Crew

This striking image (pun intended) was shot by Blair Bunting for a Deadliest Catch ad for Discovery Channel. Curious to know how he did it? Well, luckily for us, his assistant Paul Morton filmed the whole thing, and Mike Maez was kind enough to edit it down into a digestible and inspiring video. Do not worry, it did not take any knocked out teeth or injured sailors to get the job done, but rather a couple of Pro-7a units and 3 high powered leaf blowers. Have a look and see for yourself!

via the ProFoto Blog

Has iPhone Video Footage Actually Been Used In A Box Office Hit?
In May 2012, Marvel will release the comic superhero movie The Avengers. Some apple fans are suggesting that footage actually in the movie was shot on an Apple Iphone. The Avengers cinematographer Seamus McGarvey was quoted saying, "The beauty of photography or cinema is that you make every choice based on the content at hand. On The Avengers, I did a couple of shots on the iPhone and they are in the movie. In fact, they are in the trailer! I understand that sometimes there is no choice and you have to go for the cheapest option, but if you are limited for choice, you can still make poignant decisions that will effect the look of the film." It's pretty crazy to think footage from the older iPhone 4 (which only shoots 720) could ever be good enough to mix in with real footage taken on pro cinema cameras. With the amount of preplanning and the huge budgets allowed on these films, would they not just reproduce the scene again and capture it from all angles? I just can't imagine something happened spontaneously where the cinematographer's footage from his phone was the best possible footage. What do you guys think? Can anyone identify the footage in the trailer below?

Simple Tips On Getting Great Video Shots On A Slider
Lee's wedding video A Moving Moment created a lot of discussion about how to get high production shots with minimal gear. The truth of the matter is Lee handheld 90% of the footage and used our favorite slider, The Atlas 10 Slider, for the remaining 10% of the shots. Olivia Tech has recently demoed a knock off slider called the Konova Slider and explains some simple techniques that can really up your video production easily and on a budget. Olivia is also using the main lens Lee used in his video, the Tamron 17-50 2.8 VC, which has the best vibration compensation of any 2.8 lens in this range. If you want the quality of a true Cinevate Slider for a little less money, we have had awesome results using the Cinevate Atlas Pulley System as a fully functioning slider. Just make sure you put a solid ball head on it first!

A Moving Moment, A Different Type Of Wedding Video
As many of you know I (Lee Morris) am a professional wedding photographer. I was never a big fan of wedding videos until I saw the work that StillMotion was putting out. Even if you hate weddings you can appreciate what they do simply from an artistic standpoint. Even though I loved their work, I actually found it discouraging because I knew I could never do their style of video as well as they could so I never tried to film a wedding. I had the idea for over a year of shooting a wedding video similar to how I shoot stills. If I could slow down the video enough I could deal with basically a moving image, something that I felt a lot more comfortable with. It finally worked out that Patrick Hall had a wedding on a day that I was free and 3 days before the wedding I ran the idea by the bride and then called my buddy Mike to see if he wanted to help me film it. Check out the finished product below and the walk-through in the full post.

Sony's Stereo 3D Commercial "Two Worlds" Shot At 2500 FPS
The amount of effort that went into Sony's 3D commercial Two Worlds is pretty unbelievable. I've watched this video twice now and still don't know if I know what I'm seeing. The creative team filmed the actors at 2500 FPS which required more than half a million watts of lighting and some of the largest fabric grids I've ever seen. Then using green screen, they filmed tons of slow motion projectiles to help their CGI team in the rendering of the background and moving elements. Because super slow motion video often looks fake even if it's real, making sense of what is real and what isn't real in this video is what makes it so interesting to me. Check out the video below and click the full post to see how they created this commercial inspired by the legendary Leonard Cohen.

Behind The Scenes Of ESPN's TV Ratings
Now this isn't your normal behind the scenes video. The guys over at Jess3, a creative agency, were asked by ESPN to create a video that explains how the Nielsen television rating system works. I know it sounds a bit boring but it's actually pretty interesting to see how it works especially if you've ever wondered how in the hell Two and A Half Men is rated as the top tv sitcom on the air for the last several years. Check out the behind the scenes video below on how director Mark Kulakoff created this 70s concept and employed his "2.5D" vision into the final production. Click the full post to watch the final ESPN mini show.

Use An iPhone To Record High Quality Audio For Your Videos
As a photographer with a new DSLR, you might be trying your hand at video production. Most people completely overlook audio and they shouldn't. If a video sounds cheap then in most people's minds, it is cheap. If you don't have enough money to afford fancy lav mics, don't worry, you can record clean audio with a number of devices that you may already own. In the video below I will show you how we did it for the first year we filmed videos for Fstoppers with a simple (and free) iPhone app. If you don't have a smart phone then you can buy one of these for $16.

Drone Octocopter Takes $58,000 Red Epic Camera To The Sky
Using drone octocopters to take breathtaking aerial footage is nothing new. But what would the results look like if you could combine a stabilized drone with ultra high def 5K footage from the Red Epic? That's exactly what OMstudios did with their self proclaimed "OM-copter". By using the drone, directors can now produce stunning high def and slow mo aerial shots without the high cost of renting an actual helicopter. Of course you have to be able and willing to secure a $58,000 video camera to a remote controlled octocopter in the first place! Check out the OMstudio Vimeo Channel for some great commercials and other video projects.

The OM-Copter gives wings to the Red Epic from omstudios on Vimeo.