"In The Starlight" begins with Mathieu Lelay showing the beauty and values of the film as we experience the sights of the cosmos through the travels and photography of Paul Zizka. The all-encompassing night sky surrounds the film’s creator and subject making the silent case for humanity’s awe of the night sky with a universal message that we all share this very small part of a vast galaxy across a grand and timeless expanse.
Fstoppers Original Articles
With the advent of social media and the unattainability of life expectations brought with it, we, photographers, are on the very forefront of having the opportunity to make a difference in re-shaping the visual world. We are the ones with the tools to push for diversity whenever we put our work out there to be sold and used worldwide!
That's right you boudoir photographers, if you haven't tried shooting boudoir outside before then you are seriously missing out. There really are quite a few reasons why you should give it a try here are a few of my favorite reasons why I shoot boudoir outside instead of in a studio.
A short while ago, I wrote about a kerfluffle with White Castle’s social media team about a photo I took of their Impossible Slider. At issue was the way White Castle (and other large companies) treated people who asked for some form of compensation for their photos to be used on the company’s social pages.
Is it just me or do the same type of images keep appearing over and over again on screens and in print? Maybe it's the magazines I read or the people I follow, but I feel like I'm repeatedly seeing (and creating) the same type of landscape photographs. Here's how I'm trying to get out of the rut.
Anyone that has researched the best practices for gaining followers on Instagram knows that your feed and profile should follow a similar style. I absolutely hated this recommendation and came up with an alternative so I don’t feel so constricted creatively while still maintaining a curated profile.
Canon has announced their new top-tier 70-200mm telephoto lenses. The EF 70-200mm f/2.8L IS III and the EF 70-200mm f/4L IS II are finally here with their predecessors receiving updates eight and twelve years apart, respectively, but is the new flagship 70-200mm f/2.8 just a paint job?
I doubt any photographers became professional because they were excited to run the business, but run it they will. Unfortunately, the importance of savvy business practices is much closer to photographic talent that most like to admit, so take a break from honing your portraiture, and hone your abilities as a small business owner.