Articles written by Daniel Laan
The BenQ SW271 is a new, high-end 27-inch 4K IPS monitor aimed at photographers who demand color accuracy at competitive price-point. In this review we will test both the SW271 and its larger cousin, the 31.5-inch BenQ SW320, to see if these big photography monitors lives up to their expectations.
When we talk about landscape photography post-processing and it comes down to adjusting color, we're in most cases bombarded by theoretical terms. Erin Babnik tossed difficult to understand terms in favor of an easy-to-follow essay on adjusting color in your landscape photos.
I bet you've always wanted to hold the crispiest glass yourself. Kai Wong is here with his selection of the ultimate lenses for Nikon full-frame cameras. Well, we have a couple of lists ready to compare Wong's choices with some other usual suspects. This is some expensive glass, and perhaps not surprisingly, most of the lenses in this list are prime lenses in the 50-100mm focal range. However, we've also compiled a list of our top choices according to your subject. But let's start by checking out Kai Wong's latest video.
Here's a fun landscape photography project that, with a bit of dedication, will get you out of your creative rut. You will need a camera, a tripod, and a good memory of where you put those the day before. We're going to capture the exact same scene for six days straight and Norwegian photographer Oddbjørn Austevik is going to show you how in his latest video.
There is something to be said about social media for photography. Apps and sites like Instagram, 500px, and Flickr have way of tapping into our innate drive to create work that satisfy others. When treated right, social media can keep you motivated to produce. This week's article is about how keeping up the production rate is no measure for creating from the heart. Photography should, at least in the first place, be for you.
Creative pursuits are inherently two-headed beasts. We are all too familiar with being passionate about photography, so much so that we can sink all of our spare time and a good portion of our money in it. Especially when you travel with photography in mind, landscape photography can start to become a trophy hunt. And I can’t blame you. Travel is expensive enough, so you want to make your shots count, right? In this article, I want to present a new way of looking for meaningful shots that may be more interesting to you in the long run.
There are three basic elements that control the exposure or overall brightness in your images: shutter speed, aperture, and ISO. But aside from controlling exposure, these camera settings also have a couple of side effects. To help understand all this, Dave Morrow comes to our rescue by teaching the exposure triangle.
We’ve had our first snowfall of the year here in the Netherlands. It’s one of those instances when most people stay indoors, while just about every landscape photographer is aching to feel the snow on their face. One of them is acclaimed British Landscape Photographer Simon Baxter, who I've asked to help me analyze the introvert mind.
When you’re in the market for buying a new monitor, you’re probably overwhelmed by a host of specifications. Size, resolution, color gamut, and panel technology can make all the difference when you look for a new screen to edit your photos on. As a photographer, not all specs are that important. Dynamic contrast for instance; a feature that adjusts brightness and contrast according to what's on the screen at a given moment. In this guide, we’re focusing on buying a monitor that is geared specifically towards post-processing.
Even with all the notes and advice, it’s typically a tough job to find a quality monitor in any price range. This is why I’ve decided to hand you my top recommendations as of November 2017. After sifting through literally hundreds of monitors, I’ve distilled five classes of monitors, among which are Fstoppers top recommendations in either class.
Students often ask me a rhetorical question: “What is it like to be a professional landscape photographer?” Well, it’s fantastic if you’re into the outdoors, natural landscapes, and of course photography. However, that’s not entirely the point of the question. The real question you want to ask though, is “How do you find a sustainable income to support such a career?” Typically, we all have a preconceived idea of what a landscape photographer does for a living. But that idea seems to stem from a time when there weren't that many people in the business.
There are two ways to photography: registration and creation. Let me be clear that, before we get into a short essay about self-acceptance in art, neither is better than the other. While I’d like to teach you today about conscious creation, registration is the inherent nature of photography. But the way we modify and modulate light before it hits the sensor, as well as the entire process after it, is all up to us and not the camera manufacturer.
Editing Milky Way, star trail, and deep-sky astrophotography images can be a daunting task. With dozens of layers and adjustments, we can feel overcome with getting the most out of our nightscape photography. With the new and improved version of OrionH, those days may well lie behind us because this plugin panel for Adobe Photoshop aims to lower the amount you sit at the computer. OrionH comes with three different panels that each have their nightly specialty and in this review, we will discuss version 2.0’s new and improved algorithms and features for each of those panels.
Today I’m testing out a direct to aluminum print from Zor.com, which is supposed to bring out vibrant colors and incredible image clarity. The 3mm Dibond is fashioned from two thin sheets of aluminum, with a low-density core of polyethylene. This makes the print sturdy and durable, but also very lightweight. But to be honest, I’m awfully skeptic of printing on anything other than fine-art papers. Call me a conservative printer. Let’s find out if Dibond can change my mind.
Photographers who are active on social media often get a lot of questions about the technicalities of photography. Especially about nightscape photography – the subgenre of landscape imaging where you basically have a dark landscape set to some celestial backdrop featuring twinkly stars. Either through commenting on a shared image, a direct message, or an email, people ask about the type of gear that was used to capture a specific shot or any of the numerous variables that make up a given photo. Variables that range from the time of day to how many degrees of rotation on the polarizing filter. But this time I got an email that announced the inevitable demise of the subgenre of nightscape photography. But there’s a strong, intrinsic motivation for nightscape photography that I want to share with you here.
How could you make photo editing more intuitive? Both working professional photographers and beginners would really benefit from a more intuitive, time-saving way of interacting with Adobe Lightroom. Dragging sliders and rating images can be, well, a drag sometimes. I’m actually surprised it took this long for a creative company to dream up a dedicated photo editing console for Adobe Lightroom. But the day has finally arrived. Loupedeck promises to change the way you work with Lightroom and shorten the amount of time you spend sitting at your computer. Loupedeck is here and we’re reviewing it.
Simon Baxter makes an unplanned visit to a verdant misty forest in North Yorkshire, UK. As Baxter talks us through the thought process behind one of his images, it becomes clear that the gushing waterfall in the background isn’t his area of interest. A couple of trees above the waterfall that are steeped in the rolling mist look very intriguing.