The Number One Killer of Creativity

The Number One Killer of Creativity

There is nothing quite as heartbreaking as the actual moment when your creativity is quashed. There are lots of culprits that can lead up to that moment, but I find that it's often traceable to a single action (or inaction) by another party.

Let's set the scene; you've arrived at the location ready to rock and roll. You've got your vision and your concept ready to go and you're psyched to create something. You're either scouting the location picking out spots to shoot specific sets or you've already done so ahead of time. You can literally picture the frames that you're wanting to shoot in your mind. Everything is coming together nicely (hopefully the location you've chosen is a good one and the weather is holding steady), then it all comes crashing down in a single moment. Your model or talent for the shoot has flaked out.

 

We've all been in this situation before, where we've got the sets planned and ready and we find ourselves just waiting in the car, the park, or the studio just tapping our feet. It's ten minutes after the scheduled start time, then twenty, and so on. Our phone beeps (hopefully) to alert us with a “insert generic excuse we've all heard before” line. In that moment, creativity is dead. What was going to be; what would have been, will now no longer be and it's positively heartbreaking. 

Being able to deal with and address these situations with a level head and in a professional manner is an important part of any successful photography career, as you're going to find yourself in this predicament more than a time or two. Your options are to get mad and possibly express that emotion in a negative and unprofessional way (for example, being rude to the talent that flaked out) or to emotionally pick yourself up, dust yourself off, and keep moving forward. The angry option is the route that you're going to want to avoid at all costs. You are a professional regardless of what stage in your career you're at, take the high road every single time.

It would be unfair and this piece would be incomplete to imply that this situation is one-sided and that this only happens to photographers or videographers. The other side of the coin is just as valid and just as important to remember. Models, makeup artists, stylists, and creative directors get flaked out on by unreliable and unprofessional photographers all the time. This is not a one-sided experience and I think that it's always important to remember that other people go through similar moments, you're not alone in your frustrations. 

So what's the moral of the story? It's the recognition that there will be moments where someone else's actions stamp out your creative efforts. It's going to happen and you're going to survive. Stay professional, act like an adult, and by all means keep a mental (or physical) list of unreliable and undependable people to avoid working with. Keep in mind that other people, including all the other creatives involved, have gone through the same situations. Use your better judgment in these situations and keep moving towards your goals. I'd love to know how you handle the frustrations of a flake out, leave a comment below with your advice. 
 

Evan Kane is a portrait photographer based near Seattle. He specializes in colorful location portraits with a bit of a fairy tale flair. Always looking to create something with emotion behind it, he fell backwards into photography in mid 2015 and has been pursuing this dream ever since. One if his mottos: "There is always more to learn."

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5 Comments

Good article. I agree, don't get mad. Just never work with the person again.

I'm glad you put that info in there about photographers flaking out also... A [now] friend of mine and I met on the situation whereby their "photographer" wasn't gonna show. They just walked up, smiled, and asked if I could do them a favor, so I did it. We later became friends and I've shot her numerous times over the past years.

But yeah, happens the other way also... I've been stood-up 2 times. Once by someone I know and knowing her, I'm fully aware of her potential flakiness. The other time though, we locked-up a shoot (or so i thought) via email and text.

For someone I don't know personally, I'm usually pretty low key, so I usually take the high road, maybe with a subtle comment or something. If I don't know them, I might drop them altogether, or I might give them another chance, but that just depends... I usually follow-up with a text on the eve of the shoot date. Sometimes I even disguise it with something stupid, "... bring sunglassed or comfortable walking shoes..." If I don't get a text back, then yeah, the spidey sense starts going off and I follow-up the next morning.

If it's someone I know, I might be late 15 minutes to our next shoot... ;)

I'm sorry to say this but I feel lile title is a click bait. Clearly situation will not apply to several types of photography like landscape, street, product, sports, etc. "The number one killer of portraiture photography" would be much more sincere.

I don't mean this in a trolling way, but this article feels kind of "slight" and thin on content/insight. And yea, the title is clickbait, since it amps up the drama so that people will click it out of interest, only to read a pretty ho-hum couple of paragraphs that to me read as "yeah, no kidding, now please tell me something I don't know."